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A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
The author of nearly three dozen nonfiction books for young people, Catherine Reef reveals through her clear writing, first-hand accounts, and photographs what it was really like for a child to grow up in an orphanage in America from the mid-1850s to the early 20th century when nearly all of these congregate dependent childcare institutions closed.
Reef also includes a satisfying Afterword that lets us know “where life led some of the children” who appeared in her book. Although intended for a young reader, Alone in the World also proved a strong resource to me in writing my book and will interest anyone who wants a thoughtful and deeply-researched overview of this topic.
Uncovers the true history of American orphanages, revealing what it was like to eat, sleep, study, and play in such institutions, why children were sent to live there in the first place, what happened to them after they left, and more.
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
Kim Van Alkemade wrote this New York Times bestselling novel based upon a series of real-life experiences, including those of her great-grandmother who worked as a counselor in New York’s Hebrew Orphan Asylum.
Orphan #8 is a powerful and unforgettable book about Rachel, who after being placed in New York’s Hebrew Infant Home, is subjected to experimental radiation treatments as Dr. Mildred Solomon bolsters her medical reputation at the expense of the little girl’s health.
The story focuses on Rachel, now an adult nurse, when Dr. Solomon becomes her patient. Given the widespread popularity of this book, I know I was not the only reader riveted by Rachel’s choice between compassion and retribution, and the extraordinary human capacity to cause harm and to love.
In this stunning new historical novel inspired by true events, Kim van Alkemade tells the fascinating story of a woman who must choose between revenge and mercy when she encounters the doctor who subjected her to dangerous medical experiments in a New York City Jewish orphanage years before. In 1919, Rachel Rabinowitz is a vivacious four-year-old living with her family in a crowded tenement on New York City's Lower Eastside. When tragedy strikes, Rachel is separated from her brother Sam and sent to a Jewish orphanage where Dr. Mildred Solomon is conducting medical research. Subjected to X-ray treatments that leave…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
Perhaps the standard bearer in scholarly research about the history of orphanages in America, U Mass Boston Professor Timothy Hacsi’s Second Home is essential reading for anyone seriously studying the subject.
Armed with tables that cogently summarize – by decade - the number and types of orphanages, their populations, funding sources, and staffing ratios, Hacsi surveys the landscape of American public policy in the 19th and 20th centuries as religious groups, Progressives, and ultimately government responded to the needs of dependent children and families.
As orphan asylums ceased to exist in the late 20th century, interest in them dwindled as well. Yet, from the Civil War to the Great Depression, America's dependent children - children whose families were unable to care for them - received more aid from orphan asylums than from any other means. This omission in the growing literature on poverty in America is addressed in this book. As Timothy Hacsi shows, most children in 19th-century orphan asylums were half-orphans, children with one living parent who was unable to provide for them. The asylums spread widely and endured because different groups -…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
In this engaging book, Eileen Simpson, herself orphaned at by age seven, offers both memoir and essays on the concept of orphanhood in history, culture, and society.
Of particular interest to me were the discussions of orphans in popular culture – such as Jane Eyre and Little Orphan Annie – and why orphanhood offers timeless intrigue into a universal human condition that at once represents both loss and possibility.
In this memoir the author provides an account of orphanhood, and in a series of essays, examines the role and meaning of orphanhood in literature, history, and culture
I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?
I’m a big fan of a story with quirky details that really add to getting to know the characters. It's even better when magic is thrown in the background in a way that makes it seem ordinary and acceptable—not strange at all.
This story does all of that and then some by taking outcasts and explaining their stories one by one while weaving them all together into one quiet redemption.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not…
I’m a romance writer who moved around often as a child. Whenever I started a new school, I’d bring a book with me. Even now, I always run errands with a print book and my Kindle as I’m a writer, wife, and mother of four. Two of my children have medical conditions, and I’ve spent time in various doctor and hospital waiting rooms. I’ve taken books into MRI booths where I’d read while my daughter underwent an MRI. I gravitate toward emotional romances that keep me entertained while possessing a thread of humor or something unique about them so I can lose myself in their world anytime, anywhere.
I’m fortunate that I can read as a passenger on car trips or on an airplane, but I gravitate to shorter romances that I can read in one sitting while I’m traveling. For me, Tina Radcliffe is my go-to writer for these type of journeys.
