Here are 100 books that Light in Germany fans have personally recommended if you like
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In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
Edinburgh, the principal centre of the Scottish Enlightenment (though flanked by Glasgow and Aberdeen), saw an extraordinary concentration of creative intellectuals who met to debate the principles of society, history, economics, and philosophy. They included David Hume, who made epoch-making contributions to all these subjects, and Adam Smith, who after giving up his chair at Glasgow lived nearby at Kirkcaldy writing The Wealth of Nations. Buchan not only recreates the intellectual atmosphere but shows how the failure of the 1745 Rebellion prompted Scotland to become a rapidly modernizing society.
In the early 18th century, Edinburgh was a filthy backwater town synonymous with poverty and disease. Yet by century's end, it had become the marvel of modern Europe, home to the finest minds of the day and their breathtaking innovations in architecture, politics, science, the arts, and economies - all of which continues to echo loudly today. Adam Smith penned "The Wealth of Nations". James Boswell produced "The Life of Samuel Johnson". Alongside them, pioneers such as David Hume, Robert Burns, James Hutton, and Sir Walter Scott transformed the way we understand our perceptions and feelings, sickness and health, relations…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
The late Roy Porter wanted to show that England did not lag behind Scotland in promoting Enlightenment, and assembled a huge quantity of material to show not just the theoretical but also the practical effects of Enlightenment. Ranging widely, he dwells on practical projects like the building of roads and canals, on the beginnings of industry (e.g. Wedgwood’s pottery factory at Etruria), and on reform of the criminal law. A distinguished historian of science, he says much about medical experiments, scientific research, and the increasingly humane treatment of mental disorders.
It is almost impossible to encapsulate briefly the range and variety contained in Roy Porter's major new book. For generations the focus for those wishing to understand the roots of the modern world has been France on the eve of the Revolution. Porter certainly acknowledges France's importance, but makes an overwhelming, fascinating case for considering Britain the "true" home of modernity - a country driven by an exuberance, diversity and power of invention comparable only to 20th-century America. Porter immerses the reader in a society which, recovering from the horrors of the Civil War and decisively reinvigorated by the revolution…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
O’Brien looks at the place of women in the British Enlightenment in two ways. Historians, especially in Scotland, offered progressive narratives of the history of civilization, in which women had the task of softening the manners of history’s male protagonists. Women writers, on the other hand, could not be reduced to such a subordinate role, but were independent-minded and often radical. We have all heard of the feminist Mary Wollstonecraft, but she had many predecessors, notably the politically radical historianCatharine Macaulay, whose voices are presented here.
During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention to the place of women. Combining intellectual history with literary criticism, Karen O'Brien examines the central importance to the British Enlightenment both of women writers and of women as a subject of enquiry. She examines the work of a range of writers, including John Locke, Mary Astell, David Hume, Adam Smith, Edward Gibbon, T. R. Malthus, the Bluestockings, Catharine Macaulay, Mary Wollstonecraft and the first female…
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
This is an original view of the Enlightenment by one of the most exciting of its current historians. The Enlightenment urged people to think for themselves; intellectual authority resided ultimately within the individual. It valued the emotions as highly as reason; emotions included what philosophers called ‘the passions’, not just sympathy with others, but individual desires and appetites. The Enlightenment was also a period of increasing material prosperity, in which some thinkers still praised the virtue of frugality, while others pointed out that luxury and self-indulgence were necessary to drive the modern economy. These arguments, displayed here with energy and clarity, are with us still.
A provocative history of the changing values that have given rise to our present discontents.
We pursue power, pleasure, and profit. We want as much as we can get, and we deploy instrumental reasoning-cost-benefit analysis-to get it. We judge ourselves and others by how well we succeed. It is a way of life and thought that seems natural, inevitable, and inescapable. As David Wootton shows, it is anything but. In Power, Pleasure, and Profit, he traces an intellectual and cultural revolution that replaced the older systems of Aristotelian ethics and Christian morality with the iron cage of instrumental reasoning that…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
Most people think of Bach as a church composer, but the broader political context was that of Frederick the Great and the Enlightenment.
