Here are 100 books that Language of Vision fans have personally recommended if you like
Language of Vision.
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I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book provides the reader with a foundation as to how we think through our bodily experience in the world. It argues that we think through the body and through experience and that bodily engagement with the world (organism-environment interaction) is used to develop more abstract modes of thought.
I find this key to understanding design generally.
In "The Meaning of the Body", Mark Johnson continues his pioneering work on the exciting connections between cognitive science, language, and meaning first begun in the classic "Metaphors We Live By". Johnson uses recent research into infant psychology to show how the body generates meaning even before self-consciousness has fully developed. From there he turns to cognitive neuroscience to further explore the bodily origins of meaning, thought, and language and examines the many dimensions of meaning - including images, qualities, emotions, and metaphors - that are all rooted in the body's physical encounters with the world. Drawing on the psychology…
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book is essential to anyone who wants to come into the meaning of art, design, and architecture.
Give it time and it will undoubtedly change your life. Dewey’s central argument is that experience itself is aesthetic, that we need to pay deep attention to the quality inherent in every experience.
Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book outlines how the visual field operates at a psychological level.
I am an architect and cannot believe that we don’t teach straight from this and other Arnheim books more often. If you want to know what is happening to you, why you get chills up your spine when looking at art, read this book.
Arnheim is a psychologist, not a designer, so he breaks art down from this perspective.
For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of "The Dynamics of Architectural Form", "Film as Art", "Toward a Psychology of Art", and "Art and Visual Perception", asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. This is an indispensable tool for students and for those interested in the arts.
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This is outside the box a little for design-related books but there is an important reason why I list it.
I began with Johnson’s The Meaning of the Body and end with The Strange Order of Things because they are both body-based studies. Ultimately, we feel the way we do about art and design because of our bodies, our sensing, and our interaction with the world.
It is important to know as a designer, but also simply as a human, that the foundation of our feeling about art and design is the same as our feeling about the taste of a good soup (Dewey reference) or the feeling of a nice breeze.
We do a bit of damage to art and design when we attempt to separate it from everyday living.
'Damasio undertakes nothing less than a reconstruction of the natural history of the universe ... [A] brave and honest book' The New York Times Book Review
The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only survival but also the flourishing of life.
Antonio Damasio makes clear that we descend biologically, psychologically and even socially from a long lineage that begins with single living cells; that our minds and cultures are linked by an invisible thread to the ways and means of ancient unicellular…
I’m an American environmental historian with specialties in food and horticulture. I mostly write on alcohol, wine, garden history, and orchids, but I’ve also kept a small flock of backyard chickens since early 2020. In my preparation for my brood, I read every single chicken history and chicken-keeping book available. Here’s the best of the best.
There are an estimated 50 billion chickens to the world’s 7 billion humans, and chickens are the closest living relative to Tyrannosaurus rex, so why wouldn’t you want to learn their language?This is a fun, fast book to read in anticipation of getting your first little flock. The central lesson in the book is that you should spend time with your chickens--watching them, but also listening to them. The book teaches what their core vocalizations mean, therefore also helping you in caring for their needs. I couldn’t wait to have a "chicken name" assigned to me by my laying ladies!
Best-selling author Melissa Caughey knows that backyard chickens are like any favorite pet — fun to spend time with and fascinating to observe. Her hours among the flock have resulted in this quirky, irresistible guide packed with firsthand insights into how chickens communicate and interact, use their senses to understand the world around them, and establish pecking order and roles within the flock. Combining her up-close observations with scientific findings and interviews with other chicken enthusiasts, Caughey answers unexpected questions such as Do chickens have names for each other? How do their eyes work? and How do chickens learn?
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
I love to travel, write, and work in film and TV. My thoughts about how technology is changing people mixed with love for the Mojave Desert drives the story in my first novel, Edna in the Desert. Most of the desert has cell phone service but you can still lose it for stretches. Occasionally, there's a house in the middle of one of these expanses, and I always wondered what a teen living there would do without the usual modern distractions.
The title appeals to me, and the list of books I love is overwhelming. I’m rounding out my recs with this out-of-print, self-help book published in 1939 that I came across it in a second-hand bookstore. You can open the guide to almost any page and find something simple and deep, or if not, old phraseology like, Preventing Unwholesome Behavior Due to Tedium, is amusing. Technology may be changing the way people meet and how we process information, but we have most of the same emotional needs as before.
I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.
Schurman-Kauflin is not an armchair quarterback. She is the real deal. Schurman-Kauflin carefully gathered the facts she presents in this book. A skilled criminal profiler, she interviewed female serial killers (FSKs) herself, and she presented some of the clearest evidence I have ever encountered on FSKs’ backgrounds, crimes, and motives. Her work, although published a while ago, has withstood the test of time, as her findings have been replicated. In my own career, I have used her work as a source many times over.
Before becoming a psychological thriller writer I trained as a Clinical Psychologist, and I continue to practice as a therapist alongside my writing. Clinical Psychologists work in the field of mental health, bringing me into regular contact with the more difficult, distressed, or disturbed aspects of human psychology. Similarly, my novels typically explore the darker sides of what it means to be human, including themes of guilt, loss, fractured relationships, and trauma. The books on my list delve into this compelling and fascinating territory, and have inspired me as both a psychologist and a storyteller.
Firstly, I absolutely love that this book is presented in the form of a podcast!
Maybe it’s just me, but epistolary novels always makes me feel the story is more “real”! I love how Wesolowski cleverly blurs the lines between madness, evil, and the paranormal, asking whether “monsters” really exist or are simply manifestations of our human selves.
This resonates so much with me as a clinical psychologist, because mental illness have been demonised and “monstered” throughout history, and I am always working to educate and defeat stereotypes and stigma.
Online investigative journalist Scott King investigates the death of a pop megastar, the subject of multiple accusations of sexual abuse and murder before his untimely demise in a fire ... another episode of the startlingly original, award-winning Six Stories series.
'A captivating, genre-defying book with hypnotic storytelling' Rosamund Lupton
'A chilling, wholly original and quite brilliant story. Deity is utterly compelling, and Matt Wesolowski is a wonderful writer' Chris Whitaker
'Matt Wesolowski taking the crime novel to places it's never been before. Filled with dread, in the best possible way' Joseph Knox
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
