100 books like Dead Man's Switch

I was repeatedly impressed by H.G. Wells’ book, constantly reminding myself that it was written in the 19th century before relativity and the concept of spacetime, even before the game Red Dead Redemption 2 took place.

Conceptually, I found the ideas remarkably ahead of their time and enjoyed seeing the different eras of sci-fi that would follow represented to varying degrees, especially the Golden Age and New Wave. I went through a period of going through all of the fundamental science fiction I’d never read, and this was by far the most meaningful.

I frequently drive between L.A. and the bay, and the time I listened to it on my way home was the fastest the trip ever felt.

I loved these books. The mystery of this society and its strict divisions fascinated me. I related to Tris immediately and her need for more excitement than her Abnegation family could provide. The detachment felt by so many of the characters in their daily roles resonated in my soul as something I have felt as well when confined by societal definition.

As I reflected in our own society, those at the top scheme to gain power for themselves, regardless of the effect on the rest of the people. I was proud of Tris and her colleagues, who joined together to create a better, more just society.

Talk about crazy experiments! Maze Runner is an epic quest combined with a nod to those who love solving puzzles on steroids. This is truly an end-of-the-world scenario, or I surely hope it is. While I can see some mad scientists excited about such an experiment today, it is still frowned upon. Thank goodness. But Maze Runner explores “science” gone rogue.

Indifference again plays a central role in the plot as those outside the experiment use a variety of psychological warfare techniques to keep the participants engaged in the game. The reader feels sorry for them having to overcome everything that’s thrown at them or die. I loved how the group of teens had to work together to figure out what was going on and then face the difficulty of extracting themselves from the maze. Ultimately, I loved that friendship and working together triumphed at the end of the day.

I hate this book for all the reasons I love it: because it’s perfect.

It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.

Romance. Deception. Murder. Shiny things.

Genius.

Forget the movie, pick up the real thing. Poirot at his best.

I was taken by this book from the moment I read the description. An intrepid archaeologist and fossil hunter trespassing on the lands of a hermit who literally wants her to get off his lawn? What could possibly go wrong! In Effie we have another heroine who is interested in science, knows her own biology, and is quite willing to explore it with the right sort of man. She’s a virgin, but she’s not a wilting young flower. She’s more of a curious pragmatist. In Max we have another damaged hero, and oh my goodness I am a sucker for a hero with terrible events in his past which have left him with physical scars as well as mental ones. I also love a good grumpy sunshine trope.

The very idea that someone could abandon modern life and live for so long in the middle of a wood in Maine, in the USA, for close to 30 years, without being found, I find incredible. What Christopher Knight decided to do here isn’t a million miles from Chris McCandless in my earlier book recommendation, but he lasted a lot longer and was undoubtedly more successful. It takes a very special kind of person to become a true hermit, but at some time in our lives, almost all of us will wonder what it’s like to disappear, just to leave everything behind and live the most simplest and natural of lives. Christopher may well not be the last hermit – we’ll never know how many are out there, if we’re honest – but what he achieved makes for fascinating reading, a chance to taste what this sort of mystical life… show more.

I’d read anything Kate Clayborn writes but Georgie is truly special.

She’s a searching soul, who can’t seem to find her place and will do anything to jumpstart her life. When she accidentally ends up staying at home with a family friend, Levi Fanning, they start to put each others’ pieces back together. This book is so emotional and beautiful and really doesn’t give easy answers where other books would. I love it if you need a tender, internal book. 

Character-driven romance is relatively rare, but this book, essentially a complex and deep love story, is seen entirely through the eyes of lovers. The people on these pages are both exceptional and real. We’re treated to their aspirations, frailties, courage, desires, truths, and lies. These are people I’ve met and been impressed by.

When young, gifted, and hauntingly beautiful Sarah enters the hideaway of best-selling reclusive author, Jeremy, both their lives are fundamentally changed. To supply any more details of the story would be to give spoilers, and the last thing I want to do here is spoil anyone’s read.

As soon as I met her, I liked the main character, quick-witted, intelligent Alex, who found herself stranded in 1658 even though she is a woman of the 21st century. This is time travel where belief has to be suspended – easily, in this case – where the author combines two timelines into a credible and highly entertaining series of adventures for Alex and Matthew Graham, a 17th-century Scotsman.

Shades of Outlander? The time travel and the political events of the period yes – everything else, no. Miss Belfrage’s characters are very much her (and their!) own creation, her writing is snappy with excellent dialogue. Her historical detail is superb, while the plot itself is intriguing and complex and flows well through its twists and turns. This is the first in the series – a series that improves as it progresses like a fine, maturing wine. One of… show more.

Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.