Here are 36 books that From Main Street to Mall fans have personally recommended if you like
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Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
For several years, I’ve been teaching a course called the American Way of Death, and Sara Jensen Carr’s The Topography of Wellness features prominently on my syllabus.
Carr explores how soaring mortality rates in the nineteenth century, mostly from diseases like cholera and tuberculosis, prompted an army of public health reformers, urban planners, and municipal leaders to tackle the toxic urban landscape by envisioning and creating a new landscape with the kinds of infrastructure that today we take for granted. By the beginning of the twentieth century, the new and improved city, with its public water and sewer systems and public parks, was benefiting both rich and poor alike.
Carr is quick to point out, of course, that scientific and political notions of health and wellness continue to shape our nation’s landscape, with mixed outcomes, mostly as a result of systemic inequities and unequal access to the kinds of urban…
The COVID-19 pandemic has re-ignited discussions of how architects, landscapes, and urban planners can shape the environment in response to disease. This challenge is both a timely topic and one with an illuminating history. In The Topography of Wellness, Sara Jensen Carr offers a chronological narrative of how six epidemics transformed the American urban landscape, reflecting changing views of the power of design, pathology of disease, and the epidemiology of the environment. From the infectious diseases of cholera and tuberculosis, to so-called "social diseases" of idleness and crime, to the more complicated origins of today's chronic diseases, each illness and…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This was a bittersweet read for me. I grew up in Lynn, Massachusetts, a post-industrial city that was a shadow of the bustling place it was when my parents were growing up there in the 1940s and 50s. Young’s recounting of his return to the city of his childhood, Flint, Michigan, speaks to all of us who long not just for the places that we think we know but for those places that had already ceased to exist before we were born.
At the same time, Young’s poetic exploration of place, tinged with nostalgia, teaches us that even the cities and towns hardest hit by the unforgiving forces of globalization and corporate capitalism and haunted by ghosts of past prosperity can be fertile with new possibilities and new stories.
After living in San Francisco for fifteen years, journalist Gordon Young found himself yearning for his Rust Belt hometown: Flint, Michigan, the birthplace of General Motors and the "star" of the Michael Moore documentary Roger & Me. Hoping to rediscover and help a place that had once boasted one of the world's highest per capita income levels but had become one of the country's most impoverished and dangerous cities, he returned to Flint with the intention of buying a house. What he found was a place of stark contrasts and dramatic stories, where an exotic dancer could afford a lavish…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
For the better part of a decade, I traveled back and forth between my home in Boston and a small hobby farm on Block Island, Rhode Island. During my time there, I met a handful of legacy farmers, most of them land-rich and cash poor, struggling with how to hold on to parcels of land that had been in their families for generations, a theme that is central to Clearing Land. This surely resonates with small and mid-sized farmers throughout the United States trying to remain viable in a landscape dominated by Big Ag and increasingly impacted by climate change.
Of course, unlike the prickly old Yankees that continue to make a go of farming on Block Island and other parts of New England, the New England farming family to which Brox belongs are Levantine, a reminder that immigrant families have long had a hand in shaping—and continue to…
Though few of us now live close to the soil, the world we inhabit has been sculpted by our long national saga of settlement. At the heart of our identity lies the notion of the family farm, as shaped by European history and reshaped by the vast opportunities of the continent. It lies at the heart of Jane Brox's personal story, too: she is the daughter of immigrant New England farmers whose way of life she memorialized in her first two books but has not carried on.
In this clear-eyed, lyrical account, Brox twines the two narratives, personal and historical,…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Whitney is one of the best-known American writers of romantic suspense, and her debut novel in the genre leans more strongly into the mystery side of the equation, kicking off with the narrator discovering her jilting ex-fiancee's body in the elaborate display window of the department store where she works. The plot may be a tad melodramatic but the vintage 1940s glamor is fun as she hunts clues and flees danger amid the lavish evening gowns and jewelry, the echoing elevators and corridors of the store.
A Chicago department store is the scene of gruesome crime in this mystery by a New York Times–bestselling Edgar Award winner.
Linell Wynn, copywriter for Chicago department store Cunningham’s, knows how to put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds a corpse in a window display. There he is, as cold and lifeless as a mannequin, his skull pulverized with a golf club: valued store manager Michael “Monty” Montgomery. And while red might be the color for the new spring season, Linell never expected to see quite so much…
I left my hometown of Wauwatosa, Wisconsin, at age 18 to attend university in Manhattan, where I started my career in journalism and the media. Since then, I’ve lived in Berlin, Germany; Hong Kong; and now Copenhagen, Denmark, generally moving to advance my career and explore new worlds. Whenever you move to a new place and establish yourself in a new culture, there’s always a learning curve. Helping other women (and men!) adapt to their new environment is why I started the “How to Live in Denmark” podcast, which has now been running for more than 10 years.
