Here are 77 books that In The Shadow Of The Greenbrier fans have personally recommended if you like
In The Shadow Of The Greenbrier.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Set in 17th-century Spain, this one follows the lives of two very different women: one the daughter of a poor silk grower in love with a priest, and the other a pampered princess married to a king who just happens to be impotent.
Although the two barely connect, Harrison plays them off against each other; both are exploited and misused not only by the men around them but by the entire system that’s been stacked against them from the start.
Harrison’s writing is vivid, dense, and flat-out gorgeous; she skews dark but believe me, it’s worth the ride.
Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividly reminds us of the persistence of desire and the sorcery of dreams.
Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day—in an age when superstition, repression, and the Inquisition reign—the lives of these two young women unfold in tandem, barely touching. Each hoards…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!
Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.
The stunning novel about our fiercest loyalties, deepest desires and the power of forgiveness
'A highly-charged love story' DELIA OWENS, bestselling author of WHERE THE CRAWDADS SING
'This story has everything. Just thinking about it makes me feel that lovely feeling where your heart seems to skip a beat' 5***** Reader Review ________
Chicago, 1950: Rosalind Porter is unfulfilled, heartbroken and angry.
Five years ago her career as a scientist was sabotaged by the man who also broke her heart: former Manhattan Project colleague Thomas Weaver.
Now, out of the blue, Thomas gets back in touch: he urgently needs to…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Did you know that during Hitler’s time in power, unmarried pregnant women who could prove their babies were racially pure were lavishly housed, fed, and supported in something called the Lebensborn program, which then gave their babies to Arayan families? Neither did I!
Coburn researched this little-known part of the Nazi story and creates three complex female characters who all were ensnared in this despicable breeding program. Read it and weep. Or vomit.
"Every historical fiction novel should strive to be this compelling, well-researched and just flat-out good." - Associated Press
For fans of The Nightingale and The Handmaid's Tale, Cradles of the Reich uncovers a topic rarely explored in fiction: the Lebensborn project, a Nazi breeding program to create a so-called master race. Through thorough research and with deep empathy, this chilling historical novel goes inside one of the Lebensborn Society maternity homes that existed in several countries during World War II, where thousands of "racially fit" babies were bred and taken from their mothers to be raised as part of the…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
I love a novel that probes the lives and habits of the rich and reticent.
In this one, set mostly in the summer of 1951, young Miranda Schuyler arrives on elite, exclusive Winthrop Island. She’s from a fancy family that’s lost their money and the man of the house, as her father was killed in the war, so she’s a bit of a wannabe. But her mother marries super-wealthy Hugh Fisher, and so things are looking up, at least financially. Then Miranda falls in love with the wrong boy—the son of a local fisherman, and things get complicated.
There are secrets and surprises, jealousy and threats and finally, there is a murder. But who did it? That’s just one of the things that’s revealed in this nuanced and richly detailed story of young love that manages, against all odds, to survive.
“The Summer Wives is an exquisitely rendered novel that tackles two of my favorite topics: love and money. The glorious setting and drama are enriched by Williams’s signature vintage touch. It’s at the top of my picks for the beach this summer.”
—Elin Hilderbrand, author of The Perfect Couple
New York Times bestselling author Beatriz Williams brings us the blockbuster novel of the season—an electrifying postwar fable of love, class, power, and redemption set among the inhabitants of an island off the New England coast . . .
In the summer of 1951, Miranda Schuyler arrives on elite, secretive Winthrop…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
This book is about the other West Virginia. The one where the Vanderbilts and the Astors traveled down to the Greenbrier to spend their summers taking the waters. The story centers around famed interior designer Dorothy Draper and her design for the Greenbrier. And while the story is definitely “high class” it also highlights Dorothy’s love for the beauty of my home state which she captured in so many elements of her final design.
She has one last chance to prove she chose the right course for her life.
In 1908, young Dorothy Tuckerman chafes under the bland, beige traditions of her socialite circles. Only the aristocracy's annual summer trips to The Greenbrier resort in West Virginia spark her imagination. In this naturally beautiful place, an unexpected romance with an Italian racecar driver gives Dorothy a taste of the passion and adventure she wants. But her family intervenes, sentencing Dorothy to the life she hopes to escape.
