Here are 100 books that Ghosts of You fans have personally recommended if you like
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When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.
James Blake’s book takes us from jail to long-term state imprisonment. In custody for thirteen years over a two-decade period, Blake sent perceptive, frank, witty, and sometimes heartbreaking letters out to friends, chronicling his experiences and reflections.
I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.
Bar fights are among the more banal of crimes, but when murder results the criminal law justly responds with severity.
Under the pseudonym of "Zeno" the author (Gerald La Marque) gives an account of almost a decade in English prisons as an "ordinary" lifer. There is no self-pity, instead an acknowledgement of the justness of his punishment and a custodial life lived with stoical acceptance.
I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.
Victor Serge was too revolutionary for Bolshevik Russia and fled to France in the early part of the twentieth century. His lightly fictionalized account of French penitentiary life will not fail to make an impression–a pitiless and largely dispassionate picture of what was intended to be one of Europe’s most relentless penal experiences.
Startlingly human and unflinchingly honest, this thinly veiled fictionalized firsthand account of talented political writer Victor Serge’s time in prison is an important addition to the canon of prison writing as well as an unfiltered view of humanity in the early 20th century. Rejecting the opportunity to present political propaganda, Serge’s portrayal of imprisonment is instead an insightful and emotionally wrought tale of repression. The depraving brutality that Serge experienced behind bars is at once a mirror of a society at war and a deeply personal question of purpose. Originally published in 1930 and translated from the French by Richard…
I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.
Erik Hickey is the pioneer in serial killer research. His renowned book is the gold standard for those wishing to gather the facts about serial murderers, their crimes, and their victims. He does not include “gore” (his word) in his writings. His work is methodical, evidence-based, and respectful, and his results have been consistently replicated by my team and others. With respect to my recommendation theme, in this book, Hickey describes his lengthy research on both male and female serial killers and emphasizes that the crimes of male serial killers (MSKs) are starkly different than those of FSKs. I know him to be a great supporter of other researchers in their empirical pursuits. His book is a must-have for scholars and students of psychology and criminal justice interested in this topic.
This book provides an in-depth, scholarly examination of serial murderers and their victims. Supported by extensive data and research, the book profiles some of the most prominent murderers of our time, addressing the highest-profile serial killer type--the sexual predator--as well as a wide variety of other types (male, female, team, healthcare, and serial killers from outside the U.S.). Author Eric Hickey examines the lives of over 400 serial murderers, analyzing the cultural, historical, and religious factors that influence our myths and stereotypes of these individuals. He describes the biological, psychological, and sociological reasons for serial murder and discusses profiling and…
I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.
Academic books about imprisonment proliferate and some have the irritating characteristic of running before the latest intellectual breezes. This book by Norval Morris is an unquestionable stand-alone and is an honest and engaging read.
Morris was one of a small number of authors in this field who had much practical experience of penal management, who shied away from easy answers, and who always wrote engagingly and with humane values. His output was as considerable as it was distinguished.
It remains relevant and, oddly for such a topic, uplifting.
I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.
Award-winning author Patricia Pearson has a no-nonsense knack for finding and reporting truths, no matter how unsettling these are. Pearson doesn’t hesitate to express her own viewpoints but does so from the wealth of evidence she carefully collects. And she doesn’t care if this flies the face of “popular” opinion! I appreciate that she avoids sensationalism. She is dedicated and bright. I respect her enormously. She’s also been a kind and supportive colleague! When talking about Pearson’s work in my book, I noted it interesting that many efforts underscoring that women can do just as horrible things as men can have largely come from women, like Patricia, myself, Debra Schurman-Kauflin (mentioned below), and sociobiologist Amanda Farrell from Old Dominion University.
In this provocative book, award-winning journalist Patricia Pearson argues that our culture is in denial of women's innate capacity for aggression. We don't believe that women batter their husbands or abuse the majority of children in North America. We ignore the 200 percent increase in crime by women in a period when most crime statistics are dropping. Pearson weaves the stories of women such as Karla Homolka and Mary Beth Tinning (who smothered eight of her children) with the results of criminologists and psychiatrists to expose the myth of female innocence.
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