Bach was rationalizing music as much as he was putting it to liturgical use. The great cycles of the Well-Tempered Clavier and the Art of the Fugue are science as well as art. This book explores that idea by focusing on a bizarre encounter between Frederick and Bach, when he was invited to play for the king, in what may have been an early attempt at trolling.
In one corner, a godless young warrior, Voltaire's heralded 'philosopher-king', the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of 'outdated' music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age.
Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged "old Bach" to a musical duel, asking him to improvise…
Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He is an award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, and has authored or co-authored twenty-two books; he's also the host of PBS’s Finding Your Roots. Andrew Curran is a writer and the William Armstrong Professor of the Humanities at Wesleyan University. His writing on the Enlightenment and race has appeared in The New York Times, The Guardian, Newsweek, and more. Curran is also the author of the award-winning Diderot and the Art of Thinking Freely and The Anatomy of Blackness.
David Bindman was among the first scholars to dive deeply into the critically important relationship between aesthetics (including standards of beauty) and the emergence of race within the nascent human sciences. Bindman is a very careful scholar who, in addition to being a superb art historian, pays careful attention to the subtle shifts in terminology (and iconography) that reflect substantive changes in the way that non-European groups were seen and depicted during the Enlightenment era, be they “savages,” Blacks, or Asians. Scholars of race will find unexpected links between aesthetics and race here, including Winckelmann on the link between climate and the supremacy of Greek statues – or Lavater’s aesthetic-driven understanding of human physiognomy. Since it was first published in 2002, this beautifully illustrated book opened up a whole field of research.
Ape to Apollo is the first book to follow the development in the eighteenth century of the idea of race as it shaped and was shaped by the idea of aesthetics. Twelve full-color illustrations and sixty-five black-and-white illustrations from publications and artists of the day allow the reader to see eighteenth-century concepts of race translated into images. Human "varieties" are marked in such illustrations by exaggerated differences, with emphases on variations from the European ideal and on the characteristics that allegedly divided the races. In surveying the idea of human variety before "race" was introduced by Linneaus as a scientific…
I'm an experimental social psychologist and Scientia Professor at the University of New South Wales, Sydney. I grew up in Hungary, and after an adventurous escape I ended up in Sydney. I received my DPhil and DSc degrees from the University of Oxford, and I spent various periods working at Oxford, Stanford, Heidelberg, and Giessen. For my work I received the Order of Australia, as well as the Distinguished Scientific Contribution Award, the Alexander von Humboldt Prize, and a Rockefeller Fellowship. As somebody who experienced totalitarian communism firsthand, I am very interested in the reasons for the recent spread of totalitarian, tribal ideologies, potentially undermining Western liberalism, undoubtedly the most successful civilization in human history.
This is an incredibly interesting, well-written, and informative book that lays out the case for the amazing success of liberal democracies based on the Enlightenment values of liberty, universal humanism, and individualism.
I consider this book an essential reading for everyone who has been brainwashed by the current pessimistic and catastrophizing ideologies attacking this most successful of all human civilization.
Pinker is an outstanding writer, and the empirical evidence he marshals for the success and values of the Enlightenment in promoting human flourishing is utterly persuasive.
INSTANT NEW YORK TIMES BESTSELLER A NEW YORK TIMES NOTABLE BOOK OF 2018 ONE OF THE ECONOMIST'S BOOKS OF THE YEAR
"My new favorite book of all time." --Bill Gates
If you think the world is coming to an end, think again: people are living longer, healthier, freer, and happier lives, and while our problems are formidable, the solutions lie in the Enlightenment ideal of using reason and science. By the author of the new book, Rationality.