Thirty-eight years later, as World War II draws to a close, Dorothy has done everything a woman…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
I can just imagine Chris Fabry saying, “Hey, let’s set a retelling of Les Miserable in West Virginia!” Which is exactly what he does in June Bug, resulting in a story that’s just as wonderful and heart-rending as its inspiration. June Bug is traveling the country with her father in an RV. Then, one day, she sees her own face on a poster for missing children. What if her father isn’t her father? Well worth picking up a copy to find out!
From the best-selling author of War Room comes a Christy Award finalist, now a Lifetime original movie called Child of Grace. “I believed everything my daddy told me until I walked into Wal-Mart and saw my picture on a little poster . . .” For as long as she can remember, June Bug and her father have traveled the back roads of the country in their beat-up RV, spending many nights parked at Wal-Mart. One morning, as she walks past the greeter at the front of the store, her eyes are drawn to the pictures of missing children, where she…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
The characters and stories in this book carved out a permanent place in my inner life. It took me a long time to read the book because I wanted to savor each sentence. I have rarely found a book that combined such an emotional impact, compulsive readability, and such striking, polished sentences.
Every story has the raw, ringing truth of felt experience, and this experience worked its way into my consciousness like a dream or memory. There is a universal quality of aloneness and separateness among all of Pancake’s characters. The Appalachian settings in this book are as symbolic, arresting, and affecting as the characters. Character and setting are inseparable, both bearing an emotional weight and haunting quality that is rarely found in even the best literature. There is no other book like this.
A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."
Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace.
"Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality,…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
This nonfiction work is the quintessential handbook to the biological diversity of Appalachia. Plus, it’s fun to read! Brooks grew up on a farm not far from where I did in north-central West Virginia. I like to think he fell in love with the flora and fauna of our region the same way I did—by simply being exposed to it from the day he was born. His account of a snake visiting camp after dark one night is told in true West Virginia style. With a tongue-in-cheek humor I love almost as much as these mountains!
Behind every cloud, a silver lining, right? You have to take the good days with the bad. But those clichés miss that life is funny, sad, hilarious, mournful, at the same time. We understand that the happiest of days have a tinge of sadness about them. Conversely, real sadness or missing someone possesses a strange beauty. But sometimes we forget that when it comes to our books. We want our novels to be “a comedy,” or “a romance,” a “laugh riot,” or “tear-jerker,” even though Life doesn’t put itself into those separate boxes. Funny, sad, romantic–all have informed my own writing, and all are present in this list of books as well.
West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.
This collection of short stories looks at the undeniable power of myth, these tales of initiation and betrayal focus on a gallery of characters - a rootless young woman confronts her divorced parents and a 14-year-old girl who leaves a series of foster homes for the world of drug addicts.
My fascination with the intricate web of influence and its profound impact traces back to my immersion in literature. Through the immersive experience of reading, we embark on a journey into the minds of others, expanding our understanding and evolving our individual perspectives. My professional trajectory has been shaped by a relentless pursuit of understanding the dynamics of influence across people, processes, and technology. Coupled with experiences spanning all seven continents and interactions with tens of thousands of individuals, I've undergone a transformative journey. Yet, it's the collective success of individuals embracing their humanity, both independently and collaboratively within their spheres of influence, that fuels my passion for continual growth and improvement.
Being a management consultant and thought leader can be a heavy lift, as client issues often stay with me in my mind, even when I am supposed to be focused on personal issues. 1632 is one of those stories that mixes factual history with fiction and creates an alternate reality that entertains, teaches, and allows oneself to escape the daily issues one may face in my area of influence.
Set in a rural West Virginia town in the year 2000, the narrative takes a captivating turn as the town inexplicably finds itself transported back to 1632 Europe, specifically upper Germany. Navigating the bewildering circumstances of their temporal displacement, the townsfolk grapple with the dual challenge of comprehending the inexplicable event and forging a path forward in a world both alien and strangely familiar.
Their struggles mirror our own reflections on influence, resonating deeply with the complexities of decision-making amidst uncertainty.…
