100 books like Childhood, Boyhood, Youth

In The Bell Jar, Sylvia Plath unscrews the top of her skull and invites us to peek inside. This is one of my favourite first-person narratives.

Considering Plath’s struggle with depression and her ultimate suicide, the book portrays the tribulations of a tortured artist in New York’s beatnik fifties. Plath’s lyrical language infuses the prose which appeals to my love of poetry.

I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.

Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page. 

Salinger broke a lot of unspoken rules of fiction-writing–and thus life–with Catcher. It was emotionally cauterizing for me as a teenager while incessantly trying, and failing, at learning rules adults apparently didn’t want us to know.

I’m certain many of my contemporaries identified with Holden Caulfield’s stream-of-consciousness introspection as deeply as I did. And when I think back about it, I find myself once again in the grip of how it was: ferreting out how life works but getting no guidance from parents, teachers, or bosses, only the terror of making mistake after mistake until the world didn’t make sense any longer. Just as had happened to Holden, but at last, I understood I was not alone in my confusion.

In Ordinary People, the boating-accident death of the older teenage son shatters the family.

Conrad, the younger son who was also on the boat, is tormented by self-blame for his brother’s death. After a suicide attempt and a psychiatric hospitalization, Conrad is released. He is still beset with guilt and depression and begins outpatient treatment with Dr. Berger, a blunt yet also an empathetic psychiatrist.

I like the way he helps Conrad reconsider his unrealistic guilt and helps him look at the limitations of his mother, a parent unable to provide him the warmth and support he needs. I like the way Dr. Berger is portrayed as caring and skilled, an example of how psychiatrists effectively treat their patients.

This book is so subtle and intelligent that it makes me smile at almost every line. Sarraute hates nothing more than clichés and the narcissistic self-indulgence of memoirs. In Childhood, the inner dialogue between the narrator and her memory allows her to avoid these pitfalls and resurrect the past with an amazing emotional accuracy. The questions asked by her critical self deepen her memory and lead to a delicate, vivid, and funny rendering of her childhood at the beginning of the twentieth century in Paris between her divorced Russian parents.

Svetlana Alliluyeva was Josef Stalin’s daughter. In 1967 she fled to the West bringing this memoir with her. It was published to universal acclaim in the same year. An epistolary memoir it gives remarkable insight into her life growing up in the Kremlin. Haunting, at times lyrical, always affecting, she shows Stalin as something other than the monster we take him to be. She makes no excuses for him but it is salutary to see him portrayed as a father and a human being. An antidote to the all-too-easy dismissal of him as ‘a monster’.

It’s not possible that Tolstoy died and lived to tell about it, but that's what this book feels like.

As Ivan Ilych’s illness progresses, the reader sees how shallow his relationships are, and how fruitless is his striving to “get ahead.” As I read this book, I felt the vast chasm between the living and the dying, how alone Ivan is in his suffering. Ivan Ilych is no hero: he is an everyman. He squarely faces the pointlessness of his life, and ultimately throws off the things of no importance.

Through his experience I anticipated my own death, and felt how important it must be to live my life remembering that all the stupid stuff doesn’t matter. What does matter is my relationships with God and with other humans. Everyone who expects to die someday should read this book.

This book is brimming with themes that are super meaningful to me—love, loss, healing, the nature of reality, time travel, spirituality, faith, and redemption. He does this through language that waxes poetic in a formal, archaic voice, dropping into and out of time, occasionally lapsing into a hilarious, modern tone. Laurus, the protagonist, reminds me of myself, a holy fool, who believes in the healing power of mercy and compassion. As well, he keeps one foot in this world and the other in a mystical realm to which he longs to return.   

I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.  

I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.

In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life. 

As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.