Fans pick 100 books like Art As Experience

This book provides the reader with a foundation as to how we think through our bodily experience in the world. It argues that we think through the body and through experience and that bodily engagement with the world (organism-environment interaction) is used to develop more abstract modes of thought.

I find this key to understanding design generally.

This book outlines how the visual field operates at a psychological level.

I am an architect and cannot believe that we don’t teach straight from this and other Arnheim books more often. If you want to know what is happening to you, why you get chills up your spine when looking at art, read this book.

Arnheim is a psychologist, not a designer, so he breaks art down from this perspective.

Where Arnheim provides a psychological foundation for art as experience, Kepes deconstructs the visual field graphically and shows us how all of its elements operate.

This is another book that doesn’t get enough attention anymore. Kepes shows many diagrams as examples but also shows work produced by artists and graphic designers and discusses how the visual field is operating in each case.

My two copies of this book are so littered with underlines and marginalia that I may have to buy a third!

This is outside the box a little for design-related books but there is an important reason why I list it.

I began with Johnson’s The Meaning of the Body and end with The Strange Order of Things because they are both body-based studies. Ultimately, we feel the way we do about art and design because of our bodies, our sensing, and our interaction with the world.

It is important to know as a designer, but also simply as a human, that the foundation of our feeling about art and design is the same as our feeling about the taste of a good soup (Dewey reference) or the feeling of a nice breeze.

We do a bit of damage to art and design when we attempt to separate it from everyday living.

In his book, Wolfgang Leidhold examines the entire journey of humanity and discovers something truly amazing: even though the human brain has not changed in structure during the 300,000 years of the existence of Homo sapiens, a series of mental powers have been evoked through our conscious participation. He shows us how humans became involved in building human mentality, going through eight such transitions, including the evocation of self-reflexive consciousness, inner transcendence, and the reproductive imagination.

The great gift of this book is the conviction it awakens that the development of human consciousness is not over and that those of us alive today can become involved in what he calls "the next turn in human experience." 

The foundation of my Vision Training for Life leadership workshops is maintaining a wide, open lens on life so that you can take in as many experiences as possible. But one question I used to struggle with was, why do some experiences, even those that seem inconsequential at the time, have such an outsized impact?

The Heath brothers answered the question for me, and then some, through their combination of data-driven research and rich storytelling. This book imparts so many lessons, including how crucial first impressions are for predicting successful outcomes. That insight alone has helped spark so much human connection for me. The book is filled with many more nuggets that promise to improve your life.

This book delves into the complexities of human emotions, providing a nuanced vocabulary to understand and navigate our inner experiences. It explores the power of vulnerability, empathy, and authentic connection in building trust and fostering a sense of belonging.

By developing greater emotional literacy, you can improve communication, strengthen relationships, and create a more compassionate workplace.

Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like you’re right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to. 

Pattison’s book offers a rare mix: specific insights based on evidence and experience, and a kind of gentleness. Here’s an example of what I mean: This is where I first read about the ups and downs of “the living-dying interval,” the time between when a person is diagnosed with a terminal condition and death. Just naming and describing the interval helps others better imagine what it’s like. Pattison is also good at pointing out important nuances. He discusses attitudes at different stages of life, because of course it’s not the same to die at age ten as at age ninety. First published in 1977, this collection of essays—which includes pieces by other authors—takes an academic approach, but it’s one that’s extraordinarily thoughtful.

Originally published in 1958 as a textbook, when Aesthetics was updated, it was recognized as the “summa” of the aesthetic theory of art. This is the view that something is art just in case it is made with the intention to afford a certain magnitude of aesthetic experience. Because of his emphasis on aesthetic experience, Beardsley defended the notion of the autonomy of art – the idea that art is essentially independent of all other social practices. Using this lens, Beardsley explores an impressive range of topics including literature, fiction, pictorial representation, criticism, and interpretation.