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In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
The late Roy Porter wanted to show that England did not lag behind Scotland in promoting Enlightenment, and assembled a huge quantity of material to show not just the theoretical but also the practical effects of Enlightenment. Ranging widely, he dwells on practical projects like the building of roads and canals, on the beginnings of industry (e.g. Wedgwood’s pottery factory at Etruria), and on reform of the criminal law. A distinguished historian of science, he says much about medical experiments, scientific research, and the increasingly humane treatment of mental disorders.
It is almost impossible to encapsulate briefly the range and variety contained in Roy Porter's major new book. For generations the focus for those wishing to understand the roots of the modern world has been France on the eve of the Revolution. Porter certainly acknowledges France's importance, but makes an overwhelming, fascinating case for considering Britain the "true" home of modernity - a country driven by an exuberance, diversity and power of invention comparable only to 20th-century America. Porter immerses the reader in a society which, recovering from the horrors of the Civil War and decisively reinvigorated by the revolution…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
For centuries German historians underplayed the Enlightenment, treating it as an unwelcome foreign import. Writing with the zeal almost of a missionary, Reed shows that Germany participated fully in the Enlightenment, and that the great luminaries of the German classical age, Goethe and Schiller, continued its endeavours in individual and sometimes idiosyncratic ways. He also offers a unique introduction to the philosophy of Kant, showing how it developed in the specific milieu of Prussia under the Enlightened despot Frederick the Great, and drawing attention also to his pioneering work as a theoretical scientist: Kant was the first person to suggest that the nebulae visible beyond the Milky Way might be separate galaxies.
Germany's political and cultural past, from ancient times through World War II, has dimmed the legacy of its Enlightenment, which these days is far outshone by those of France and Scotland. In this book, T. J. Reed clears the dust away from eighteenth-century Germany, bringing the likes of Kant, Goethe, Friedrich Schiller, and Gotthold Lessing into a coherent and focused beam that shines within European intellectual history and reasserts the important role of Germany's Enlightenment. Reed looks closely at the arguments, achievements, conflicts, and controversies of these major thinkers and how their development of a lucid and active liberal thinking…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
O’Brien looks at the place of women in the British Enlightenment in two ways. Historians, especially in Scotland, offered progressive narratives of the history of civilization, in which women had the task of softening the manners of history’s male protagonists. Women writers, on the other hand, could not be reduced to such a subordinate role, but were independent-minded and often radical. We have all heard of the feminist Mary Wollstonecraft, but she had many predecessors, notably the politically radical historianCatharine Macaulay, whose voices are presented here.
During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention to the place of women. Combining intellectual history with literary criticism, Karen O'Brien examines the central importance to the British Enlightenment both of women writers and of women as a subject of enquiry. She examines the work of a range of writers, including John Locke, Mary Astell, David Hume, Adam Smith, Edward Gibbon, T. R. Malthus, the Bluestockings, Catharine Macaulay, Mary Wollstonecraft and the first female…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
This is an original view of the Enlightenment by one of the most exciting of its current historians. The Enlightenment urged people to think for themselves; intellectual authority resided ultimately within the individual. It valued the emotions as highly as reason; emotions included what philosophers called ‘the passions’, not just sympathy with others, but individual desires and appetites. The Enlightenment was also a period of increasing material prosperity, in which some thinkers still praised the virtue of frugality, while others pointed out that luxury and self-indulgence were necessary to drive the modern economy. These arguments, displayed here with energy and clarity, are with us still.
A provocative history of the changing values that have given rise to our present discontents.
We pursue power, pleasure, and profit. We want as much as we can get, and we deploy instrumental reasoning-cost-benefit analysis-to get it. We judge ourselves and others by how well we succeed. It is a way of life and thought that seems natural, inevitable, and inescapable. As David Wootton shows, it is anything but. In Power, Pleasure, and Profit, he traces an intellectual and cultural revolution that replaced the older systems of Aristotelian ethics and Christian morality with the iron cage of instrumental reasoning that…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
Published in 1779, this book shows far more about Enlightenment Edinburgh than it does Edinburgh history, and should be read for that reason. Full of myth, legend, bloody Scottish history, and contemporary events, it is written with the perspective of the historical enquiry of the Enlightenment as described by Broadie. Plus, it’s just fun to see how historic people saw and expressed themselves.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheadingThe Scots’ Invention of theModern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheadingThe True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It.It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.
'Every Scot should read it. Scotland now has the lively, provocative and positive history it deserves.' Irvine Welsh, Guardian
A dramatic and intriguing history of how Scotland produced the institutions, beliefs and human character that have made the West into the most powerful culture in the world.
