100 books like Adults and Other Children

I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.

At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.

Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.

More than any other book here, Cathy Ulrich’s flash fiction collection epitomises the “linked story” concept in terms of form and theme (as opposed to plot).

Each short piece is addressed to “you”, and “you” are a woman who has been murdered. We may learn little or nothing concrete about the dead character each story addresses, but the absence of that stolen life leaves an outline of what’s been lost, a haunting negative image of the life she might otherwise have lived.

What results is a moving, subtle illustration of the humanity of the absent “you”.

On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.

Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.

A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.

As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.

The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.

The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”

Marion Dönhoff was born into privilege, 1909, at Schloss Friedrichstein, one of the largest semi-feudal estates in East Prussia, and her memoir lovingly recreates her childhood there amongst a family of cultured and benevolent Junkers. The values they espoused were contrary to everything Nazism represented, but that did not prevent the deaths of nearly all her adult male relatives in either combat or purges after the failed assassination plot against Hitler in 1944. In 1945 she, along with thousands of other refugees, fled west during harsh winter weather, as the Red Army ruthlessly advanced for Berlin and victory. Dönhoff, on a horse from the Friedrichstein stables, rode alone over 800 miles to safety. From 1946 until her death in 2002, she was associated (as both editor and publisher) with the prestigious, Hamburg-based weekly newspaper, Die Zeit. Her memoir is exceptional.

David McCullough is one of my favorite authors of history, and Mornings on Horseback is, in my opinion, one of his best works.

McCullough introduces us to the young Theodore Roosevelt, from early childhood to early adulthood. Born to a Southern mother and a father who would later contribute heavily to the Union cause, he grew up in a mansion in New York City but spent considerable time ranching in the Badlands of North Dakota.

Teddy Roosevelt was a fascinating man with contradictions and character, the perfect subject for a masterful biography.

Paula Fox, the late great novelist and revered children’s book author, wrote a wonderful memoir of effectively not having parents. Oh, Fox’s parents were around, but they were drunk, careless, and inattentive, often shuffling young Paula to and from locales as varied as Hollywood and pre-Revolutionary Cuba. Her parents are depicted in this memoir as both monstrous and sympathetic, providing aspiring memoirists with a model of artful ambivalence. The book is also filled with extraordinary walk-ons by Orson Welles, James Cagney, Stella Adler, and F. Scott Fitzgerald. It’s a beautiful book by one of the most effortlessly commanding writers this country has ever produced. (Full disclosure: As a twenty-eight-year-old greenhorn editor, I had the pleasure of line-editing this book, which wasn’t editing so much as polishing silver.)

It is something of a commonplace that the most important subjects in life are somehow the least amenable to the long essay. Where are the great books on love, grace, revelation, understanding, or peace? 

And what about childhood? Everyone has one, and many people want to be parents, but where are the transformative and indispensable books on this subject? Now we have one, at last, this capacious, passionate, searching, learned book, by one of the most gifted prose stylists writing in English in the present day. It’s beautiful to read, and essential for our cultural moment. 

Children of the 17th and 18th centuries were raised far more strictly than today. In the 17th century, initially without schools, they would likely be uneducated. Encouraged to walk as soon as possible, children would be incorporated into the work of the family at an early age, to ensure the survival of the community. Alice Morse Earl conducted years of research, based on letters, official records, diaries, and other accounts to create and detailed portrait of a child’s world of that time. For me, it answered questions, such as: Did the children work? How were they educated? How did parents teach respect, manners, and religion? How were children disciplined? Were children allowed to play and what toys or games did they have? I found her book to be enormously helpful in creating the life of Mary Allerton as a child in the Plymouth Colony and the home life of the… show more.

Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.