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My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
A story of someone going missing is always something that affects me viscerally. I was drawn into the intrigue of a woman who is apparently happily married one minute, and then blood stains are found on the floor of the couple’s kitchen the next.
I loved this book because it was a who-dun-it with great descriptive scenes. It was well-written and left me hungry for it when I was forced to put it down to do my chores. A taut, gripping saga about real-life people in real settings is always something I find fascinating.
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.
Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.
As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.
That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of Thomas Harris' The Silence of the Lambs--an unforgettable classic of suspense fiction.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
What do you get when you cross paths with an unhinged truck driver on a lonely stretch of isolated highway? You get the book Duel, by Richard Matheson. Based on a true event of unprovoked road rage the author himself was put through, Duel is the story of a businessman heading to San Francisco who is confronted and pursued by an unseen psycho behind the wheel of a gasoline tanker and trailer. Subjected to a life-and-death game of cat and mouse, Man, as the protagonist in the book is called, has to out-maneuver this menace, or die trying. If you are into isolation terror, with get-up-and-go pacing, Duel is a must-read.
Duel, Stephen Spielberg’s terrifying first film, was adapted by Richard Matheson from his nail-biting short story of the same name.
But “Duel” is only one of the many classic tales in this outstanding collection of stories by the award-winning author of I Am Legend, Somewhere in Time, What Dreams May Come, and The Incredible Shrinking Man.
Remember that murderous semi chasing a driver down a lonely stretch of desert highway?
Here are over a dozen unforgettable tales of horror and suspense, including several stunning shockers that inspired timeless episodes of The Twilight Zone.
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Being a huge fan of the Tobe Hooper film The Funhouse, I was interested to hear there had been a book released by Dean Koontz based on the movie. Figuring it was your run-of-the-mill paperback tie-in, I bought a cheap copy on eBay to see if there was any bonus material added to give further depth to the plot and characters. What I didn't expect to find, was a novella-sized prequel to be attached. Without giving any spoilers, the reader learns the history behind Amy Harper's psychic link to the monster Gunther and his carney father, Conrad.
It explores the effect Amy's unhinged mother Ellen has on her children, as well as Liz's loose attitude towards men and how that influences Amy to date Buzz. Add in a graphic account of how the kids were murdered in Fairfield county last year, and the book has a lot of hidden…
If you delight in the suspense of Stephen King and Harlan Coben, you'll love The Funhouse - a classic thriller by Sunday Times and New York Times bestselling author Dean Koontz.
The carnival is a world apart, endlessly travelling from town to town, providing thrills and magic for new kids every week. And the biggest, most popular attraction is the Funhouse - the ghoulish creepshow of ghosts and skeletons, rattling chains and make-believe terror . . .
Young Amy Harper is the most beautiful girl at her school, but to her life seems wretched. Terrorised by her mother, Amy's little…
Dressed to kill and ready to make rent, best friends Lisa and Jamie work as “paid to party” girls at the Rose City Ripe for Disruption gala, a gathering of Portland's elite.
Their evening is derailed when Lisa stumbles across Ellen, a ruthless politician and Lisa’s estranged mother. And to…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Masterpieces of Terror and the Supernatural is, hands down, the best collection of over fifty short stories, novellas, and poems I've ever read in one, skin-prickling book.With authors like Bram Stoker, Sheridan Lefanu, Edgar Allan Poe, Richard Matheson, Isaac Asimov, A.M. Burrage, Robert Bloch, and H.P. Lovecraft, you're in for many sleepless nights. My personal favorites include; "Last Respects" by Dick Baldwin, a story of two morticians preparing a body for a wake, only the body doesn't seem to be quite at rest; "The Quest for Blank Claveringi" by Patricia Highsmith, a story that proves snails can be terrifying. This one had me short on breath halfway through; and most disturbing of all, "His Unconquerable Enemy" by W.C. Morrow. It's about a rajah that has a surgeon amputate his servant Neranya's limbs off, then keeps the poor man in a small pen of open ironwork above his bed for…
This exceptional compilation contains more than fifty short stories, novellas and poems, both classic and modern, by some of the most distinguished writers of all time. Masterful works by Bram Stoker, H.P. Lovecroft, Mary Shelley, Sheridan LeFanu, Isaac Bashevis Singer, Tennessee Williams, Isaac Asimov, J.R.R. Tolkien, in addition to little-known masterpieces of fantasy and terror by such authors as Stanley Ellin, Patricia Highsmith, John Dickson Carr and Damon Runyon, make this one of the most wide-ranging, outstanding collections of its kind. Marvin Kaye provides fascinating prefatory notes to each selection and an annotated bibliography of other recommended reading, as well…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Between 1931-1938, a radio program went on the air called, The Witch's Tale. Old Nancy, the Witch of Salem, would introduce stories of the eerie, weird, and blood-chilling sort, with her wise, black cat Satan. Putting to print thirteen of these hair-raising scripts, we can now take a step back in time and read from the point of view of the actors from the golden age of radio in The Witch's Tale by Alonzo Deen Cole.
