100 books like Coo

My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here. 

As a girl, I would roll around on the floor with my Labrador retriever, beg my parents for horseback-riding lessons, and dream of being a vet. A proficiency in language and lack of science skills led me to writing instead, but my intense love of animals never waned. I adore adventure stories featuring animal characters and human ones, and some form of communication between them. That’s why I wrote Shannon’s Odyssey which, like many Middle Grade novels, also explores family secrets and the all-important act of forgiveness. It’s not fantasy but contains mystical elements rooted in reality, because who doesn’t want to believe magic exists in our everyday lives?

I’ve been fascinated with the natural world and our relationship with it since I was young. In my first career, as an environmental attorney, I worked to protect oceans and endangered species. Now, as a children’s author, I enjoy exploring environmental themes, as well as the unique bonds people have with animals, in my stories. The books I am recommending are recently published middle-grade novels that capture the magical connection between humans and animals, or animals with each other, whether in contemporary or fantasy settings. I grew up in Caracas, Venezuela, and live in Virginia with my family and our adorable hypoallergenic cat.

I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.

I’ve been fascinated with the natural world and our relationship with it since I was young. In my first career, as an environmental attorney, I worked to protect oceans and endangered species. Now, as a children’s author, I enjoy exploring environmental themes, as well as the unique bonds people have with animals, in my stories. The books I am recommending are recently published middle-grade novels that capture the magical connection between humans and animals, or animals with each other, whether in contemporary or fantasy settings. I grew up in Caracas, Venezuela, and live in Virginia with my family and our adorable hypoallergenic cat.

Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.  

I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!

As a girl, I would roll around on the floor with my Labrador retriever, beg my parents for horseback-riding lessons, and dream of being a vet. A proficiency in language and lack of science skills led me to writing instead, but my intense love of animals never waned. I adore adventure stories featuring animal characters and human ones, and some form of communication between them. That’s why I wrote Shannon’s Odyssey which, like many Middle Grade novels, also explores family secrets and the all-important act of forgiveness. It’s not fantasy but contains mystical elements rooted in reality, because who doesn’t want to believe magic exists in our everyday lives?

I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.

I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.