Here are 97 books that Chain-Gang All-Stars fans have personally recommended if you like
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Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised.
In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.
'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
I have been captivated by the study of prisons since my early college years. The fact that prisons are so new in human history still feels mind-blowing to me. I used to think that prisons have just always been around, but when you realize they are actually new, that has major implications. This is nowhere more clear than at the beginning: how hard it was to get to the point where prisons made sense to people, to agree on how prisons should be designed and managed, and to keep on the same path when prisons very quickly started to fail. It’s still puzzling to me.
Prisons were originally built for men (really, white men), not for women. But women were sent to prison, just not in big enough numbers to merit their own facilities until much later. Women were also viewed as a difficult population by reformers and prison administrators alike: Women who committed crimes were deemed so morally repugnant that they could not be rehabilitated, so the routines and purposes of prisons seemed not to apply to them (prisons were originally supposed to rehabilitate their prisoners).
As a small and unprofitable population (because they were assigned unprofitable labor like sewing and laundry), women prisoners were considered especially burdensome. Using the prison histories of three differently situated states, Rafter describes the experiences of incarcerated women and how those experiences were shaped by their unique position and the biases about women criminals.
Contemporary Research on crime, prisons, and social control has largely ignored women. Partial Justice, the only full-scale study of the origins and development of women's prisons in the United States, traces their evolution from the late eighteenth century to the present day. It shows that the character of penal treatment was involved in the very definition of womanhood for incarcerated women, a definition that varied by race and social class.Rafter traces the evolution of women's prisons, showing that it followed two markedly different models. Custodial institutions for women literally grew out of men's penitentiaries, starting from a separate room for…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
As a fantasy reader, you will often come across the same ideas regurgitated in a slightly different form. Not that I have anything against that – some of them are still amazing stories – but when there is a slightly different voice to the storytelling, it is very refreshing. That’s what I found with Dragon Queen, the first in The Silver Kings series.
Some have argued that this series is chaotic and focuses on too many characters, but I found it delightfully action-packed with dark plots, political scheming, and incredible world-building and scenery that played out through my imagination as I read.
Praised by the likes of Joe Abercrombie and Brent Weeks, Stephen Deas has made dragons his own.
In the years before the Dragons laid waste to man's empire, the fearsome monsters were used for war and as gifts of surpassing wealth to buy favour in the constant political battles that tore at the kingdoms.
Notorious in these battles was the Dragon Queen. And now she is a prisoner. But no one is more dangerous than when caged ...
The critics, fellow authors and readers alike are agreed - if you love dragons and epic fantasy, Stephen Deas is the writer…
Dr. Samantha Battams is an Associate Professor and has been a university lecturer, researcher, policy professional, community development worker, advocate, health service administrator, and management consultant. Samantha resides in Adelaide, South Australia, is widely travelled, and has lived and worked in Switzerland in global health. She has published academic articles and book chapters in the fields of public health and global health, social policy, and sociology. She has a passion for history and writing and has written a self-published family history and three non-fiction books.
Thoroughly enjoyed reading about the various fates of a shipload full of convict women who at the time were barely more than chattels of men. Susannah Watson was one of many women who stole in England to feed her starving children and found herself transported for 14 years (which in reality became a lifetime). These survivor women were inspiring and resilient in a pioneering time.
Intrigued to discover a convict ancestor in her family tree, Babette Smith decided to investigate her life and the lives of the 99 women who were transported with her on the ship Princess Royal in 1829.Piece by piece she reveals the story of her ancestor the indomitable Susannah Watson who, trapped in the crowded filthy slums of Nottingham, stole because she could not bear to see her children starving'. Separated forever from her husband and four children, she was transported to Australia for 14 years. She endured the convict system at its worst, yet emerged triumphant to die in her…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.
I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.
Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jennifer’s poetic prose—she is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflects…
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
The Narcos only had to hear there was a pretty girl around and they'd sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula.
She came back a year after she'd been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.
Great Britain's forced transportation of convicts to colonial Australia is well known. Less widely known is Britain's earlier programme of sending convicts - including women - to North America. Many of these women were assigned as servants in Maryland. Titled using Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain,…
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
As the daughter of a wartime internee, I was particularly affected by this novel. It is 1938, and socialite Phyllis Forrester is unaware that her family life is soon to be destroyed by circumstance. A privileged wife and mother, Phyllis is politically naïve. There are subtle hints of the darkness to come as she, along with her kin, becomes increasingly involved with Oswald Mosley’s political party. When war breaks out and Phyllis is interned, she endures her downfall and imprisonment with equanimity. The book carries a quiet, sad sense of regret as she tries and fails to pick up the post-war threads of her former life. There is no going back.
'I always wanted to be friends with both my sisters. Perhaps that was the source, really, of all the troubles of my life...'
It is the summer of 1938 and Phyllis Forrester has returned to England after years abroad. Moving into her sister's grand country house, she soon finds herself entangled in a new world of idealistic beliefs and seemingly innocent friendships. Fevered talk of another war infiltrates their small, privileged circle, giving way to a thrilling solution: a great and charismatic leader, who will restore England to its former glory.
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I was immediately captivated by the depth of material and engrossing writing style of this book. Despite being a serious and challenging topic, Helm drew me in from the first page and never let up.
I also learned quite a bit of new information about a topic I thought I knew quite a lot about already.
Months before the outbreak of World War II, Heinrich Himmler—prime architect of the Holocaust—designed a special concentration camp for women, located fifty miles north of Berlin. Only a small number of the prisoners were Jewish. Ravensbrück was primarily a place for the Nazis to hold other inferior beings: Jehovah’s Witnesses, Resistance fighters, lesbians, prostitutes, and aristocrats—even the sister of New York’s Mayor LaGuardia. Over six years the prisoners endured forced labor, torture, starvation, and random execution. In the final months of the war, Ravensbrück became an extermination camp. Estimates of the final death toll have ranged from 30,000 to 90,000.…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
I readThe Women’s House of Detention earlier this year and was introduced in its pages to a world of pre-Stonewall policing of queerness and transness. In our current moment, when state laws increasingly seek to restrict the lives of gender-expansive people, this book offers a window into both the origin of these laws and also, importantly, into the lives of queer and trans people who, in their resistance, created space for me to exist, and to name my own existence, today.
This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century.
The Women’s House of Detention, a landmark that ushered in the modern era of women’s imprisonment, is now largely forgotten. But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin,…
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