Here are 100 books that Cardboard Gods fans have personally recommended if you like
Cardboard Gods.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Over 40 years after he left office, when he was replaced by Ronald Reagan, Carter remains an underrated and undervalued president. Alter doesn’t skimp on Carter’s shortcomings, from his sometimes rigid thinking to a nastiness that could be unleashed; the Iran-hostage debacle is also detailed in full. But using interviews with Carter and many of his associates and family members, he also makes the case, without being heavy-handed, that Carter was ahead of the curve on the ecology, voting rights, and other issues that remain frustratingly unfulfilled.
From one of America's most-respected journalists and modern historians comes the first full-length biography of Jimmy Carter, the thirty-ninth president of the United States and Nobel Prize-winning humanitarian.
Jonathan Alter tells the epic story of an enigmatic man of faith and his improbable journey from barefoot boy to global icon. Alter paints an intimate and surprising portrait of the only president since Thomas Jefferson who can fairly be called a Renaissance Man, a complex figure-ridiculed and later revered-with a piercing intelligence, prickly intensity, and biting wit beneath the patented smile. Here is a moral exemplar for our times, a flawed…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Even though they weren’t musicians, the original cast members of Saturday Night Live were among the biggest rock stars of the Seventies. Their journey from underground comics and performers to crossover superstardom, via TV, albums, and movies, is the story of the rise of the counterculture in the Seventies. And, sadly, Belushi’s flameout was the dark side of that tale.
I read this book not long after I had graduated from NYU with a degree in journalism, and Woodward’s peerless reporting—including a chilling, nearly hour-by-hour chronicle of Belushi’s last few weeks before his death in 1982—made me realize the power of narrative, research, and detail. If I were stymied while writing a story of my own in the early days of my career, I’d grab my increasingly beaten-up Wired paperback and be inspired anew.
This reissue of Bob Woodword’s classic book about John Belushi—one of the most interesting performers and personalities in show business history—“is told with the same narrative style that Woodward employed so effectively in All the President’s Men and The Final Days” (Chicago Tribune).
John Belushi was found dead of a drug overdose March 5, 1982, in a seedy hotel bungalow off Sunset Boulevard in Hollywood. Belushi’s death was the beginning of a trail that led Washington Post reporter Bob Woodward on an investigation that examines the dark side of American show business—TV, rock and roll, and the movie industry. From…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
What happened to the individual members of the Beatles in the years after the group dissolved? Many books have been devoted to that part of their saga, but few gripped me as much as this detailed, well-researched story of McCartney and his band Wings. Written with the cooperation of Macca—who gave several interviews to Doyle—Man on the Run makes you realize how chaotic, unstable, and (to use a period phrase) wild and crazy Wings were, despite the banality of some of their music. In that regard, it’s a perfect Seventies story: Beneath the seemingly mellow vibes and image lie a far more turbulent saga, reflecting the way McCartney himself repeatedly grappled with redefining himself after his tenure in arguably the greatest pop group of all time.
The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period…
Growing up in Plymouth, MA, I was steeped in the history of the Pilgrims, eventually working as a tour guide at Plimoth-Patuxet. After I retired as professor emerita from the University of North Carolina at Chapel Hill, I wrote and published a series of mysteries. That experience and my New England background buoyed my confidence that I could write about a Pilgrim woman, keeping true to the history of the Plimoth Colony. The story of Mary Allerton Cushman’s lifewas the result. It was long-listed for the Devon and Cornwall International Novel Prize.
Children of the 17th and 18th centuries were raised far more strictly than today. In the 17th century, initially without schools, they would likely be uneducated. Encouraged to walk as soon as possible, children would be incorporated into the work of the family at an early age, to ensure the survival of the community. Alice Morse Earl conducted years of research, based on letters, official records, diaries, and other accounts to create and detailed portrait of a child’s world of that time. For me, it answered questions, such as: Did the children work? How were they educated? How did parents teach respect, manners, and religion? How were children disciplined? Were children allowed to play and what toys or games did they have? I found her book to be enormously helpful in creating the life of Mary Allerton as a child in the Plymouth Colony and the home life of the…
What did the little ones do back in the days when "children should be seen and not heard"? How were they schooled, what did they wear, and which games did they play? This eye-opening survey revisits the seventeenth and eighteenth centuries for an illustrated look at the lives of Colonial America's youngest citizens The first American historian to chronicle everyday life of the colonial era, Alice Morse Earle conducted years of research, based on letters, official records, diaries, and other accounts. A vivid portrait emerges, depicting a child's world of hornbooks and primers; lessons in manners and religion; methods of…
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
Celebrated author and Stanford professor Tobias Wolff recounts his perilous teenage years in the 1950s Pacific Northwest. Clever, conniving Toby (self-named Jack Wolff) will do whatever it takes to reinvent himself in a memoir full of larger-than-life characters, thrilling events, emotional rollercoasters of betrayals, broken dreams, and hard-won triumphs, all conveyed in prose so lucid that the book has been college assigned for its poetic honesty at the sentence level for decades. Guaranteed you’ll be floored by what it takes for Wolff to ultimately transcend the merciless circumstances of his life.
