Here are 100 books that Dairy Queen fans have personally recommended if you like
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I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
Although the main character in this warm and funny book is a boy, I include it in my list of favorite books about girls who love sports because the best athlete in this story of a middle-school cross country team is a girl. She’s the team member all the other kids depend on. The team member who pushes Joseph Friedman – a boy with attention challenges, innumerable phobias, and no athletic “gifts” – to keep trying. She just won’t let Joseph give up. I love the relationships between the teammates in this book. And I love the way Asher shows that in running – as in life – winning doesn’t always mean coming in first. It means trying to do just a little bit better each time you step onto the track.
"This is a splendid novel that I read in one sitting. . . . You will cheer when this kid embraces 'Do your best' and shows it to be a ringing call to nothing less than Triumph." -Gary D. Schmidt, Printz Honor winner and two-time Newbery Honor winner "Diana Harmon Asher tells an entertaining story about a boy picking his way through the potholes and pitfalls of puberty, with a little help from his friends." -Richard Peck, Newbery Medal winner "Just read it! Diana Harmon Asher has written a witty, observant, and sensitive…
I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
Samira is a Rohingya girl whose family fled anti-Muslim violence in Myanmar and now lives near a refugee camp in a Bangladesh beach town. This doesn’t sound like the set-up for a “sports” book, yet like all the best sports books, this beautiful novel-in-verse is about so much more than simply winning or losing a game. I love the way Guidroz shows the strong bonds that form within a team – in this case, a group of girls who help one another learn to swim and surf, defying cultural standards that bar girls from these activities. I also love how participating in this sport gives Samira a way to grow as an individual and claim her own identity: “Before I was Samira,” she says. “Now, I am Samira the Surfer.”
A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls.
Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama,…
I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
This is one of my absolute favorite books. It’s beautifully written, telling a compelling story about Molly Williams, who shared a love of baseball and a deep connection with her father through the long hours they spent talking while he taught her to pitch a knuckleball. When he dies in a car accident, Molly’s world falls apart. Her mother descends into depression, and communication between them stops. Molly slowly puts her life back together when she earns a place on a boys’ baseball team and builds friendships with her teammates. The power of this book lies in its central metaphor: the need for communication. Between pitcher and catcher, between base coach and runner, between parent and child, between friends.
For an eighth grader, Molly Williams has more than her fair share of problems. Her father has just died in a car accident, and her mother has become a withdrawn, quiet version of herself.
Molly doesn’t want to be seen as “Miss Difficulty Overcome”; she wants to make herself known to the kids at school for something other than her father’s death. So she decides to join the baseball team. The boys’ baseball team. Her father taught her how to throw a knuckleball, and Molly hopes it’s enough to impress her coaches as well as her new teammates.
I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
Today’s young readers can’t believe that when I was in high school, our basketball team was only allowed in the gym when the boys weren’t using it. They can’t believe there was a time when people thought girls shouldn’t play competitive sports. But really, who could believe it? Who could believe it would take an act of Congress – the 1972 law known as Title IX – to guarantee girls and women the right to equal opportunities in every academic field and in athletics? I love this book because it tells the story of Title IX, a law that mandated academic equity for girls and women, and changed the world for girls who love sports.
Can girls play softball? Can girls be school crossing guards? Can girls become lawyers or doctors or engineers? Of course they can... today. But just a few decades ago, opportunities for girls were far more limited, not because they weren't capable or didn't want to, but because they weren't allowed to. Ages 8-12.
I am a novelist who loves stories that express deep emotions and life-changing experiences, suspenseful stories that explore how humankind responds to tragedy, to heartache, and to joy, so that is what I write. My stories don’t come from me; they come through me. I often listen to scene-setting music full blast over and over again as scenes form in my head and the words pour onto the page. I don’t write my stories in order. I usually know the beginning and end, but I write whatever scene I “see” and then arrange them in the right order when I’m done.
Christian Schwarz deftly creates a rising tension between two sisters who are torn apart by secrets. Ruth gradually pieces together memories from her childhood, bringing the story to a climax when her secrets are revealed and the consequences come to pass. This story was one I read and studied multiple times during my journey to publication.
'POWERFUL . . . SUSPENSEFUL . . . RICHLY TEXTURED . . . [A] CHILLING, PRECOCIOUSLY GOOD START TO A BRIGHT NEW NOVELIST'S CAREER' New York Times
'[A] gripping psychological thriller . . . In the winter of 1919, a young mother named Mathilda Neumann drowns beneath the ice of a rural Wisconsin lake. The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband . . . The narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the…
I grew up in a farming community where everyone understood where our food comes from; we were all either farmers or related to farmers. I’ve since discovered that is not the case everywhere. Many kids honestly believe our food comes from grocery stores. Those that have been told our food is grown, are still unfamiliar with the extent of our reliance on agriculture—not just for food, but clothing; building and cleaning supplies; sports equipment; fuel; and so much more! They also don’t understand the amount of time and hard work (even technology) required to grow, harvest, and process the plants used to create their favorite foods. Hopefully these books—mine included—will help.
I first discovered Time for Cranberries when looking for comparative titles for my own book.
