Here are 100 books that Inheritance fans have personally recommended if you like
Inheritance.
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I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
I loved Jeanette Walls honest and raw telling of her father’s mental illness and her mother’s unorthodox mothering and the impact they both had on her childhood and adulthood. People with mental illness are often portrayed as villains with no redeeming qualities.
Still, Walls finds the bits and pieces of her father that are beautiful, made her childhood sometimes magical, and led to her own successful career and life.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I loved Margaret Atwood’s book, a cautionary story that shows how the extreme distortion of religious ideologies can lead to devastating outcomes. Offred endures unimaginable hardship under the guise of religious piety, but the reality is much more twisted.
Her determination to survive in such harrowing circumstances is inspiring and challenges us to reflect on our views and norms.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
Officially, I’m an award-winning author and specialist in the fields of psychology, trauma, and spirituality. I’m also a professionally trained therapist, clinical ethicist, and researcher. Ultimately, I’m an ardent believer that the same life that brings us joy also (sometimes) brings us pain. More importantly, that every aspect of life has a role to play in making us who we are today and who we’ll be tomorrow. We don’t always have control over the events in life, but the script we live by is ours to write—and write it we must, as only we can. I’m also a three-time heart attack survivor.
Joan Didion’s book is heralded for its bravery, clarity, and confessional witness about grief and loss. Indeed, it’s all these things, but for me, more importantly, this book paints a masterful depiction of the loss of innocence that comes when you lose something meaningful—like a loved one.
Particularly, it shows, with exhilarating force, the fragmented sense of time of such an experience, moving from Didion’s darkest moments of despair at the loss of her husband in the present to treasured memories of her life before his passing and musings about what comes now—in the future.
This book is not for the faint of heart, but it is for the savoring soul who, like Didion, possesses an inherent human desire for a sense of coherence and wholeness after life has torn it asunder.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this novel in verse because it made me think a lot about what it must be like to have a whole root system, a family, in a place, a whole country apart, that you have never or rarely visited. I concluded that sometimes it’s not about how you came to eventually make it back to that home you’ve never known, but that you went to explore it at all.
The stunning New York Times bestselling novel from the 2019 Carnegie Medal winning, Waterstones Book Prize shortlisted author of THE POET X. 2020 Goodreads Choice Award Winner of CLAP WHEN YOU LAND.
Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...
In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a…
My memoir, Circling Home: What I Learned by Living Elsewhere, details my own trajectory in trying to find my voice and métier as a writer. I’ve kept a journal since I was a teenager, trained to be a journalist in college, and worked as an investigative reporter on a newspaper column and a news show in my twenties. When my husband and I moved abroad, I got a book contract for my PhD thesis and also published my research in academic journals. I wrote travel articles and profiles of people I met while living in East and West Africa. Working with a writing group of friends, I finished two novels before embarking on my memoir.
Thomas is a writer who got a late start before blazing trails with her memoirs, written in spare and evocative prose.
Stephen King calls her the “Emily Dickinson of memoirists” and noted that “so much of this book’s wisdom is written between the lines and in the white spaces.” She writes about troubled friendships, the gems she finds each day in the mundane, and the unavoidable pains of growing old. Her understated style is searing and inimitable.
This book and her earlier memoir Safekeeping made me hopeful that my writing style can keep improving even in my sixties and beyond.
The New York Times bestseller from the beloved author of A Three Dog Life-an exhilarating, superbly written memoir on friendship, family, creativity, tragedy, and the richness of life: "If you only read one book this year, make it this one" (Ann Patchett).
In her bestselling memoir A Three Dog Life, Abigail Thomas wrote about the devastating loss of her husband. In What Comes Next and How to Like It, "a keenly observed memoir...Thomas writes of the changes aging brings us all and of coping through love: of family, dogs, a well-turned phrase. She is superb company" (People).
I grew up in an era of feminism but did not necessarily see opportunities outside of the traditional female roles. I became a teacher, mother, and now grandmother, and I am more passionate than ever about the challenges of being a woman, especially in this strident time in America. I think it is imperative that women stand up for themselves and fulfill the dreams that some of our ancestors were not able to achieve. We should never move backward in terms of allowing all citizens to strive toward their pursuit of happiness. Consequently, I have gravitated towards books with strong women protagonists in my reading selections.
If there ever lived a strong, persistent woman, it is Jaouad. This is Jaouad’s memoir of fighting and surviving leukemia at age 22. I came to love her as a person as she suffered the broken dreams of her youth and her future.
The insightful writing is from her unique perspective as a young woman who speaks multiple languages and is raised in several countries, including the United States. In her post-treatment year, she completes a road trip around the United States, which brings more revelations.
NEW YORK TIMES BESTSELLER • A searing, deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the author of the Life, Interrupted column in The New York Times
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist • “I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New…
Becoming a mother reshaped me in ways I’m still wondering at now, two decades on. I’ve had to find ways to resist the repressive cultural mythology surrounding motherhood—the pressure I felt to suddenly become a perfect, self-sacrificing vessel for my children’s optimized development. When I read stories about flawed mothers—women, queer and straight, struggling beneath the magnitude of the job, yet fiercely loving their children all the way through—I felt I could breathe a little bit, could handle the task with a little more good humor and forgiveness, for myself, my partner, and my kids. Read a book, bust a myth, go hug your mom.