Is the world really falling apart? Is the ideal of progress obsolete? In this elegant assessment of the human condition in the third…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
London’s British Museum, with its massive and diverse collections, is world famous and the story of its foundation and early years in the eighteenth century sheds light on the histories of collecting, knowledge, and exploration. More than twenty essays were assembled to celebrate the opening of the Enlightenment Gallery in the King’s Library after years of research and refurbishment. These essays draw readers into the people, the objects, and the ideas that shaped this important and influential institution. The book is lavishly illustrated with gorgeous photographs of paintings and statues, coins, fossils, china, and much more—a wonderful way to grasp the museum’s stupendous holdings and also to understand better the controversies it has engendered.
The extraordinary companion to the British Museum's 250th anniversary exhibition. Opened in 1753 as the world's first public museum, the British Museum epitomized the Age of Enlightenment's dream of a rational universe. Indeed, in many ways the museum was the age's most potent instrument: the incarnation of a world that could be parsed, classified, and comprehended through the physical observation of objects, all in the name of reason, progress, and civic improvement.
In this lavishly illustrated volume, published to coincide with a new permanent exhibit, the museum's centrality to the Enlightenment enterprise is explored through the stunning breadth and variety…
I’m a political theorist at Syracuse University’s Maxwell School of Citizenship and Public Affairs. I spent the first fifteen years or so of my career working on the Scottish and French Enlightenments (Adam Smith, David Hume, Jean-Jacques Rousseau, Montesquieu, Voltaire), but in recent years I’ve been drawn more and more to the American founding. In addition to Fears of a Setting Sun, I’m also the author of The Constitution’s Penman: Gouverneur Morris and the Creation of America’s Basic Charter, which explores the constitutional vision of the immensely colorful individual who—unbeknownst to most Americans—wrote the US Constitution.
This book is not as acclaimed as the others on this list, but it is a hidden gem. Staloff deftly weaves together the lives and ideas of three of the most notable founders, and the ways in which they were influenced by their Enlightenment forebears. Precisely because the book is relatively little-known, I recommend it all the time to colleagues and students.
In this incisively drawn book, Darren Staloff forcefully reminds us that America owes its guiding political traditions to three Founding Fathers whose lives embodied the collision of Europe's grand Enlightenment project with the birth of the nation.
Alexander Hamilton, the worldly New Yorker; John Adams, the curmudgeonly Yankee; Thomas Jefferson, the visionary Virginia squire—each governed their public lives by Enlightenment principles, and for each their relationship to the politics of Enlightenment was transformed by the struggle for American independence. Repeated humiliation on America's battlefields banished Hamilton's youthful idealism, leaving him a…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love this book’s mixture of camp and macabre. Like Gulliver’s Travels, Walpole’s name didn’t appear in the original book—the preface claims it was a long-lost manuscript found in “the library of an ancient Catholic family in the north of England.”
Ghosts, giants, and dark secrets power this blend of medieval kitsch, tragic fatalism, and dark fantasy, and I find the strange mixture both funny and richly stylized. Walpole was a famous eccentric and obsessive about the lore of the Middle Ages, and I love how he mixes so many genres: he riffs on everything from Shakespeare to contemporary politics.
As a fan of Stranger Things, I love anything that creatively weaves together familiar genres while producing something new for the present. In doing so, Walpole helped to create the formula for contemporary horror.
"The Castle of Otranto," written by Horace Walpole, is considered the first Gothic novel. The story is set in a medieval castle and begins with the sudden, mysterious death of Conrad, the son of the tyrannical Prince Manfred. Manfred's plans to secure his lineage are compromised, leading him to hastily attempt to divorce his wife and marry Isabella, his son's betrothed.
The tale unfolds with supernatural occurrences, including a giant helmet that crushes Conrad, and the appearance of ghostly apparitions. As Manfred's actions become increasingly driven by desperation to maintain his power, the true heir to the Castle of Otranto,…