But where mine follows the growth and harvest cycle of pecans, Lisl’s follows the harvest process for cranberries—from field to Thanksgiving table (though like my book, hers is not a holiday title). Like me, Lisl, wrote her story from personal experience, and includes all the sights and sounds of the cranberry harvest.
I love that she includes the child narrator in the process in a way that is both authentic and safe, and uses a refrain to tie the narrative together—boy, I didn’t realize just how comparative our stories were until just this moment! Maybe, someday the two of us can meet in person.
From the cranberry bog to the Thanksgiving table, join Sam and his family as they harvest a classic American fruit.
When the vines hang heavy with berries that the autumn winds have turned deep red, it's time for cranberries, and Sam is finally old enough to help with the harvest! This charming, lyrical picture book follows Sam and his family as they raise the water in the bog, pick the cranberries, and gather the fruit for processing. It's a story of modern family farming in action, showing readers where their food comes from but mostly delighting them along the way.
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This exquisitely written, dark saga of family intrigue is worth reading over and over, and I do.
The protagonist’s devotion to family and the land that feed her, both physically and emotionally, is rich and consuming.
Events are seen from her point of view and her antagonist’s, giving opposing slants that generate an exquisite tension throughout the book.
This story was instrumental in my education as a writer, as was the author, both showing the use of deep interiority in every character, and a setting that made me live within the story.
Enidina Current and Mary Morrow live on neighboring farms in the flat, hard country of the upper Midwest during the early 1900s. This hardscrabble life comes easily to some, like Eddie, who has never wanted more than the land she works and the animals she raises on it with her husband, Frank. But for the deeply religious Mary, farming is an awkward living and at odds with her more cosmopolitan inclinations. Still, Mary creates a clean and orderly home life for her stormy husband, Jack, and her sons, while she adapts to the isolation…
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
We are blessed right now with an abundance of farmers who have good stories to tell. Three hill farmers stand out: John Lewis-Stempel, James Rebanks, and Patrick Laurie, whose Native is so lyrical that it reads at times like a prose poem by Seamus Heaney. Laurie’s book is an account, season by season, of his relationship with a roughish bit of land in southwest Scotland. It is part love affair with his small farm, and the curlews and native Galloway cattle in which he has an obsessional interest, and part critique of modern farming and the industrial timber production that threatens much of the open moorland. Native is worth reading just for the quality of the prose, even if you’re not remotely interested in countryside matters.
Shortlisted for the Wainwright Prize for UK Nature Writing 2020
'Remarkable, and so profoundly enjoyable to read ... Its importance is huge, setting down a vital marker in the 21st century debate about how we use and abuse the land' - Joyce McMillan, Scotsman
Desperate to connect with his native Galloway, Patrick Laurie plunges into work on his family farm in the hills of southwest Scotland. Investing in the oldest and most traditional breeds of Galloway cattle, the Riggit Galloway, he begins to discover how cows once shaped people, places and nature in this remote and half-hidden…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I love this timeless novel because it helps me picture, better than any book I have read, what it is like to struggle as the wife of a poor rice farmer in India.
Rukmani, the book’s main character, endures endless battles with nature, poverty, hunger, discrimination, and crime, yet remains optimistic about life and devoted to her husband until the end.
Reading this book in college was one factor that helped me decide to join the Peace Corps and devote much of my career to working with low-income farmers in developing countries.
The acclaimed million-copy bestselling novel about a woman’s struggle to find happiness in a changing India.
Married as a child bride to a tenant farmer she had never met, Rukmani works side by side in the field with her husband to wrest a living from a land ravaged by droughts, monsoons, and insects. With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.
This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable…
I love increasing the diversity seen on our family’s bookshelves but also on the TBR (to-be-read) piles of relatives, babysitters, educators—everyone who might come across my little list of five books. I’m a very visual person, which is why picture books have always been my thing, even back in college when my roommate and I used to spend our study breaks in the children’s area of the public library reading stacks and stacks of picture books. It’s only natural, then, that my list should mix books written and illustrated by people of color* with my love for picture books. *with the exception of Mary Jo Udry and Eleanor Mill
I love the author’s use of language, “wash away the dreaming,” “as still as sunlight,” “plump as a Sunday purse,” and my favorite, “I stand so still even my shadow gets bored and starts to walk off.” And the bright artwork incorporating bits & pieces of textiles and buttons and a variety of papers is just the right background for a story about a girl determined to achieve her ultimate goal—catching the elusive Miss Hen. The facial expressions, both human and hen, are fabulous—especially Miss Hen’s sly look at the reader when she eludes her captor yet again. The way a self-declared chicken chaser’s attitude can change when faced with a brood of chicks is a sight to see!
Meet one smart chicken chaser. She can catch any chicken on her grandmother's farm except one – the elusive Miss Hen. In a hilarious battle of wits, the spirited narrator regales readers with her campaign to catch Miss Hen, but this chicken is "fast as a mosquito buzzing and quick as a fleabite." Our chicken chaser has her mind set on winning, until she discovers that sometimes it's just as satisfying not to catch chickens as it is to catch them.
A fresh voice full of sass and inventive, bold collage illustrations full of surprises create a childlike escapade brimming…
