78 books like Flight from the Dark

I would personally recommend Isekai Kids because the characters are an adventurous and entertaining bunch whose antics really speak to children, especially gamers.

Ollie, Jimmy, and Grant activate a magical video game cartridge—and are transported to the land of Otherworld. The characters are realistic in their curiosity and desire to have a fun adventure in a place that is a mix of video game and amusement park with a strong dose of magic. Each of the characters has their own unique personality and approach to solving problems in Otherworld. Ollie is Courageous, Jimmy is Clever, and Grant is Smart as they work their way through the trick, traps, and battles of the Game World. 

Overall, it is a tale of teamwork, and an entertaining story of adventure and exploration.

The fact that it is set in a highly recognizable franchise makes kids very excited to read it. But the text itself is great.

The story follows the rules of the game, staying true to the ‘universe’ in which it is set, and making the text relatable to children worldwide. It contains great humor for the K through 6th grade age range, and honestly, I got a real Disney sense when reading it before giving the book to my son. It swirls with happy-laugh energy, a key element in books these days since they must compete with video games and screen time.

I bought the book out of curiosity not even knowing it was for kids. And once I realized what it was, I read it to my son. He loved it. Let me describe it in the style it is written:

High-energy text right from the beginning. Honestly the inspiration for my own series and its style of writing. The protagonist has special powers that are ranked in a game-like manner using levels. It appeals to the gamer youth of today, relating to the games that they play even now despite having been written thirty years ago. A solid A plus production.

I write because I love to entertain children. Seeing a child write and publish at just ten years old is phenomenal and I fully support his endeavors. Not only that—I honestly enjoy the book. He writes well for his age and, better than that, he maintains the tremendous creativity of youth. The adult continuity that is set and made rigid by our years of getting older is not present in this story.

And many of the things that occur within will honestly make you laugh out loud.

As a book it was written by kids for kids, pretty obviously. But I guarantee it is fun for all ages.

Sometimes you might find you have a great idea for a campaign, or know what theme you want to explore but are struggling to understand how to bring those ideas together.

D’Amato takes you through building your campaign through both a discussion of storytelling devices as well as pointed questions you can use to help flesh out your ideas and turn them into a full campaign. This book also helps GMs learn how to make their world feel lived in through descriptions and building history.

This is the book you want to use to build a small idea into a full campaign! 

When I first started GMing I had pages and pages of notes that took hours to prepare.

It was unsustainable and I knew there had to be a better way. The Lazy Dungeon Master technique of session and campaign planning helps to ensure that while you are prepared for your sessions you are not wasting time planning too much.

Using the methods in this book, my session preparation time went from several hours to around an hour and I think my sessions improved as a result. 

Understanding story structure, narrative drive, and world-building are incredibly helpful when running tabletop role-playing games.

As you run games you will often find that the players do not do what is expected and as the Game Master (GM) you have to adjust the story as you go. Understanding common story tropes and character arcs can help GM’s with building their world, their campaign, and adjusting the story as needed.

Hickson uses examples from literature, anime, and popular media to help illustrate the different themes explored in his series. 

This book is an exploration of “geek culture” including Dungeons and Dragons but also other aspects of fandom like live-action-role-playing (LARPing), and Harry Potter fandom. 

This is not a theoretically weighty book, but the author did substantial field work trying to explore and understand these subcultures. The throughline of the book concerns the human fascination with imaginary realms and the cultural forms people will invent to connect with these realms and bring them to life. As a religious studies scholar, I see this longing for other worlds as a “religious” impulse.

For many Game Masters it can be difficult to understand how the monsters and adversaries in their worlds would act.

In his book, and its sequel, Ammann helps to provide guidance for how different adversaries might act towards the group of heroes. This book helps GMs think critically about the monsters in the world and can help with teaching how to provide a more dynamic and consequential experience for players.

Ammann also helps readers think in terms of a world with magic and how those living in such a world might think and approach problems differently than we do in our magic-free world.

This was the first sociological study of fantasy role-playing games. Fine was able to detect and articulate what is sociologically significant about these games. 

The book takes dynamics that role-players just “get” and articulates them as sociological concepts. For example, he uses “frame theory” to explain how players verbally transition from the frame of the game mechanics and the story world of their characters. 

He also explains how games like Dungeons and Dragons are “autotelic.” In other words, you do not “win” at and these games, the purpose is “engrossment” or being absorbed into the fantasy world. 

Fine also did a great deal of participant observation for this book and it provides a great historical insight into the culture surrounding these games in the early 1980s––warts and all.