Old Nancy: “Turn out them lights, and make it nice and dark. That's it. Now draw up to the fire, and gaze into the embers, gaze into them deep, and soon you will be amongst vampires, werewolves, ghosts and devil worshipers. He he he... isn't that right, Satan?" (CAT meows.)
Stories of gothic horror from the Golden Age of Radio. Discover the thrills and goose bumps that frightened a generation of listeners during radio's Golden Age with 13 hair raising vintage radio scripts featuring stories about Vampires, Were wolves, Ghosts, Severed heads, Devil worship, Mad scientists and more .
By Alonzo Deen Cole, the great granddaddy of modern media horror and the creator of network radio's first drama series devoted entirely to the supernatural.
I have turned my childhood fascination with Hollywood into an academic career. For four decades I have explored, not least through extensive archival research, all aspects of the history of American cinema – films, filmmakers, studios, production histories, marketing campaigns, critical reception, audiences. Among other books, I have published three volumes in the British Film Institute’s Film Classics series (on Buster Keaton’sThe Generaland Stanley Kubrick’sDr. Strangeloveand2001: A Space Odyssey). I have focused on some of the most highly acclaimed, most commercially successful, most ardently loved, and most influential movies of all time. The starting point for my work is always my passionate engagement with particular movies.
There have been so many books about George Lucas’s most famous creation, the Star Wars saga, and about the man himself.
As far as biographical accounts are concerned, Dale Pollock’s volume (initially published in 1983, and updated in 1990 and 1999) has to be given a lot of credit for being the first to properly introduce this unique filmmaker, whose life and career have been so full of unexpected twists and turns, to the world – and to me!
Pollock’s well-researched and very readable book set a high standard for all the writers following in his footsteps.
Filled with revelations about the origins and making of American Graffiti, Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi, this only full-length biography of filmmaker and cinematic visionary George Lucas has been updated with a substantial new chapter that discusses the revamped Star Wars Trilogy Special Edition, the Star Wars prequels, the filming of the first installment, and the controversial ways in which Lucas's approach and success continue to alter the landscape of the film industry.
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I have turned my childhood fascination with Hollywood into an academic career. For four decades I have explored, not least through extensive archival research, all aspects of the history of American cinema – films, filmmakers, studios, production histories, marketing campaigns, critical reception, audiences. Among other books, I have published three volumes in the British Film Institute’s Film Classics series (on Buster Keaton’sThe Generaland Stanley Kubrick’sDr. Strangeloveand2001: A Space Odyssey). I have focused on some of the most highly acclaimed, most commercially successful, most ardently loved, and most influential movies of all time. The starting point for my work is always my passionate engagement with particular movies.
Published in 2016, four years after George Lucas had sold Lucasfilm Ltd., and with it the Star Wars franchise, to Disney, this is a worthy successor to Dale Pollock’s groundbreaking biography (first published in 1983 and last updated in 1999).
Brian Jay Jones brings that book’s story of an extraordinary filmmaker, who showed surprisingly little interest in movies during his early youth and then spent several years focusing on experimental short films before changing Hollywood with a series of huge blockbusters and newly formed businesses, to what appears to be its conclusion: since 2012 Lucas has largely withdrawn from filmmaking.
The book is not only very informative but in places, especially in the last chapter, also quite moving.
George Lucas by Brian Jay Jones is the first comprehensive telling of the story of the iconic filmmaker and the building of his film empire, as well as of his enormous impact on cinema. At once a biography, a business manual, and a film history, George Lucas will, for the first time explore the life and work of a fiercely independent writer/director/producer who became one of the most influential filmmakers and cultural icons - a true game changer.
On May 25, 1977, a problem-plagued, budget-straining, independent science fiction film opened in a mere thirty-two American movie theatres. Its distributor -…