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A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victimsof Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002when working with a Vassar student on her thesis about the “comfort women” redressmovement. Since then, I’ve worked closely with Chinese researchers and local volunteers, interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China,and visiting the now-defunct sites.
The novel One Left begins when the elderly protagonist hears a TV report on the lastsurviving Korean “comfort woman.” She is in fact also a comfort station survivor, one who has remained silent and hence unknown to the public. At the age of thirteen, she was kidnappedinto a Japanese military comfort station in northeast China. The protagonist's thoughts flash back andforth between her present-day life and the wartime horrors, the details of which are drawn from real survivors’ testimonies. “Fifteen men a day was normal,” she recalls, “but on Sundayfifty men or more might come and go from a girl.” “If a girl got pregnant, her uterus wasremoved fetus and all as a preventive measure.” It is a difficult read, but necessary, moving, and profound.
During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in "comfort stations" across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government.
Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back…
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
In the neo-Confucian society of Chosŏn Korea, women were the keepers of the inner quarters and were discouraged from pursuing literacy and education. Such gender-role expectations have persisted so strongly in modern Korea that only in recent decades have women fiction writers achieved parity with their male counterparts. We are fortunate to know, or have known, almost all the writers represented in this anthology and to share their creative vision.
These nine stories span half a century of contemporary writing in Korea (1970s-2010s), bringing together some of the most famous twentieth-century women writers with a new generation of young, bold voices. Their work explores a world not often seen in the West, taking us into the homes, families, lives and psyches of Korean women, men, and children. In the earliest of the stories, Pak Wan-so, considered the elder stateswoman of contemporary Korean fiction, opens the door into two "Identical Apartments" where sisters-in-law, bound as much by competition as love, struggle to live with their noisy, extended families. O Chong-hui, who…
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
In The Guest we hear the voices of the victims of a massacre that took place shortly after the outbreak of the Korean War in June 1950, a massacre blamed on the UN (mostly American) military but actually perpetrated by Koreans on Koreans. To allow us access to the stories of these victims the author uses a ritual in which a practitioner of native Korean spirituality channels the voices of those who have died an unnatural or premature death and who continue to wander in the ether until they are able to communicate their stories to those of us still living. Only then can they find closure and settle in the hereafter.
Based on actual events, The Guest is a profound portrait of a divided people haunted by a painful past, and a generation's search for reconciliation. During the Korean War, Hwanghae Province in North Korea was the setting of a gruesome fifty-two day massacre. In an act of collective amnesia the atrocities were attributed to American military, but in truth they resulted from malicious battling between Christian and Communist Koreans. Forty years later, Ryu Yosop, a minister living in America returns to his home village, where his older brother once played a notorious role in the bloodshed. Besieged by vivid memories…
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
At a time when academics tend to look down their noses at Korean popular culture (Hallyu, literally “the Korean wave”), which in recent years is driving popular culture worldwide, The Birth of Korean Cool is a refreshing analysis based on the supposition that Korea is finally “getting even” with the rest of the world for being underappreciated for thousands of years.
A FRESH, FUNNY, UP-CLOSE LOOK AT HOW SOUTH KOREA REMADE ITSELF AS THE WORLD'S POP CULTURE POWERHOUSE OF THE TWENTY-FIRST CENTURY
By now, everyone in the world knows the song "Gangnam Style" and Psy, an instantly recognizable star. But the song's international popularity is no passing fad. "Gangnam Style" is only one tool in South Korea's extraordinarily elaborate and effective strategy to become a major world superpower by first becoming the world's number one pop culture exporter.
As a child, Euny Hong moved from America to the Gangnam neighbourhood in Seoul. She was a witness to the most accelerated part…
I took my first cross-country train ride with my mom when I was seven years old. That gave me the train bug. Since then, I’ve been across the United States three times via rail, across Europe, and all over northern India with my husband, too. I think train travel is a very special way to see a place. You’re going past backyards and back roads. You see the whole landscape, and you meet so many people you wouldn’t otherwise. I’ve never set out to write a “train book,” but trains play an important role in two of my three novels. I can’t get away from them, even in my imagination.
Rydr is on her way from California to Chicago via rail, to meet a relative who will take care of her now that her grandmother no longer can. What I love most about this book—aside from the fact that it takes place on the California Zephyr, one of my very favorite train rides in the world—is that Rydr’s experience is so influenced by the strangers she meets on the train. That’s why I love train travel so much: you never know who you’re going to meet. And you almost always end up sharing a meal and a story with someone you would never have met otherwise.
A beautifully poignant debut perfect for fans of authors such as Rebecca Stead and Sharon Creech and books like Ali Benjamin's The Thing About Jellyfish. When Rydr travels by train from Los Angeles to Chicago, she learns along the way that she can find family wherever she is. Rydr is on a train heading east, leaving California, where her gramma can't take care of her anymore, and traveling to Chicago, to live with an unknown relative. She brings with her a backpack, memories both happy and sad, and a box, containing something very important. As Rydr meets her fellow passengers…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
Sometimes you get caught up in who you’re “supposed” to be, or the image you’re supposed to project, and you end up losing your authentic self—and your connection with those you love suffers because of it. In True Places, Suzanne’s life of quiet desperation is interrupted when a girl emerges from the forest right in front of her—a girl who’s never encountered civilization. As Suzanne takes this girl under her wing, she starts to question everything she has accepted as sacrosanct. In that, she stands in place of us all: caught in the rat race, longing for permission to cut through the crap and be who we are meant to be. The courage with which she faces the opposition of her family—and finds her way to a new, healthier relationship with them—is inspirational.