Arthur Herman argues that Scotland's turbulent history, from William Wallace to the Presbyterian Lords of the Covenant, laid the foundations for 'the Scottish miracle'. Within one hundred years, the nation that began the eighteenth century dominated by the harsh and repressive Scottish Kirk had evolved into Europe's most literate society, producing an idea…
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
This was the first book I read when I started my English degree at Aberdeen University and I remember reading it on the train home one weekend and being completely gripped by it. The novel is about two brothers, George and Robert, one of whom is murdered. The structure of the novel is interesting in that, although it is a work of fiction, it presents itself as a found and true document, with the first part being narrated by the ‘editor’ and the second part told from the point of view of Robert. Robert is the quintessential unreliable narrator and his fate can be interpreted in a number of different ways from demonic possession to schizophrenia. It’s a dark and gothic novel that leaves you feeling unsettled long after you have finished it and unsure about what is real and what isn’t.
Written in 1824, James Hogg's masterpiece is a brilliant portrayal of the power of evil. Set in early eighteenth-century Scotland, the novel recounts the corruption of a boy of strict Calvinist upbringing by a mysterious stranger under whose influence he commits a series of murders. The reader, while recognising the stranger as the Devil, is prevented by the subtlety of the novel's structure from finally deciding whether, for all his vividness and wit, he is more than a figment of the imagination. This is the only complete edition of Hogg's Confessions, since it was first published. All subsequent editions, until…
I was asked in my final year at university, to choose between my degree and my dog. I’d kept a little Yorkshire terrier hidden in my Cambridge rooms for two years before he was discovered and he’d been lovely company as I plugged away at my reading there. I'm pretty confident that I'm the only student who has ever kept a dog at Trinity College. Because of the impact Lassie made on me as a child, I’ve always longed for a collie and now have space for one. He’s called Cedric and is as human and sentient as I. The first book I wrote was about a dog with the loyalty of all the dogs in the world, and with the love of all the dogs in the world.
This made an enormous impression on me. You will not get through it dry-eyed. Whenever I come across any highland terrier on any street anywhere, I remember little Bobby sleeping for fourteen cold long years beside the grave of Auld Jock and I see all the great love that a dog can have for his human. A classic, based on a true story, published first in 1912.
The moving story of a little dog with a huge heart and of the unbreakable bond between an animal and his owner.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by Mary Paulson-Ellis.
When Auld Jock, a shepherd, loses his job, he moves to Edinburgh in search of work. But the city isn't kind to him and he falls into a life of poverty. Lonely, old and ill, his only…
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
This is the first book in the Skelfs series by Doug Johnstone. A Dark Matter introduces us to Dorothy, Jenny, and Hannah, three generations of women who run a funeral home and a private investigator business in Edinburgh. Each chapter is from the perspective of one of the three central characters and gives the reader a different take on what is happening. The crime elements of the story keep you guessing and make you want to read on, however these are interspersed with moments of introspection from the characters who meditate on issues such as science versus faith and the different ways people deal with grief. It is both uplifting and grim all at the same time as well as being darkly humorous, and it takes you to the parts of Edinburgh that the tourists don’t go to.
Three generations of women from the Skelfs family take over the family funeral home and PI businesses in the first book of a taut, gripping page-turning and darkly funny new series.
***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ***Shortlisted for the Amazon Publishing Capital Crime Awards***
'An engrossing and beautifully written tale that bears all the Doug Johnstone hallmarks in its warmth and darkly comic undertones' Herald Scotland
'Gripping and blackly humorous' Observer
'I was addicted from the first page; gripping, gritty and darkly funny as hell' Erin Kelly
"Captain Charles Kennedy" parachuted into a moonlit Austrian forest and searched frantically for his lost radio set. His real name was Leo Hillman and he was a Jewish refugee from Vienna. He was going home. Men and women of Churchill’s secret Special Operations Executive worked to free Austria from Hitler's…
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
Ross Sayers is one of my favourite contemporary Scottish authors. His books are always unique and humorous with genuine characters. This book looks at the subject of memory, how we can yearn to go back to a particular moment in time, how we can be trapped by things that have happened in our past and asks if we can really trust our own memories. It contains dual timelines alternating between 2019, with Hannah’s first day working at Memory Lane in Edinburgh, and 1975, inside the memory of John Valentine as he relives his wedding day over and over again. It’s a compelling work of speculative fiction that forces the reader to confront their own memories.
2019 - It's Hannah Greenshields's first day at Memory Lane, a memory clinic in the centre of Edinburgh. She soon learns that Memory Lane possesses advanced technology which allows clients to relive their favourite memories for a substantial fee. 1975 - John Valentine, a Memory Lane client, is reliving his wedding day over and over again, hoping to change one key event he can't forget. However, as proceedings become less and less familiar, John realises his memory isn't such a safe place after all. When Hannah and John's paths meet, they must work together to get John back to the…
