Here are 100 books that Extraordinary Machine fans have personally recommended if you like
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As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.
Did someone say a brotherhood of half-orcs? Sign me the hell up.
I’ve always loved non-human characters, whether monsters, aliens, ghouls, or whatever. I’ve always strongly identified with the “other.” When monsters do show up, they’re often depicted as just that: monsters. This is especially true of orcs.
But in The Grey Bastards, we get to see these mutts as so much more than drooling, mindless beasts. Their loyalty and brotherhood is what keeps them alive. When they’re riding out into battle, it’s not their tactics or strategy that gives them the edge, it’s knowing that whether they live or they die, their brothers will be fighting fiercely by their side. And that’s the sort of thing that makes me feel all warm and fuzzy inside.
'AN ADDICTIVELY READABLE - AND UNDENIABLY COOL - FANTASY MASTERWORK' Kirkus
BRING ON THE ORCS . . .
Jackal is proud to be a Grey Bastard, member of a sworn brotherhood of half-orcs. Unloved and unwanted in civilized society, the Bastards eke out a hard life in the desolate no-man's-land called the Lots, protecting frail and noble human civilization from invading bands of vicious full-blooded orcs.
But as Jackal is soon to learn, his pride may be misplaced. Because a dark secret lies at the heart of the Bastards' existence - one that reveals a horrifying truth behind humanity's tenuous…
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
The book may not have much swearing in it, but it has one of the best titles ever. It sounds like an insult drawn from an obscure meme. Dahl is a master of the short story, and here you get four of them, including his fabulous character Oswald Hendryks Cornelius.
In Switch Bitch four tales of seduction and suspense are told by the grand master of the short story, Roald Dahl.
Topping and tailing this collection are The Visitor and Bitch, stories featuring Dahl's notorious hedonist Oswald Hendryks Cornelius (or plain old Uncle Oswald) whose exploits are frequently as extraordinary as they are scandalous. In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.
In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
Nothing wrong with a little bit of erotica. This one not only has one of the best titles of any book ever, it also has its tongue jammed firmly in its cheek. When your inciting incident is a jilted bride walking into a bar in Alaska, in her wedding dress—a bar that happens to be owned by eight brothers, one of whom is named Sebastian Badd– You know you're in for a good time.
Your wedding day is supposed to be the happiest day of your life, right? That’s what they say, at least. I went into that day hoping I’d get the happiest day of my life. What I got? The worst. I mean, you really can’t get any worse of a day without someone actually dying. So…I may have gotten just a little drunk, and maybe just a tad impetuous… And landed myself in a dive bar somewhere in Alaska, alone, still in my wedding dress, half-wasted and heart-broken. *** Eight brothers, one bar. Sounds like the beginning to a bad joke,…
As a survivor of child sexual abuse, I endured many years with my voice stolen. Growing up, books offered a sanctuary from a world of cruelty and violence. Yet I never saw myself in fiction—not only as a young person battling to survive, but as a vulnerable teen questioning their sexuality. Now, I’m determined to support fellow survivors. 100% of the proceeds of my books are donated to charities supporting sexual abuse survivors, particularly victims of child trafficking. Living with CPTSD means I have a particular interest in trauma narratives, and an intense desire to do justice to abuse survivors in fiction. No one should feel alone or unseen.
Purists might raise their brows at seeing this series included, but I would argue this manga is so deeply queer-coded it could not be omitted. Following a horrific epidemic, vampires rise from the shadows to enslave the remains of humanity. Reckless and stubborn, Yuichiro has made a home with his fellow orphans, led by sensitive and intelligent Mikaela. When their daring escape from the vampires ends in disaster, Yuichiro's dream of ridding the world of vampires is kept alive at a devastating price. The dynamic between Yu and Mika is perfectly balanced, infused with yearning almosts and bittersweet if-onlys. At the heart of the series, you’ll find a fierce determination to protect one’s chosen family, and an unapologetic commitment to sacrifice everything – even humanity – for the sake of love.
After a catastrophic epidemic kills every adult on earth, vampires arise from the shadows to enslave the remaining human population. Yuichiro escapes from captivity and joins the Japanese Imperial Demon Army. But before he's allowed to fight vampires, he has to complete his first, terrifying mission - make new friends with his fellow aspiring monster slayers!
Yuichiro and his friends are kept as vampire fodder in a creepy institution masquerading as an orphanage. One day, Yuichiro's dreams of fighting back are realized when the orphans stage a daring escape. But things go horribly wrong, and his dream is kept alive…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
First of all, if you go into this book expecting a slasher story, you’ll be disappointed. While its characters are rooted in the horror genre, the story focuses more on thriller until its final act. However, the best thing about the book is its character development with its main character and the other Final Girls. While the plot collapses in on itself every so often, the character work keeps it afloat and provides the suspense to make the reader scared.
VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021
A Good Morning America Buzz Pick
“The horror master…puts his unique spin on slasher movie tropes.”-USA Today
A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer,CNN, LitHub, BookRiot,Bustle, Popsugar and the New York Public Library
In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after?
Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady…
I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.