"True Places is a beautiful reminder that though we may busy ourselves seeking what we want, what we need has an uncanny way of finding us." -Camille Pagan, bestselling author of Life and Other Near-Death Experiences
A girl emerges from the woods, starved, ill, and alone...and collapses.
Suzanne Blakemore hurtles along the Blue Ridge Parkway, away from her overscheduled and completely normal life, and encounters the girl. As Suzanne rushes her to the hospital, she never imagines how the encounter will change her-a change she both fears and desperately needs.
As a former middle school teacher and librarian, I know first-hand the power of story to motivate and teach. Over the years, I have also been lucky enough to facilitate several mother-daughter book groups and have found that books that show characters wrestling with decisions about doing the right thing, and recovering from bad choices, help to show children that there is always hope. Middle school is a time of such challenge and change, and stories that show authentically drawn characters navigating this tough terrain can act as guideposts. Becoming independent, finding your voice, growing empathy, and cherishing family and friends are necessary steps to becoming confident and healthy humans.
I read this book with my mother-daughter book group and we all loved it!
The story focuses on the quest for twelve-year-old Crow to discover where she came from and who she truly is. It’s a story filled with suspense and intrigue fueled by Crow’s insatiable curiosity. There are powerful lessons here for Crow and for the lucky readers who follow her journey. The writing is hauntingly beautiful!
'Harper Lee has a worthy successor. Wolk is a big new talent' - The Times
Crow has lived her whole life on a tiny, starkly beautiful island. Her only companions are Osh, the man who rescued her from a washed-up skiff as a baby and raised her, and Miss Maggie, their neighbour across the sandbar. But it is only when a mysterious fire appears across the water that an unspoken question of her own history forms in Crow's heart, and an unstoppable chain of events is triggered. Crow sets out to find her lost identity - and, ultimately, to learn…
I have loved reading since I was very young, and would bring home an armful of books from the library. I first discovered the dystopian genre while in junior high, and it quickly became my favorite genre. My favorite aspect of dystopias is the new world created within each book. When I began writing my own stories, I spent several hours building the world within my book. Even today, nearly 20 years after I first began writing, I spend hours drawing and designing everything within each book, whether or not it’s dystopian. My hope is that my readers find my worlds as fascinating as I found the worlds of the stories on my list!
In a world where love is forbidden, witness the blossoming of an epic love story. As someone who rarely enjoys romance novels, Lauren Oliver’s Delirium hooked me in and had me finish in less than two days. Oliver has a way with words that left me feeling every emotion the main character felt, and had me diving into the second book the moment I finished the first. It’s a beautiful dystopian, and was the first book I read that got me hooked on the genre. If you are a fan of The Hunger Games, then you’ll love Delirium!
'A dystopian Romeo and Juliet story that deserves to be as massive as Twilight' Stylist
They say that the cure for love will make me happy and safe forever. And I've always believed them. Until now.
There was a time when love was the most important thing in the world. People would go to the end of the earth to find it. They would tell lies for it. Even kill for it.
But now love has been declared a dangerous disease.
Everyone who turns eighteen must be immunised with a procedure called the Cure. Lena Haloway is looking forward to…
As a shy, dreamy kid, I relied on middle-grade books to learn about the world and feel less alone. That’s why I eventually started writing them. Growing up can be hard. Being grown-up can, too. Fiction can thrill, educate, and stimulate, and I love it for those reasons. But sometimes, I want a book to assure me things are going to be okay. In case you’d forgotten that the world can be scary and unpredictable, the last couple of years probably reminded you. I continue to find comfort in middle-grade books that make my heart feel full, tender, and hopeful. I needed books like these back then, and still need them today.
The Austins live in rural New England, where the four children take joy in nature, do chores cheerfully, and have a club committed to nonconformity. The family’s faith and interests in the arts and sciences are weaved seamlessly into their daily life. And although death is discussed throughout, themes of light and love permeate.
This isn’t the most well-known of L’Engle’s books, but it’s a feel-good portrait of domestic life. If I had read it when I was young, I’m sure I would have wanted to be an Austin kid. Reading it as a mother, I want to crack the parents’ code.
Book one of the Austin Family Chronicles, an award-winning young adult series from Madeleine L’Engle, author of A Wrinkle in Time, about a girl who experiences the difficulties and joys of growing up.
“Beautifully written, with integrity and warmth, and young people are bound to identify with the characters, each a person in his own right, and to read absorbed from first page to last. Thoroughly recommended.” ―Chicago Tribune
For a family with four kids, two dogs, assorted cats, and a constant stream of family and friends dropping by, life in the Austin family home has always been remarkably steady…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
When I first read this series as a child, I was surprised and delighted to find the pseudo-author Lemony Snicket breaking the fourth wall to comment on the pathos of the action, the meaning of obscure words, and the telling of stories.
Behind a veil of whimsy, Lemony gave my child-self a dark metaphor I didn't (yet) realize I needed and a new literary language. I wouldn't be the person I am without him.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
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