Maggie Nelson just dazzles me. Her prose is so sharp and thoughtful, her thinking so idiosyncratically brilliant, her images filled with light. The Argonauts is both memoir and inquiry, a story of how Nelson and her partner Harry, who is in the midst of a gender transition, became parents, a story fraught with obstacles and veined with wisdom. Nelson’s voice mixes erudition, visceral power—especially when she writes about sex and the body—and formal innovation. The Argonauts caused a splash when it came out, and for good reason—its unflinchingly honest portrayal of one queer couple’s creation of family together is beautiful, brave, and yes, deeply fierce.
An intrepid voyage out to the frontiers of the latest thinking about love, language, and family
Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.
As the daughter of Holocaust survivors, I have always been interested in trauma and memory, racial and ethnic oppression, and gender violence. I want to make visible what has been marginalized, forgotten, or repressed. I am also moved by the way that personal stories connect us to larger collectivities and histories. When I visited the lynching memorial in Montgomery, my parents’ hometown in Poland, or the memorial to Walter Benjamin in Portbou, Spain, I felt compelled to write about the embodied experience of place and the importance of activist memory. I have also written about the imagery of lynching, war and ruins, and artworks by the offspring of Holocaust survivors.
I really appreciate Alison Landsberg’s focus on the fact that all of us, regardless, of race, gender, or ethnicity, are able to experience empathy for people whose experience is historically different than our own. I find this argument especially important in an era of alarming race essentialism, such as the protest against a painting of Emmett Till because the artist was White.
Instead of compartmentalizing American experience, the technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender to share collective memories-to assimilate as personal experience historical events through which they themselves did not live. That's the provocative argument of this book, which examines the formation and potential of privately felt public memories. Alison Landsberg argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The result is a new form of public cultural memory-"prosthetic" memory-that awakens the…
As the daughter of Holocaust survivors, I have always been interested in trauma and memory, racial and ethnic oppression, and gender violence. I want to make visible what has been marginalized, forgotten, or repressed. I am also moved by the way that personal stories connect us to larger collectivities and histories. When I visited the lynching memorial in Montgomery, my parents’ hometown in Poland, or the memorial to Walter Benjamin in Portbou, Spain, I felt compelled to write about the embodied experience of place and the importance of activist memory. I have also written about the imagery of lynching, war and ruins, and artworks by the offspring of Holocaust survivors.
Whether he’s talking about Holocaust memorials or the 9/11 memorial, James Young is always eloquent and poignant. The most important thing I have learned from all his writing is that memorials can never be redemptive, but must express the void of loss without attempting to fill it with consoling meaning.
From around the world, whether for New York City's 9/11 Memorial, at exhibits devoted to the arts of Holocaust memory, or throughout Norway's memorial process for the murders at Utoya, James E. Young has been called on to help guide the grief stricken and survivors in how to mark their losses. This poignant, beautifully written collection of essays offers personal and professional considerations of what Young calls the ""stages of memory,"" acts of commemoration that include spontaneous memorials of flowers and candles as well as permanent structures integrated into sites of tragedy. As he traces an arc of memorial forms…
I’ve been exploring the natural world most of my life as a gardener, naturalist, student, and researcher. I’ve come to appreciate the essentiality of our dependence on plant and other animal life. But I always want to know more. So I try to read across diverse areas of science as well as history, anthropology, linguistics, and archaeology. I want to know the mind of the thinker, the discoverer of ideas, the developer of technology. I want to understand the process of creativity from the view of the artist or inventor. Thus, I seek first-person accounts of scientists, doctors, inventors, as they struggle to understand the world that fascinates them.
This is the classic personal account of the discovery of the structure of DNA. I read it as an early college assignment, but now find it rich in history, biology, and insight. Watson described himself as an ornithology undergraduate who avoided chemistry and physics courses in spite of a desire to do science—a common sentiment. He unfolds in frank detail how the world of science worked, and sometimes didn’t work, early post-WWII. We learn as much about bond angles and hydration as we do about laboratory politics and personality quirks beneath the effort to puzzle out the structure and function of DNA. The epilogue pays tribute to less well-known collaborators, especially Rosalind Franklin, sometimes dismissed as uncooperative, but recognized here for her essential contributions and competence as a scientist.
Eighteen year old Eli Samuels has just graduated from high school and lucked into a job at Wyatt Transgenics—offered to him by Dr. Quincy Wyatt, the legendary molecular biologist. The salary is substantial, the work is interesting, and Dr. Wyatt seems to be paying special attention to Eli.
Is it too good to be true? Eli's girlfriend doesn't think so, but his father is vehemently against his taking the job and won't explain why. Eli knows that there's some connection between Dr. Wyatt and his parents—something too painful for his father to discuss. Something to do with his mother, who…
