Fans pick 100 books like City of Refugees

We can learn a lot about urban refugees from works of fiction. This short story is a tragic tale of Boniface Louis R. Kuseremane, a Rwandese prince, who finds himself in Kenya’s capital, Nairobi.

The story does well to remind us that refugees come from all backgrounds and how quickly support and wealth can disappear. Nairobi initially exists as a stop-off on route to continued comforts in Europe, but the protagonist finds himself trapped on a downward spiral as his social and material privileges slip away.

Yvonne Adhiambo Owuor is most well known for her beautifully written novels Dust and The Dragonfly Sea, but long before these, her short story Weight of Whispers won the prestigious Caine Prize for African Writing.

This book is one of the first full-length books devoted to the specific topic of urban refugees. It was published in 2001, years before the pronouncement that most refugees live in towns and cities.

The book provides an intimate and detailed account of the promises and hardships refugees face in cities–in this case, Dar es Salaam in Tanzania.

An engrossing and accessible ethnography, the book shows the way that a variety of factors–age, religion, language, memory–intersect to shape refugees’ experiences in urban space.

A rich historical account of the experiences of Afghans living in urban Pakistan from the 1970s to the post-2001 ‘War on Terror’ period, this book provides a fascinating discussion of urban informality, what it means to belong, the role of citizenship, and the engagement and absence of the state in cities.

The book utilises ethnographic observations and interviews but also valuable archival data–raising important considerations of who gets remembered, as well as underscoring that urban refugees are not a new phenomenon. 

This book is a fascinating and well-written book on ‘gender refugees’ –people who make their claim for asylum based on their gender identity.

The book illuminates these refugees’ unique and challenging journeys as gender refugees, from their reasons for leaving their countries, the various violences in the asylum system, the South Africa they imagined, and the South Africa they experienced.

The book de facto deals with urban refugees. South Africa does not practice a system of encampment, while nearly all the participants in the research reside in Cape Town and Johannesburg.

The main character Ellie is strong and resilient. I loved that she went to America to make money for her injured husband’s sake, was flung into a world in New York City that was so unlike rural Ireland, met with temptations, and found her way out. Ultimately, it’s a love story (not romance per se) and I found myself rooting for Ellie throughout the whole book.

Gabrielle Hamilton isn’t just a ‘reluctant chef’ (in her own words), she’s also an absolutely exquisite writer (her MFA really paid off!). Her memoir traces her life and love of food from her New Jersey childhood, through her many professional ups and downs and international travels (I especially love the parts where she’s staying at her Italian mother-in-law’s home, describing the incredible produce she was able to get. Oh, the tomatoes!) Did I extra love this because she grew up in the same small town I was born in? Maybe, but it’s a wonderful book no matter where you’re from.

This one had my head spinning right round, baby! Happy marriage, babies, a nice home—what more could a young wife ask for?

How about someone she can trust, for starters, and how ’bout her husband’s ex-lover quits coming around all the time, tattling tales of his murky past? It reminded me of an old friend of mine who fell in love with a guy she’d met through an online dating site. He claimed he was long divorced, but—whoops—was actually still married, and living with his estranged wife in separate parts of their house.

You can probably guess how that ended, but not this book. With every wild plot turn, I was grabbing for the Oh sh*t handle and gasping for breath.

Not usually considered a Hollywood novella per se, Bellow’s “small grey masterpiece” (V.S. Pritchett) tracks failed actor Tommy Wilhelm on a dark Manhattan day when his luck and his money run out.

This book is at once a tender portrait of failure and a searing indictment of the false promises America makes to the gullible. Along the way, Tommy recalls his one and only screen role—as a Hollywood extra, he briefly appeared barelegged in a kilt, pretending to blow bagpipes—just one more humiliation in a string of let-downs. By day’s end, Tommy goes face to face with humanity in a subway station and spirals toward “the heart’s ultimate need”—tears. 

Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.

There’s nothing scarier than answering personal ads to a complete stranger in my opinion. Women in Loves Music, Loves to Dance who answers a personal ad find themselves the next victim of a serial killer. What makes this particularly frightening is that the situation actually happens in real life. This book might make you rethink answering that personal ad in the newspaper or online. That’s what makes this book a nail-biter and keeps you up until all hours of the night. It is a fun read, and I highly recommend it.