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Ever since I could read, I have found myself finding security and escape through the words on the paper. As I grew older, I no longer wanted to just read these realities, I wanted to create them for myself. Writing is the one thing in my mundane existence that has made me feel like more than just a number in the system. I laugh with my characters and love with them. My writing is a part of me that will live long after I am gone. Whether it be a novel, or a simple letter, I want my words to linger with the reader long after the page is turned.
Shatter Me is one of the most groundbreaking dystopian novels to hit the YA section of any bookstore. She created a world that spoke to my heart, through its originality as well as its diverse character arcs.
Mafi's writing skillfully weaves a gripping tale of dystopia, blending thrilling plotlines, intense romance, and a deep exploration of societal chaos. Juliette's world, painted with Mafi's poetic prose, felt like a refuge where I could truly immerse myself within Julliette’s character.
The unexpected twists left me breathless, creating a connection with the characters that lingered long after I closed the book. The romantic elements, filled with passion and vulnerability, drew me as a reader in, leaving me feeling as if I was in the relationships myself. Mafi's portrayal of a dystopian society made me reflect on power and control in our own world.
Shatter Me isn't just a must-read; it's a personal journey,…
Stranger Things meets Shadow and Bone in this first instalment of an epic and romantic YA fantasy series - perfect for fans of Leigh Bardugo, Sarah J. Maas and Victoria Aveyard. Now a TikTok phenomenon.
A fragile young teenage girl is held captive. Locked in a cell by The Reestablishment - a harsh dictatorship in charge of a crumbling world. This is no ordinary teenager. Juliette is a threat to The Reestablishment's power. A touch from her can kill - one touch is all it takes. But not only is she a threat, she is potentially the most powerful weapon…
I’m a criminal defense attorney, mom, and wife who grew up along Lake Michigan in Wisconsin and lived there for 35 years, staring out at the vast water of the “Inland Seas” aka The Great Lakes. Intrigued by pirates, the criminals of the water, and the stories of pirates roaming the lakes, when I began writing fiction, I absolutely had to write a modern pirate series set in the area where I grew up. I’ve read dozens and dozens of historical non-fiction books about pirates, watched all the classic films and shows about them, and have read pirate romances my entire life, so writing my own was the next logical step.
This book took me on an incredible adventure on the high seas. This historical pirate romance has everything—action, suspense, love, betrayal, bloody battles, and scorching hot steamy scenes. Rich and deep world-building, the depth of characters and storylines, and the beautiful descriptions pulled me into this story and kept me there the same way a riptide drags you under. I was left speechless during some scenes and will never be able to forgot this book as long as I live. The battle of wills between Bennett and Lord Ashley Cutler left me breathless and the scenes with her lover, pirate Priest Farrell, left me sweating. If you love swashbuckling historical romance with a modern twist, you must grab it. Not for the faint of heart or pearl-clutchers.
"Beautiful, soul-shattering, and utterly delicious." ~ Ilsa Madden-Mills, Wall Street Journal, New York Times, and USA Today bestselling author Bennett Sharp is on the run. Wanted for piracy, she fears neither God nor death nor man. Except Priest Farrell.
The unfaithful, stormy-eyed libertine hunts her with terrifying possessiveness. Nothing will stop him from coming for her. Not his unforgivable betrayal. Not when she's captured by the ice-cold pirate hunter, Lord Ashley Cutler. She must escape Ashley's prison and Priest's deceit. But can she walk away from their twisted desires?
Two gorgeous captains stand on opposite sides of the law. When…
Dostoevsky wrote that the opposite of love is not hatred, it is indifference. That’s why I have always been fascinated by the topic of love hate. They are not opposed, they are somehow connected, and when I started writing romance I spent an insane amount of time trying to understand how people cross the bridge from hate to love. It makes for incredible stories of seduction, corruption, resilience, and ultimately happiness. As a ‘villain writer’ who enjoys writing about passionate characters going the extra mile, burning the world down to keep their love warm, I am familiar with the tropes and my imagination knows no bounds.
Oh, this one? It is everything. The villain is a virgin! Which deep down we all want. Seraphena is promised to him since childhood, groomed into marrying him and killing him in order to save her country. When the wedding night comes – he rejects her, leaving her behind. People blame her. If she hated him before, she loathes him even more. Until he reappears into her life to save her and they both fight this attraction. She still has a mission, and this is her excuse to try to seduce him. He is a tough nut to crack. He is actually more in control of himself than she is. As she grows to know him in his supernatural surroundings, hatred is hard to keep and so is distance…
#1 New York Times bestselling author Jennifer L. Armentrout returns with book one of the all-new, compelling Flesh and Fire series—set in the beloved Blood and Ash world.
Born shrouded in the veil of the Primals, a Maiden as the Fates promised, Seraphena Mierel’s future has never been hers. Chosenbefore birth to uphold the desperate deal her ancestor struck to save his people, Sera must leave behind her life and offer herself to the Primal of Death as his Consort.
However, Sera’s real destiny is the most closely guarded secret in all of Lasania—she’s not the well protected Maiden but…
I get bored easily when I read a book where I can predict the plot. The two things that really set apart the original stories are world development and character complexity. You need a strong character, filled with their own eccentricities, flaws, and virtues. And you need an interesting, well-developed world in which your character can live. If you do these two things well, the story easily writes itself. If you can discover how the character thinks, acts and interacts in their world, how they seek to solve their problems and fix their flaws—that’s what makes a story worth telling…and for me, that’s the story I want to write.
