Here are 99 books that As I Lay Dying fans have personally recommended if you like
As I Lay Dying.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.
Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
As a goth chick from the American South, I’m obsessed with stories of old evil from the past finding its way into the present. I even live in a haunted house, a disintegrating Craftsman built in 1901. Our ghosts are very cozy, two cat-loving maiden ladies who were co-presidents of the local temperance society. We’ve given up on keeping liquor in our liquor cabinet; bottles cracking and leaking, glassware broken for no reason. And we’ve gotten so used to seeing and hearing their famous cat, Tom, we barely react anymore—a huge orange tabby tomcat who runs past our feet and jumps on the foot of our bed.
Reading this book made me stop writing my own Southern gothic ghost book in the middle, rethink it completely, and start over again from scratch, and I wasn’t even mad about it. It’s just that good. It’s about thirteen-year-old Jojo and his family—his much-loved and very much dying grandmother, his strong, silent, and protective grandfather, his wild child mother, Leonie, his baby sister, Kayla, who looks to Jojo to keep her safe, and his white father, Michael, who just got out of jail. Everybody has secrets, and everybody sees ghosts. This literary novel won the National Book Award, but I promise you, horror readers, it will scare you silly and break your heart.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
WINNER OF THE NATIONAL BOOK AWARD 2017
ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC
Finalist for the PEN/Faulkner Award for Fiction
Finalist for the Kirkus Prize
Finalist for the Andrew Carnegie Medal
Finalist for the National Book Critics Circle Award
'This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must' Margaret Atwood
'A powerfully…
I’m not an expert on very much. Certainly not the biggest questions of all, such as are we really here, and if not, what’s this all about? But I’ve always enjoyed books that touch upon these questions and find a way to connect them to our everyday reality (I find them easier than actual philosophy). If I am well placed to curate this list, that’s why. I hope it reminds you how we all grapple with these same universal questions. How we all share our doubts and face the same fears. How we’re all whittled away by the same relentless flow of time.
The idea that when a loved one dies they watch over us, wishing to end our pain, is a powerful one. And for a novelist it’s a rich seam to mine. And yet The Lovely Bones did it so well, that few have tried to follow where it leads.
Although it moves in a very different direction, my own book clearly owes a debt of inspiration to Alice Seebold and I couldn’t not make it first on my list.
The internationally bestselling novel that inspired the acclaimed film directed by Peter Jackson.
With an introduction by Karen Thompson Walker, author of The Age of Miracles.
My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.
In heaven, Susie Salmon can have whatever she wishes for - except what she most wants, which is to be back with the people she loved on earth. In the wake of her murder, Susie watches as her happy suburban family is torn apart by grief; as her friends grow up, fall in…
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!
Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
I’m from East Texas, which is closer in culture and climate to the South than the Southwest. The southern voice in American literature has given us countless classics, specifically when it comes to dealing with our very dark, very human nature. Violence, racism, religion, and redemption are all explored under the Southern Gothic umbrella. My own upbringing exposed me to much of the darkness that still exists in these shadowed pockets of the country. I want to illuminate some of those places, and each of these books serves as a massive spotlight.
Though my own work will never come close to equaling its wonder, this is the novel that taught me the most about the actual craft of writing. Before he redefined the western, Cormac McCarthy was a master of Southern Gothic storytelling, and Suttree was his crowning achievement. Perhaps only Blood Meridian does more in the McCarthy canon as far as elevated imagery, but Suttree accomplishes its beauty without the benefit of the sprawling southwestern landscape. Rather, McCarthy’s Knoxville becomes like Joyce’s Dublin, and he paints it in such vivid dereliction, there can be no mistaking Suttree is the novel by which all other southern works ought to compare themselves. Bonus points for somehow making watermelon fornication into a literary act.
Suttree is a compelling, semi-autobiographical novel by Cormac McCarthy, which has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.
I’m from East Texas, which is closer in culture and climate to the South than the Southwest. The southern voice in American literature has given us countless classics, specifically when it comes to dealing with our very dark, very human nature. Violence, racism, religion, and redemption are all explored under the Southern Gothic umbrella. My own upbringing exposed me to much of the darkness that still exists in these shadowed pockets of the country. I want to illuminate some of those places, and each of these books serves as a massive spotlight.
Gay was a McCarthy disciple and Provinces of Night is his greatest work. Though he often mimics McCarthy (and in my opinion came closer to McCarthy than anyone else), he finds a desperate, haunting voice that is all his own. Provinces of Night (the title taken from a line in McCarthy’s Child of God) does a remarkable job of storytelling with multiple characters leading the narrative. Bonus points for this quote: “Life blindsides you so hard you can taste the bright copper blood in your mouth then it beguiles you with a gift of profound and appalling beauty.”
The year is 1952, and E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch. Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As a leader in autobiographical fiction, Wolfe writes of a large family dominated by an alcoholic, authoritarian father who is highly dramatic in words and behavior.
His wife’s determination to survive by running a boarding house and investing in real estate leaves little time for parental attention to the needs of their children.
While most grow to repeat the dysfunctional family habits that hinder healthy development, the youngest child, with the help of his teachers, struggles enough to finally take steps away from the pain, and out of the cycle, as I did with my own life.
The spectacular, history-making first novel about a young man’s coming of age by literary legend Thomas Wolfe, first published in 1929 and long considered a classic of twentieth century literature.
A legendary author on par with William Faulkner and Flannery O’Connor, Thomas Wolfe published Look Homeward, Angel, his first novel, about a young man’s burning desire to leave his small town and tumultuous family in search of a better life, in 1929. It gave the world proof of his genius and launched a powerful legacy.
The novel follows the trajectory of Eugene Gant, a brilliant and restless young man whose…
I’m from East Texas, which is closer in culture and climate to the South than the Southwest. The southern voice in American literature has given us countless classics, specifically when it comes to dealing with our very dark, very human nature. Violence, racism, religion, and redemption are all explored under the Southern Gothic umbrella. My own upbringing exposed me to much of the darkness that still exists in these shadowed pockets of the country. I want to illuminate some of those places, and each of these books serves as a massive spotlight.
I don’t read many current authors. It’s not their fault I’m a slow reader and have so many older novels to work through. But there are exceptions and David Joy is certainly one of those. I’d recommend starting at his beginning with Where All Light Tends to Go. His voice helped (and is still helping) usher in a new generation of southern authors. Joy, unlike the other authors on this list, tends to lean toward spare prose, which creates a bingeable quality to his work. Bonus points for a perfect ending.
A Finalist for the Edgar Award for Best First Novel
“Remarkable . . . This isn’t your ordinary coming-of-age novel, but with his bone-cutting insights into these men and the region that bred them, Joy makes it an extraordinarily intimate experience.”—Marilyn Stasio, The New York Times Book Review
"Lyrical, propulsive, dark and compelling. Joy knows well the grit and gravel of his world, the soul and blemishes of the place."--Daniel Woodrell
In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.
The area surrounding Cashiers, North Carolina, is home…
