61 books like Earthsea

I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.

I am a farm girl who lives in rural Texas, surrounded by big blue skies, cornfields, and winding gravel roads. After avidly reading every children’s book and young adult novel I could find, including classics like Louisa May Alcott and J.R.R. Tolkien, I took to writing without thinking twice about it. I’ve published over 10 MG, YA, and New Adult books and I alternate between writing realistic family dramas and high fantasy, with a dose of science fiction that sprang up on its own and fits neatly somewhere between the other two. And then I read more books and plan to write more of them too.

As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!

I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity. When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.

My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.

I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy – and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. It’s the wonderful combination of the ‘other world’ myths and history that I believe makes us who we are. 

Both as a writer and reader, I adore stories of fantasy and magic. The thing is, these stories have what I call a “price of admission,” which is the time and effort it takes to learn the world of the story in order to immerse yourself in it. That's one reason I am passionate about reading series books: they welcome me back to a world I already love and understand. Speaking as a writer, multiple volumes allow me to make the world I've created richer and deeper with each new book. A new book in a beloved series feels like catching up with an old friend, whether you're reading or writing.

I’ve always been a fan of swords and sorcery, but Urban Fantasy brings those elements into a more relatable field, turning real-world locations into sandboxes filled with magic and monsters. I might love Aragorn as a character, but I can’t fully relate to him. Now, give me an “average” guy with real-world problems, running around a modern metropolis, slinging spells, and fighting monsters in dark alleys, and I’m right there with him. Urban Fantasy opens up the imagination to anything you want. Dragons in New York? Sure. Giants using the Eiffel Tower as a baseball bat? Why the hell not? Nothing is off-limits. It’s just pure, unadulterated fun.

I am a geophysicist and have spent a career trying to use physics to make predictions. And you know what I have learned? It’s very hard to predict things—even scientific things. Good scientists are humble, but they also understand, a little, of how complex the world is. And perhaps they understand that no one knows—or even can know—everything, including them. Magic, like science, should incite our curiosity and our humility. It is even better if the magic helps deliver the meaning of a story. My novel Dynamicist explores the difficulty of changing the world—and its complex, magic system (based on thermodynamics and signal theory) supports this theme in numerous, unexpected ways.

We’ve all read them: the girl who is unknowingly of royal blood but was sequestered to an ordinary family to protect her identity. The detective with the broken home and a drink problem is driven to solve the crime. The action hero who can shoot their way out of any encounter. While these tropes are the bread and butter of genre fiction, they get overused. I found that my favorite and most engaging characters were those with complicated lives whose pasts might catch up with them at an inconvenient moment. Here are some of my favorite stories with unconventional characters that shine through the narrative.