I loved Lucy and Jackson’s story in Claiming Her Cowboy as Lucy is the director of Big Heart Ranch for orphans and Jackson is the attorney sent to evaluate the funding. Can he stay objective or will he fall for the beautiful woman who gives her all to the orphans on the ranch? I found myself reading at gas stops and caught up in the story as I got closer to my vacation destination. This was the perfect book while traveling: short, emotional, and thought-provoking.
Attorney Jackson Harris regularly goes toe-to-toe with the world’s toughest lawyers—but none of them compare to Lucy Maxwell. The feisty director of Oklahoma’s Big Heart Ranch for orphans is as stubborn as she is pretty. But Jack must stay focused; he’s only there to evaluate the ranch’s funding. Falling for Lucy and the sweet children she protects is out of the question. Though Lucy is determined to keep the ranch, she’s not about to give control to a city slicker—even a devastatingly good-looking one. But as they bump heads, Jack…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
As you may notice, in my own stories, I like to find the magic in everyday things and, to a greater or lesser extent, each of the books I have chosen to write about here, do that. Having worked with children as a Rainbow Guide Leader, taught children, for a brief spell, abroad, I know children and their intelligence, understanding, and kindness, amongst other things, can often be underestimated. The books I chose, show how children (girls in particular) win the day by using their intelligence, skills, and talents. Celebrating girls and their achievements is increasingly important in improving their rights and access to opportunities in life.
It is about courage and standing up for what is right, even in front of people who are bigger and stronger than you are. It is about being the smallest/ youngest person in the room, and still being able to lead – it is about ostensibly having the least power in the room and still being able to lead and persuade others to follow your lead. It is about using your voice.
Sophie is the creator of her own story, she isn’t passive. Valuable lessons, particularly for girls, to learn, so that their voices can always be heard and so that they always have the courage to challenge wrongs and wrongdoing and so help make the world a better place.
2
authors picked
The BFG
as one of their favorite books, and they share
why you should read it.
This book is for kids age
7,
8,
9, and
10.
What is this book about?
From the bestselling author of Charlie and the Chocolate Factory and Matilda!
One of TIME MAGAZINE's 100 Best Fantasy Books of All Time
The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It's lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants-rather than the BFG-she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all.…
As someone who grew up way too fast (don’t we all!) I was an avid reader of books about out-of-the-ordinary young people, the more eccentric or challenged the better. Every day I saw acts of violence committed in my neighborhood but I also saw how much people can help each other in times of crisis. All the books on my list speak to this contradiction in human nature. If you have already read some of them, I hope you decide to revisit a few of them as I have. Creating this list has brought many memories to life and deepened my understanding of why I became a writer.
I readA Little Princesswhen I was only ten, with no idea that it was a classic. All I knew was that I totally identified with Sarah, the protagonist, as she was buffeted by the vicissitudes of fortune. The issues of class portrayed in this book were already on my young mind, since I grew up in one of the poorest neighborhoods in the Bronx but also spent a lot of time in the wealthy environs of Manhattan and the contrast was immense. I was impressed by Sarah’s resilience and her ability to empathize with others in spite of the awful hand that had been dealt to her.
HarperCollins is proud to present its new range of best-loved, essential classics.
'Whatever comes,' she said, 'cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside.'
'A Little Princess' tells the story of Sara Crewe, beloved daughter of the revered Captain Crewe. Sent to board at Miss Minchin's Select Seminary for Young Ladies, Sara is devastated when her adored father dies. Suddenly penniless, Sara is banished to an attic room where she is starved, abused, and forced to work as a servant. How this exceptionally intelligent girl uses the only resources…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
This is a children's book – the story of the three Fossil children, their peculiar upbringing, and the ups and downs of their lives at stage school – but it is a wonderful read at any age. Brilliantly infused with the texture of daily life in 1930s London, it creates a really specific and compelling atmosphere. The food they ate, the cost of clothes, transport, the make-up of their household, even the quality of the air they breathed, is all described, as part of a warm and engrossing tale. Nothing I've read quite transports you to that time in the way that this does.
When Sylvia and her old nurse Nana agree to keep house for Gum, they know they will be looking after his fossil collection while his away on his travels. But imagine their surprise when one day he brings them something else - three baby girls whose names all being with 'P'! Pauline, Petrova and Posy Fossil are not really sisters - even their surname is invented. The girls decide to 'put our name in the history books because it's our very own', and enrol at the Children's Academy of Dancing and Stage Training. Each Fossil uses her individual talents to…
