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Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
For several years, I’ve been teaching a course called the American Way of Death, and Sara Jensen Carr’s The Topography of Wellness features prominently on my syllabus.
Carr explores how soaring mortality rates in the nineteenth century, mostly from diseases like cholera and tuberculosis, prompted an army of public health reformers, urban planners, and municipal leaders to tackle the toxic urban landscape by envisioning and creating a new landscape with the kinds of infrastructure that today we take for granted. By the beginning of the twentieth century, the new and improved city, with its public water and sewer systems and public parks, was benefiting both rich and poor alike.
Carr is quick to point out, of course, that scientific and political notions of health and wellness continue to shape our nation’s landscape, with mixed outcomes, mostly as a result of systemic inequities and unequal access to the kinds of urban…
The COVID-19 pandemic has re-ignited discussions of how architects, landscapes, and urban planners can shape the environment in response to disease. This challenge is both a timely topic and one with an illuminating history. In The Topography of Wellness, Sara Jensen Carr offers a chronological narrative of how six epidemics transformed the American urban landscape, reflecting changing views of the power of design, pathology of disease, and the epidemiology of the environment. From the infectious diseases of cholera and tuberculosis, to so-called "social diseases" of idleness and crime, to the more complicated origins of today's chronic diseases, each illness and…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
I’m old enough to remember T.W. Rogers, the downtown department store that was still hanging on in Lynn, Massachusetts, in the early 1980s before finally succumbing to the same market and political forces that doomed so many similar enterprises during the postwar exodus of retail from the downtown to the suburbs.
This book pays tribute to the grand palaces of consumption, both large and small, that emerged in virtually every American city and town during the first half of the twentieth century. I was especially pleased that Howard chose to focus not only on the large urban retailers found in big cities but also on smaller establishments, similar to the one that I can still recall from my childhood.
Naturally, the younger generation today knows the department store as the anchor store at the mall, and once again, as happened more than half a century ago, it is under threat…
The geography of American retail has changed dramatically since the first luxurious department stores sprang up in nineteenth-century cities. Introducing light, color, and music to dry-goods emporia, these "palaces of consumption" transformed mere trade into occasions for pleasure and spectacle. Through the early twentieth century, department stores remained centers of social activity in local communities. But after World War II, suburban growth and the ubiquity of automobiles shifted the seat of economic prosperity to malls and shopping centers. The subsequent rise of discount big-box stores and electronic shopping accelerated the pace at which local department stores were shuttered or absorbed…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This was a bittersweet read for me. I grew up in Lynn, Massachusetts, a post-industrial city that was a shadow of the bustling place it was when my parents were growing up there in the 1940s and 50s. Young’s recounting of his return to the city of his childhood, Flint, Michigan, speaks to all of us who long not just for the places that we think we know but for those places that had already ceased to exist before we were born.
At the same time, Young’s poetic exploration of place, tinged with nostalgia, teaches us that even the cities and towns hardest hit by the unforgiving forces of globalization and corporate capitalism and haunted by ghosts of past prosperity can be fertile with new possibilities and new stories.
After living in San Francisco for fifteen years, journalist Gordon Young found himself yearning for his Rust Belt hometown: Flint, Michigan, the birthplace of General Motors and the "star" of the Michael Moore documentary Roger & Me. Hoping to rediscover and help a place that had once boasted one of the world's highest per capita income levels but had become one of the country's most impoverished and dangerous cities, he returned to Flint with the intention of buying a house. What he found was a place of stark contrasts and dramatic stories, where an exotic dancer could afford a lavish…
As a sailor and 2004 Olympian I am happiest on salt water, so that’s where most of my characters live their best lives. I write coastal fiction; stories with a happy ending that could only take place on or near the water. Boat rides are a bonus! As both a reader and an author, my tastes span across several traditional genres: from young adult time travel to literary fiction, with stops along the way for a light touch of romance. This list reflects that range. If you want to learn more about all the books (and boats) I enjoy, please subscribe to my Thursday blog, Where Books Meet Boats. Meanwhile, enjoy these five fantastic examples of coastal fiction!
Personalities collide during a Block Island summer. While I enjoyed all three point-of-view characters, I laughed out loud at Anthony the author’s “head-writing;” he described a scene in front of him as if he were writing a novel. Tongue just slightly in cheek, I felt like Moore was poking fun at the novelist’s eye—while simultaneously using it as shorthand to show us Anthony’s view.