The 30th anniversary edition of Tobias Wolff's "extraordinary memoir" (SF Chronicle), now with a new introduction by the author.
Thirty years ago Tobias Wolff wrote a memoir that changed the form. The “unforgettable” (Time) This Boy’s Life is the story of the young, tough-on-the-outside but vulnerable Toby Wolff. Separated by divorce from his father and brother, Toby and his mother travel from Florida to Utah to a small village in Washington state, with many stops along the way. As each place doesn’t quite work out, they pick up to find somewhere new. In…
I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.
There are many reasons to love this book, and the subtitle says it all. This book is A History, A Story, And A Memory Of The Last Plains Frontier.
That last frontier was an arid, desolate corner of southwestern Saskatchewan where his American parents tried homesteading between 1914 and 1920 when Stegner was a child. The family returned to the U.S., but Stegner re-visited this land of his youth in the early 1950s and wrote one of the best accounts of the last frontier in the North American West.
'Enchanting, heartrending and eminently enviable' Vladimir Nabokov
Pulitzer Prize-winning author Wallace Stegner's boyhood was spent on the beautiful and remote frontier of the Cypress Hills in southern Saskatchewan, where his family homesteaded fro 1914 to 1920. In a recollection of his years there, Stegner applies childhood remembrances and adult reflection to the history of the region to create this wise and enduring portrait of pioneer community existing in the verge of a modern world.
'Stegner has summarized the frontier story and interpreted it as only one who was part of it could' The New York Times Book Review
For many years, I’ve been creating visual nonfiction books for adults. These books are about climate change, indigenous sovereignty, and nuclear physics—not typical kids’ book fare. But because my books include artwork, everyone always asked me when I would write and illustrate a book for children. Once I had my own children, I was suddenly full of ideas. Children’s books are often underestimated. The best books of the genre are accessible enough to interest a young person, sophisticated enough to engage the adults reading them aloud, and multidimensional enough to reward countless re-readings. I believe books that meet this standard fit alongside civilization’s great works of literature.
In this book, we visit seven families each living on a different continent. It’s eye-opening to step into the kitchens, backyards, and schoolrooms of children from Japan to Italy to Uganda. My kids love seeing alternative approaches to familiar daily activities: what a child eats for breakfast in Peru or what kids wear to school in Iran.
This book is as fascinating for me as it is for my children. The families depicted in the book are all real people who shared their stories and photos with the author, so this is as much a work of journalism as a work of art.
Follow one day in the real lives of seven kids from around the world-Italy, Japan, Iran, India, Peru, Uganda, and Russia!
In Japan, Kei plays Freeze Tag, while in Uganda, Daphine likes to jump rope. While the way they play may differ, the shared rhythm of their days-and this one world we all share-unites them.
This genuine exchange provides a window into traditions that may be different from our own as well as mirrors reflecting our common experiences. Inspired by his own travels, Matt Lamonthe transports readers across the globe and back with this luminous and thoughtful picture book.
Perfect…
I am what is euphemistically called an "independent scholar," meaning I have no academic affiliation, no straightforward road I must follow (in order, let’s say, to gain tenure), and no duty per se to follow a pre-ordained or politically correct point of view. But being a "freelance" has obligations which I take very seriously. I feel that my job, in any subject I choose to pursue, is to engage the reader in a joint venture. I must instill in them the same enthusiasm I have for whatever I’m writing about, which in this case is the history of Prussia, and the state of this footprint on earth which war and ceaseless conflict have rearranged countless times. To do that, I usually take an often oblique and "off the radar" approach that I think will pull the reader along with me, making the journey for both of us something that matters.
Marion Dönhoff was born into privilege, 1909, at Schloss Friedrichstein, one of the largest semi-feudal estates in East Prussia, and her memoir lovingly recreates her childhood there amongst a family of cultured and benevolent Junkers. The values they espoused were contrary to everything Nazism represented, but that did not prevent the deaths of nearly all her adult male relatives in either combat or purges after the failed assassination plot against Hitler in 1944. In 1945 she, along with thousands of other refugees, fled west during harsh winter weather, as the Red Army ruthlessly advanced for Berlin and victory. Dönhoff, on a horse from the Friedrichstein stables, rode alone over 800 miles to safety. From 1946 until her death in 2002, she was associated (as both editor and publisher) with the prestigious, Hamburg-based weekly newspaper, Die Zeit. Her memoir is exceptional.
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
Simone de Beauvoir’s Memoirs of a Dutiful Daughter is a classic. First published in France in 1958, it’s the opening volume of an autobiographical trilogy. This exploration of the childhood and young womanhood that created the world-famous writer and intellectual is compendious, descriptive – and alert at every turn, as befits the mother of existentialism, to how the emerging psyche understands the world around it.
“[Beauvoir’s] graciously written memoirs carry distinct appeal in recording the emotional and intellectual birth pangs of a fascinating woman.” —Time
A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.
Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the…