This book draws you into its own, unique world right from the first page. You immediately meet the main character in unusual circumstances—not where you might expect a protagonist to be found. Yet the author does a wonderful job of slowly showing you past events that brought the character to this place, and you find yourself hoping she will find a happy ending. I love the way the author draws you into the story so that you feel like you are experiencing what the main character feels.
In the territory of Ixia the government maintains control through the Code of Behaviour, forbidding the practice of magic, but danger lurks in mysterious places...
Imprisoned for murder Yelena Zaltana's punishment is death, until she is reprieved - for a price.
As the Commander of Ixia's food taster she will risk assassination from poison daily, a position she would be a fool to refuse... In a world where magic equals death and freedom is for the lucky few, survival is all Yelena has and the battle for her life has just begun.
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
Major league baseball stadiums have always enthralled me—their architectures, their atmospheres, their surroundings. Each has a unique story to tell. So I decided to tell the story of how perhaps the greatest of all American ballparks, Dodger Stadium in Los Angeles, came to be. As an urban historian, I also wished to tell a broader story of how the argument between 1957 and 1962 over whether, where, and how to build the stadium helped make Los Angeles into the modern city we know today. So writing City of Dreamsallowed me to combine my passions for baseball, for stadiums, and for the history of American cities.
This is actually a book about a baseball stadium that was notbuilt—the Brooklyn Dodgers’ proposed new home in that borough’s downtown that fell victim to the shortsightedness of New York City elected officials and that of their master, building czar and power broker Robert Moses. This was the first systematic and objective examination of the emotionally-fraught subject of the team’s 1957 departure for Los Angeles and the promise of a new stadium there (the subject of my Cityof Dreams), and was instrumental in placing responsibility for the Dodgers’ move squarely on the shoulders of New York pols and the imperious Moses. Also highly recommended is Sullivan’sThe Diamond in the Bronx: Yankee Stadium and the Politics of New York.
For many New Yorkers, the removal of the Brooklyn Dodgers-perhaps the most popular baseball team of all time-to Los Angeles in 1957 remains one of the most traumatic events since World War II. Neil J. Sullivan's controversial reassessment of a story that has reached almost mythic proportions in its many retellings shifts responsibility for the move onto the local governmental maneuverings that occurred on both sides of the continent. Conventional wisdom has it that Dodgers owner Walter O'Malley cold-heartedly abandoned the devoted Brooklyn fans for the easy money of Los Angeles. Sullivan argues that O'Malley had, in fact, wanted to…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
I’m used to contemporary fantasies where magic is either hidden or open and acknowledged, and this book blew my mind by blowing that dichotomy out of the water.
It retells the Russian folktale of “Vassilisa the Beautiful” but adds a lot of complicated family dynamics that made me like the source narrative even more than I already did. I also loved the utter weirdness of how Baba Yaga and her hut on fowl’s legs neither fits into the ordinary world nor stands apart from it.
In Vassa's neighbourhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters and sometimes innocent shoppers as well. So when Vassa's stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission. But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough talking wooden doll with sticky fingers, a bottomless stomach,…
As a mystery author, I’ve long been drawn to stories about missing persons, particularly novels featuring missing mothers. I suspect the special appeal of books about missing moms is because my own mother was M-I-A during my childhood. Whereas my older sisters lost our mother to mental illness at the tender ages of four and seven, in some ways, I was fortunate because I was an infant when our mom was institutionalized and, thus, had never fully bonded with her. And yet, the longing for my mother was ever-present. She left behind a large empty space in our family.
Of course, I could hardly turn the pages fast enough for this hauntingly suspenseful tale of a mother who goes missing and a college-age daughter’s desperate search for her. But what I especially loved about it was the way in which Cleo, the college daughter, discovers that her entire narrative about her parents has been wrong.
Her ne’er-do-well father is not the hero she imagined, and her mom is not the enemy but someone whose horrific childhood led her to be overly protective. Ultimately, this is a deeply moving love story about a mother and daughter drawn together by a terrifying event.
NATIONAL BESTSELLER! • From the New York Times bestselling author of Reconstructing Amelia: A daughter races to uncover her mother's secret life in the wake of her disappearance • "A breathless, shocking thriller." —Jodi Picoult
The past never stays buried for too long, and what you don't know can definitely hurt you.
“Deeply satisfying”—Angie Kim • “Gripping and bingeable."—Ana Reyes • “As suspenseful as it is thought-provoking."—Greer Hendricks
When Cleo, a student at NYU, arrives late for dinner at her childhood home in Brooklyn, she finds food burning in the oven and no sign of her mother, Kat. Then Cleo…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Displaying the decaying carcass of post-war South Brooklyn, Hubert Selby Jr. mines a grim industrial wasteland, as bleak as his beleaguered characters imploding across six short stories, each prefaced by a Biblical passage.
A gang mauls a group of soldiers on leave. A transgender woman, abused by a homophobic brother, rejected by a drug dealer, overdoses. Facing a shotgun wedding, a young man abandons his pregnant girlfriend. A sex worker is gang raped to death. A corrupt, closeted union steward is severely beaten after sexually assaulting a boy.
This 1950s South Brooklyn, when the Brooklyn Army Terminal complex and waterfront docks were infested by racketeers and thugs, comes to brutal life because of Selby’s crude prose. That grammar-be-damned style vividly captures Brooklyn life on the docks, factories, and warehouses, as well as its diners, dive bars, and union locals.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