The Islanders came out only a few months before my book. Though both novels can be considered “beach reads,” they are each much more than just a fluffy happily-ever-after throwaway. An island makes a very convenient metaphor; for our lucky characters, it is actually their whole world—even if it’s not forever, or as long as it lasts, but “just for the summer.”
"One of my own favorite writers." -Elin Hilderbrand
Named a Best Beach Read of Summer by Vulture, PureWow, She Reads and Women.com
J. Courtney Sullivan's Maine meets the works of Elin Hilderbrand in this delicious summer read involving three strangers, one island, and a season packed with unexpected romance, well-meaning lies, and damaging secrets.
Anthony Puckett was a rising literary star. The son of an uber-famous thriller writer, Anthony's debut novel spent two years on the bestseller list and won the adoration of critics. But something went very wrong with his second work. Now Anthony's borrowing an old college's friend's…
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
While hundreds of books have been written on early New England, Ben Mutschler deftly paints a portrait of life in New England “with sickness at its center.” He thoroughly integrates family struggles over illness and the demands placed on local governments into the story of the social and political development of this region that has long valued public health even as it has also endured tragic circumstances.
How do we balance individual and collective responsibility for illness? This question, which continues to resonate today, was especially pressing in colonial America, where episodic bouts of sickness were pervasive, chronic ails common, and epidemics all too familiar.
In The Province of Affliction, Ben Mutschler explores the surprising roles that illness played in shaping the foundations of New England society and government from the late seventeenth century through the early nineteenth century. Considered healthier than residents in many other regions of early America, and yet still riddled with disease, New Englanders grappled steadily with what could be expected of the…
Travels to the Arctic and Antarctic and time spent alongside researching counting Magellanic penguins in Argentina have inspired not only The Tourist Trail but a life spent advocating for animals. The oceans may appear vast and impenetrable but they are fragile, and we need to act now to protect the many species who call these waters home. The books here not only expose the crisis we face but highlight those people and organizations who have dedicated their lives to protecting our planet and its many residents. It’s not too late to make a difference and I hope these books inspire you to lend your voice and energy to the fight.
A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart’s novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine. I am proud that Ashland Creek Press (which Midge Raymond and I founded in 2011) published this amazing novel.
When everything around you is sinking, sometimes it takes desperate measures to stay afloat
When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message-not only is Duncan's business underwater, but his marriage is drowning as well-he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder-the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he's being filmed by a…
People either love or hate surprises, but in a book, done well, they’re always welcome—whether we race to the last page to find them or they hip-check us along the way. I started my career writing comedy romance—comfort reads but with few surprises. Now in my novels, I make sure to give readers plenty they don’t expect, whether it’s a character who isn’t what s/he seems, a contradictory situation gradually made clear, or a jaw-dropping twist. Pulling off a successful surprise is one of my favorite parts of writing—therefore my love of books that take me somewhere I didn't expect.
This book has everything, Mystical Irish lace, touches of magic, a lovely romance, chilling family dysfunction, and a fabulous extra character in the guise of Witchtown, USA—Salem, Massachusetts. Towner Whitney comes back to Salem for the funeral of a beloved relative and ends up having to cope with demons from her past in a gorgeous, evocative seaside setting. The ending was a complete surprise to me, one of those Whaaaat? moments that are so rare and so thrilling, and which I keep trying to get to in my own books!
Would knowing the future be a gift or a burden? Or even a curse...?
The Whitney women of Salem, Massachusetts are renowned for reading the future in the patterns of lace. But the future doesn't always bring good news - as Towner Whitney knows all too well. When she was just fifteen her gift sent her whole world crashing to pieces. She predicted - and then witnessed - something so horrific that she vowed never to read lace again, and fled her home and family for good. Salem is a place…
I’ve always been a fan of short fiction. My debut book, The Escape to Candyland, is a collection of interrelated short stories. It was a finalist in two contests: The Restless Books Prize for New Immigrant Writing and Southern Fried Karma Novel Contest. My latest book, Sometimes We Fall, is also a short story collection. It includes several contest winners. I’m working on a third collection which will be published in 2024.
Shirley Jackson is a master of the short story. My favorite is The Lottery. The build-up to the main event is spectacular. The reader thinks the village is getting ready for a normal event. As time passes, we realize what is to come. The themes of tradition and mob mentality are still relevant as we read about current events.
I paid homage to this story in my own tale which is included in my book.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
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