This book is so light-as-air that I’ve read it several times and forgotten it entirely in between readings, so it’s always new again. Two 21-year-old friends from Iowa travel to New York City for a summer working at Tiffany’s in 1945, just as World War II is ending. It’s a summer of jewelry, dating, Broadway shows, riding on open-top buses, and a plane that crashes into the Empire State Building.
It’s the perfect beach read; you can probably polish it off in one sun-drenched afternoon.
New York City, 1945. Marjorie Jacobson and her best friend, Marty Garrett, arrive fresh from the Kappa house at the University of Iowa hoping to find summer positions as shopgirls. Turned away from the top department stores, they miraculously find jobs as pages at Tiffany & Co., becoming the first women to ever work on the sales floor, a diamond-filled day job replete with Tiffany-blue shirtwaist dresses from Bonwit Teller's—and the envy of all their friends.
Looking back on that magical time in her life, Marjorie takes us back to when she and Marty rubbed elbows with the rich and…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
Set in a mid-century department store, this wonderful short novel details life in a mid-20th-century frock department through the eyes of the women who worked there.
It is a book that highlights the importance of clothing in women’s lives at that time and the very specific kinds of garments. The tale follows Lisa as the news sales assistant in Cocktail Frocks and the friends she makes along the way. It is a sharply observed, funny, and tender story bringing the old department store alive.
Like the protagonist in my Holly Swimsuit Mystery Series, I am a ladies’ swimwear sales exec. I love solving puzzles, asking a lot of questions, and am naturally curious (some narrow-minded people say I am nosy…go figure…LOL). So, writing mysteries set in the fashion industry was the natural next step for me to take. From the beginning of my career, I have kept a daily journal chronicling the interesting, quirky, and sometimes quite challenging people I have encountered as well as the crazy situations I’ve gotten myself into and out of. My daily journal entries are the foundation of everything I write.
Coming from an apparel sales exec. career, I gravitate to cozy stories set in stores. I love clueless employees who stumble over dead bodies, and zany characters who manage to get themselves out of crazy situations. I especially enjoy cozies with a holiday theme. Slay Bells and Satchels has it all. I laughed out loud when fashionista purse lover department store sales clerk Haley Randolph finds a murdered elf in the store’s giant toy bag. Slay Bells and Satchels tickled my funny bone throughout the story, but had me guessing whodunit to the last page.
The Summer Santa Sale at Holt’s Department Store becomes a Christmas nightmare when sales clerk Haley Randolph finds a murdered elf in the store’s giant toy bag. Haley, a crazed fashionista obsessed with designer handbags, could find herself “bagged” if she doesn’t untangle this mystery quicker than Saint Nick can slide down a chimney. But Haley has another problem: Can working with hot private detective Jack Bishop put her on Santa’s “naughty” list?
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I loved that Julia Satow uncovers the history of lesser-known female department store professionals who hit the pinnacle of their careers in an era when few women were allowed to have executive careers following the Depression.
What delighted me the most were the details of tactics employed by the women to attract more consumers to the stores, such as selling bestselling novels that glamorized the career of an assistant buyer in the shop or the men’s club in which they could gawk at underwear models while shopping for lingerie for their wives. I was also surprised and amused by the stories of name artists such as Salvador Dali, who created window displays for the stores.
NEW YORK TIMES BESTSELLER • A glittering portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza. • "Ms. Satow’s carefully researched book is compulsively readable: I found myself dashing through it like a novel. She portrays the women with verve; we get a glimpse into their lives, as well as a sense of what it was like at each of these retail meccas." —The Wall Street Journal
The twentieth century American department store: a palace of consumption where every wish could be met under one…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
Maya Rodale always writes strong, clever heroines, and this book features one of her very best. Beatrice Goodwin has been tossed around by life, but she’s come home to her first love: Goodwin’s, her family’s once-fashionable department store in Gilded Age New York City. The one person standing in the way of her plans to make it the finest store in New York… her other first love, Wes Dalton, whose heart she broke years ago. He wants revenge. She wants her store. They’re both smart, funny, and oh so good at their shared profession, you know they’ll be unstoppable together.
Beatrice Goodwin left Manhattan a duchess and has returned a divorcee, ready to seize control of her fate and the family business. Goodwin's Department Store, once the pinnacle of fashion, has fallen from favor thanks to Dalton's, its glamorous competitor across the street. But this rivalry has a distinctly personal edge...
And a self-made tycoon...
For Wes Dalton, Beatrice has always been the one-the one who broke his young heart by marrying a duke, and now, the one whose cherished store he plans to buy, just so he can destroy it. It's the perfect revenge against…
