Here are 100 books that Adults and Other Children fans have personally recommended if you like
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When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
More than any other book here, Cathy Ulrich’s flash fiction collection epitomises the “linked story” concept in terms of form and theme (as opposed to plot).
Each short piece is addressed to “you”, and “you” are a woman who has been murdered. We may learn little or nothing concrete about the dead character each story addresses, but the absence of that stolen life leaves an outline of what’s been lost, a haunting negative image of the life she might otherwise have lived.
What results is a moving, subtle illustration of the humanity of the absent “you”.
Cathy Ulrich's debut short story collection, GHOSTS OF YOU, seeks out the names of the lost and finds the person behind the sensationalism. It examines some of the most common tropes in mystery and crime storytelling, in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. Their lives have been taken, but their stories still remain. This is how they set the plot in motion...
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
As a gay man born into an evangelical Christian family, my coming out story was wrought with pain, trauma, and separation from family and loved ones. In the same year I lost my best friend in an accident. My world tumbled and I had to crawl back to a place of reckoning. Walking became my path to healing. So when my brother Reuben, who has Down's syndrome sent me a message from the isolation of a care home in the pandemic, I knew he was in trouble. Those five words - ´brother. do. you. love. me.´changed our lives. I thought I might know a way to save him.
William and his wife lost their baby in its last term and had to endure the torment of an induced stillbirth.
The same thing happened to a dear friend years ago so when I heard William as embarking on this brave endeavour to write about it, I was intrigued. The publisher, Little Toller Books, decided to create a space for William’s male voice in a publishing genre that is dominated by women’s.
The result is a heart-wrenching tale of grief as William clamours to contextualise the world he has been thrown into. William’s skill as a writer lies in his depiction of the indescribable. I’m sure there were months of soul searching and pen holding before he finally hit upon a way of converting his pain into the stunning prose. I am so grateful he did. And you will be too.
In the summer of 2017, Will and his wife Amy lost their baby, Elowen, a few days before their due date. After a traumatic induced birth, they returned from hospital to their cottage in the New Forest, grief-stricken and struggling to make sense of what happened to them. Unmoored by sadness, what became clear in the weeks and months following Elowen's death is that there is no established vocabulary with which to understand this experience, either for Will or the people around him. Indeed, as he discovers, there is no word in the English language for a parent who has…
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
I was a huge bookworm as a boy, so I identified greatly with Ann Hood’s memoir that focuses on her own love of reading, which she developed as a child growing up in Rhode Island. While I still enjoy reading as an adult, nothing matches the way I could lose myself in a Hardy Boys adventure or a Doctor Dolittle tale as a youngster. Hood captures this total-book-immersion experience as she recalls readingLittle Women, one of the first books to whisk her away to a different world. The title of this memoir refers to another of Hood’s beloved books, Marjorie Morningstar by Herman Wouk.
In her admired works of fiction, Ann Hood explores the transformative power of literature. Now, with warmth and honesty, Hood reveals the personal story behind these works of fiction.
Growing up in a household that didn't foster the love of literature, Hood channelled her imagination and curiosity by devouring The Bell Jar, Marjorie Morningstar, The Harrad Experiment and other works. These titles introduced her to topics that could not be discussed at home: desire, fear, sexuality and madness. Later, Johnny Got His Gun and The Grapes of Wrath influenced her political thinking and Dr. Zhivago and Les Miserables stoked her…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
Paula Fox, the late great novelist and revered children’s book author, wrote a wonderful memoir of effectively not having parents. Oh, Fox’s parents were around, but they were drunk, careless, and inattentive, often shuffling young Paula to and from locales as varied as Hollywood and pre-Revolutionary Cuba. Her parents are depicted in this memoir as both monstrous and sympathetic, providing aspiring memoirists with a model of artful ambivalence. The book is also filled with extraordinary walk-ons by Orson Welles, James Cagney, Stella Adler, and F. Scott Fitzgerald. It’s a beautiful book by one of the most effortlessly commanding writers this country has ever produced. (Full disclosure: As a twenty-eight-year-old greenhorn editor, I had the pleasure of line-editing this book, which wasn’t editing so much as polishing silver.)
An astonishing, devastating memoir of a 1930s American childhood. A New York Times Best Book of 2001
Born in the 1920s to young, bohemian parents, Paula Fox was left at birth in a Manhattan orphanage. Rescued by her grandmother, Fox eventually landed with a gentle, poor minister in upstate New York. Uncle Elwood, as he came to be known, gave Paula a secure and loving home for many years, but her parents constantly re-surface. Her father is a good-looking, hard-drinking Hollywood screenwriter (among his credits is The Last Train to Madrid, which Graham Greene declared was 'the worst movie I…
Why do I use the word “fraud?” The answer is agonizingly simple. My whole life, and I mean since I was ten, I wanted to be “a real writer.” Whatever that was. And now here we are, 55 years later. Despite my great good fortune to spend 24 years coming up with jokes for Dave Letterman, three years as a columnist at Sports Illustrated, and to have my name on four novels, if you asked me, “Are you a real writer?” I would tell you, “not yet….” Here are five real writers.
A memoir of his mother and his life in Glovershville, New York from the Pulitzer Prize-winning novelist. It is utterly unfair that such a singular writer of fiction can be this deft at non-fiction. The best piece of advice I ever got as a writer was “Make your characters complicated…” Some characters, like Jean Russo, come complicated out of the factory. (By the way, Russo is a friend, and once told me at a book event in his honor that he felt like a fraud. So, I am in fine company).
A Pulitzer Prize-winning novelist turns to memoir in this "intimate and powerful" account (Chicago Tribune) of his lifelong bond with his high-strung, spirited mother—and the small town she spent her life trying to escape.
Anyone familiar with Russo’s novels will recognize Gloversville—once famous for producing nine out of ten dress gloves in the United States. By the time Rick was born, ladies had stopped wearing gloves and Gloversville was on its way out. Jean Russo instilled in her son her dream of a better life elsewhere, a dream that prompted her to follow him across the country when he went…
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
I’d categorise it as a dark thriller that created some of the tightest knots in my stomach. The concept alone was enough to generate terror, anxiety, and anger from the first page onward. But anything that involves the endangerment of children does that to me.
A gripping tale that puts the victims, both the kidnapped and the kidnappers, in peril from an unseen syndicate who controls their actions with a phone call.
When a mother is targeted by a dangerous group of masterminds, she must commit a crime to save her kidnapped daughter—or risk losing her forever—in this "propulsive and original" award-winning thriller (Stephen King).
It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a…
I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.
There are many reasons to love this book, and the subtitle says it all. This book is A History, A Story, And A Memory Of The Last Plains Frontier.
That last frontier was an arid, desolate corner of southwestern Saskatchewan where his American parents tried homesteading between 1914 and 1920 when Stegner was a child. The family returned to the U.S., but Stegner re-visited this land of his youth in the early 1950s and wrote one of the best accounts of the last frontier in the North American West.
'Enchanting, heartrending and eminently enviable' Vladimir Nabokov
Pulitzer Prize-winning author Wallace Stegner's boyhood was spent on the beautiful and remote frontier of the Cypress Hills in southern Saskatchewan, where his family homesteaded fro 1914 to 1920. In a recollection of his years there, Stegner applies childhood remembrances and adult reflection to the history of the region to create this wise and enduring portrait of pioneer community existing in the verge of a modern world.
'Stegner has summarized the frontier story and interpreted it as only one who was part of it could' The New York Times Book Review
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