You can’t get much more food-oriented in science fiction than a novel called The Hunger Games, and true to its name, food and food politics play a central role in the book’s theme. The book’s author, Suzanne Collins, uses juxtaposition and food politics throughout the series to highlight the difference between the haves and the have-nots. While all the books in the Hunger Games series highlight these discrepancies, it’s Collins’s second book Catching Fire where the differences are most pronounced. The feast in the Capitol, along with its potions to induce vomiting (and by extension, encourage more eating), stands out in particular: The reaction of the book’s main character, Katniss Everdeen, herself a poor girl from the Seam of District 12 makes this scene both comical and revolting.
The second book in the ground-breaking Hunger Games trilogy.
After winning the brutal Hunger Games, Katniss and Peeta return to their district, hoping for a peaceful future. But their victory has caused rebellion to break out ... and the Capitol has decided that someone must pay.
As Katniss and Peeta are forced to visit the districts on the Capitol's Victory Tour, the stakes are higher than ever. Unless they can convince the world that they are still lost in their love for each other, the consequences will be horrifying.
Then comes the cruellest twist: the contestants for the next Hunger…
Hello, my name is Stephanie Duley and my passion lies in fantasy. From books and movies to board games and tabletop RPGs, if it’s fantasy, I am usually a big fan. My love of reading started at a young age when my mom would take us to our local library to sign up for the summer reading programs. As an adult, I will gobble up any fantasy novel I can get my hands on. As a published author, I strive to give readers that same feeling and bring a little magic into their world, even if it is only for a few hundred pages.
This book is set in a post-apocalyptic world where humans are living in domes to keep them safe from the deadly radiation of the planet. The story follows: Aria is a young woman living in the safety of one of these domes, and her quest to find her mother, whom she lost contact with recently after her mother was sent out to repair damage to a pod in the outer wastelands. She knows she likely won’t survive, but she ventures out into the unknown anyway, finding help from a young man named Perry. Perry is an outsider, one of the few humans left able to survive the planet’s harsh conditions. His people are referred to as uncivilized savages.
This story has a great plot twist, and Aria finds out that the savages might not be the people who live outside the domes but within them. I love a good plot…
WORLDS KEPT THEM APART. DESTINY BROUGHT THEM TOGETHER. Aria has lived her whole life in the protected dome of Reverie. Her entire world confined to its spaces, she's never thought to dream of what lies beyond its doors. So when her mother goes missing, Aria knows her chances of surviving in the outer wasteland long enough to find her are slim. Then Aria meets an outsider named Perry. He's searching for someone too. He's also wild - a savage - but might be her best hope at staying alive. If they can survive, they are each other's best hope for…
A few years ago, while researching my novel Incarnate, I sought out Arctic, Alaskan, and winter horror novels. These books explored the dangers of such places—brutal nature, isolation, depression, fear, and suicidal tendencies. Combined with the supernatural, Lovecraftian, and unexplainable, they created gripping stories.
I also read non-fiction essays, books, articles, and watched YouTube videos about these harsh environments. The authors captured the reality of isolation and danger perfectly. If you're curious about what it’s like to venture into these perilous, frozen landscapes—without risking frostbite—these novels are a thrilling way to experience it.
When I think about the arctic, and horror, I immediately think of Dan Simmons and The Terror.
It’s an expansive, tense, visceral book that feels historical. The authority and details make this feel like fact when we know this is fiction. It’s also quite lyrical and haunting—the setting as a backdrop, the weather, and senses brutalized by this expedition, and the events that slowly unfold. Madness, mutiny, and cannibalism? Yes, please. There are so many ways you can die out here in the cold—starvation, hypothermia, scurvy, exposure, etc.
Whether you came to his work via this book, Carrion Comfort, or (like I did) with Song of Kali, this may be his best work to date. And the television series is worth a gander as well. Immersive, unsettling, gripping, and bleak this is one of my favorite Arctic horror novels to date.
The men on board HMS Terror have every expectation of triumph. As part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage, they are as scientifically supported an enterprise as has ever set forth. As they enter a second summer in the Arctic Circle without a thaw, though, they are stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, with diminishing rations, 126 men fight to survive with poisonous food, a dwindling supply of coal, and ships buckling in the grip of crushing ice. But their real enemy is…
I spent more than 10 years and 25,000 nautical miles voyaging as the captain of my sailboat, Swell. My desires for life did not fit the common mold and context of where I grew up in Southern California– I sailed away wanting to understand the meaning of life, live simply and closer to nature, experience and learn from other cultures, be in solitude and ask life’s bigger questions. I chased my big, unlikely ocean dream and succeeded, but not without radical challenges, learning, and growth.
Steven Callahan not only survived this harrowing sea adventure but also wrote about it in such a powerful way. His unique descriptions constantly made me smile. I love how he was able to capture his evolving relationship with the ocean, his spirituality, himself, and the creatures he encounters during the 76-day saga of being adrift in a life raft on the Atlantic after his sailboat sunk.
I didn’t want to put this book down, he was just so courageous not to give up. It was fascinating to be in his head through this radical journey, especially as he questions the meaning of life while fighting to hang on to his own.
Before The Perfect Storm, before In the Heart of the Sea, Steven Callahan’s dramatic tale of survival at sea was on the New York Times bestseller list for more than thirty-six weeks. In some ways the model for the new wave of adventure books, Adrift is an undeniable seafaring classic, a riveting firsthand account by the only man known to have survived more than a month alone at sea, fighting for his life in an inflatable raft after his small sloop capsized only six days out. “Utterly absorbing” (Newsweek), Adrift is a must-have for any adventure library.
