Fans pick 100 books like Dear Sister

Coming out of law school in 1994, around the time of the passage of the Violence Against Women Act, I firmly believed that criminalization was the way to address intimate partner violence. As a new legal services lawyer, I encouraged my clients to turn to the criminal legal system because I believed it would keep them safe. 

This book introduced me to the reality that that system was punishing survivors and showed me how Black survivors of violence were uniquely vulnerable to criminalization. I owe a massive debt to Beth Richie’s work.

Most domestic violence shelters have this message on their voicemails: “If you are in immediate danger, call 911.” But for many survivors, particularly women of color, calling the police can lead to disaster. Ritchie’s book came out at a time when people were beginning to talk about police violence against Black men, but before #SayHerName, Sandra Bland, and Breonna Taylor were regularly included in that conversation.

You might have known that Eric Garner was choked to death by the police in New York City; you didn’t know that several weeks later, police also choked Rosann Miller, then seven months pregnant, to death. Ritchie documents how police officers verbally, emotionally, physically, and sexually abuse women of color—and how we can resist police violence.

Until I read this book, I didn’t realize that my work with criminalized survivors had a rich historical context. One example: I didn’t know about Joan Little, who stabbed the correctional officer who sexually assaulted her with an ice pick, or about the grassroots survivor defense campaign that sprang up around her.

I could not have situated that specific campaign in the broader context of a non-carceral anti-violence movement that opposed the build-up of the criminal response to intimate partner violence (a battle they ultimately lost). Emily Thuma gave me that historical context—and a lot more to be angry about.

When Kim Williams overdosed, Leigh Stubbs and Tami Vance sought help and performed CPR on her until paramedics arrived and took her to the hospital. The doctors who examined Kim said that she had been sexually assaulted. Police focused on Leigh and Tami, mainly, if not exclusively, because they were lesbians.

Leigh and Tami were wrongfully convicted of the assault and sentenced to 44 years in prison. Beety, an innocence litigator, highlights how medical malpractice, unscientific expert testimony, prosecutorial misconduct, problematic judicial rulings, and, above all, homophobia led to Leigh and Tami’s (and other manifestly unjust) convictions.

I loved this book because it transported me to the sun-soaked island of Barbados—but not only the glossy image from travel magazines, which I’ve visited before like many other tourists.

It offers an unflinching peek at the authentic, sometimes tragic, side of paradise where the locals live and work. Following the intertwined lives of a grieving young mother, her violent husband, a wealthy widow, and a conflicted gigolo, this novel reveals the darkness that festers within the places we call home.

I am relatively new to the writing of T Kingfisher and my introduction was the fantastic Nettle & Bone. Her prose is wonderful. Her story is whimsical. Strange magic runs throughout the book as an almost-nun determines she needs to kill a prince with the help of a dust-wife, a disgraced warrior, and a godmother who isn’t very good at her job. I am a complete sucker for faerie markets, in this case the Goblin Market. Her writing style is refreshing, and I have already bought a bunch more of her books.

This is an intense story and kept me on edge while reading, wondering what would happen next. Shannon upped the thrills as the book went on.

I really appreciated the two main characters, Jason and Addison, who are Christians. Unlike many Christian novels, not everyone around them was also a Christian. This book was a realistic example of people who try to live a Christ-like life, but can get caught up in things out of their control.

The romance between Jason and Addison is fascinating as both come into it with so much baggage. I found myself rooting for them and Shannon does a great job building that suspense as well.

I like this book because it takes on the troubling theme of consent in the case where one person is an adolescent and the other a significantly older adult. I think in all cases of this power dynamic, the confusion a young person feels when she is eager for the love and attention of the older man blurs the meaning of consent for her.I know it did for me.

Yet the truth is a young teenager isn’t capable of consent; she is unaware of the price she’ll pay for what seems like love but is actually abuse. When the perpetrator is a well-liked or respected leader, like a coach or teacher, the confusion is worse because we are all led to believe this is a trustworthy person.

We all have that one boss that we’re pretty sure is cursing our name and our work. In this book, the boss may just be an evil wizard who has actually cursed four women to hide his misdeeds.

What drew me in was the fairy-tale elements of this novel. Again, it’s set in a modern context but uses fantasy elements to drive home the absurdity of modern work culture and the horrors that women experience at work, no matter how good they may be at their jobs. Especially if they’re good at their jobs.

It’s also a powerful story about fierce and angry women who find common ground and work together to improve their collective situations. Anytime women work together to destroy an evil villain, I’m in. 

I am inspired by books that unlayer other and more complex societies, and this one is high on my favorites list. Higashino is strong on what drives people and their actions, in this case, a mother and daughter, their estranged and bullying husband/father, a secret next-door admirer, and the cops assigned to solve the father’s death.

And in so doing it is a wonderful revelation about the nuances in and of Japanese life and culture. Again, Tokyo or a specific section of that marvellous city becomes as much a character as all the others, so the book becomes for me a guide to the nature of Japanese and big urban life.