Here are 100 books that All Our Kin fans have personally recommended if you like
All Our Kin.
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My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I’m always drawn to books and stories that help me understand communities on their own terms, from the inside out, and this book delivers on that.
Even though this is a book written by scholars, the voices of Buffalo’s mid-twentieth-century lesbian community really guide the book since Kennedy and Davis did hundreds of interviews as a part of their research. I loved hearing from the women themselves, reflecting back on this moment in their lives in this one city, about how they found friends and lovers, negotiated work and family, and navigated the city.
Boots of Leather, Slippers of Gold traces the evolution of the lesbian community in Buffalo, New York from the mid-1930s up to the early 1960s. Drawing upon the oral histories of 45 women, it is the first comprehensive history of a working-class lesbian community. These poignant and complex stories show how black and white working-class lesbians, although living under oppressive circumstances, nevertheless became powerful agents of historical change. Kennedy and Davis provide a unique insider's perspective on butch-fem culture and argue that the roots of gay and lesbian liberation are found specifically in the determined resistance of working-class lesbians.
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
This 1925 autobiographical novel dropped me into the middle of New York’s Lower East Side Jewish neighborhoods in the early 20th century. The main character has a life of substantial struggle with and against her family, employers, landlords, and an American society that seems intent on erasing her.
While the book has elements of both a classic immigrant story and a coming-of-age tale, I love how it reveals the realities of urban living for a young immigrant woman. The pace and practices of making a home in a too-small space, getting by on minimal resources, scrumming for work, and avoiding harassment fill this book’s chapters. As a social and cultural historian, reading about daily activities–both struggles and joys–in a different time and place helps fire my imagination about not just what happened but how it might have felt to experience it.
First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
In this book, Lisa See drops us into the lives of three young women of Asian descent who were fighting to make their way in a city and society that saw them as “dolls” rather than people. The friendship at the heart of the novel is compelling, but I am equally impressed by See’s historical research.
She weaves her fictional characters through real events, people, places, and cultures. I often shy away from “historical fiction” as a genre, cringing at the license some authors take with the history side of things, but See is an excellent social historian and storyteller. I loved this opportunity to visit World War II America, the entertainment industry, and, most especially, San Francisco’s Chinatown through the eyes of these women.
NEW YORK TIMES BESTSELLER • “A fascinating portrait of life as a Chinese American woman in the 1930s and ’40s.”—The New York Times Book Review
“Superb . . . This emotional, informative and brilliant page-turner resonates with resilience and humanity.”—The Washington Post (One of the Best Books of the Year)
San Francisco, 1938: A world’s fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities. Talented Grace, traditional Helen, and defiant Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub.…
I moved to New York City in 1984 as homelessness, and the AIDS epidemic were crises all too visible to this newcomer. To my good fortune, my post-doctoral training included some of the earliest experts on mental illness and homelessness. This work became a career goal that has sustained me through almost 40 years of research using qualitative (in-depth) methods. Obtaining federal funding to support this work and mentoring many graduate students were extra benefits that I cherished. Along the way, I wrote a textbook on qualitative methods (now in its 3rd edition), co-authored a book about Housing First, and traveled to Delhi, India to study their ‘pavement dwellers’.
This book is admittedly old (published in 2003), but I find myself returning to it time and again as an important touchstone to understanding the origins and consequences of homelessness in America. Hopper is an anthropologist and activist, one of the first to study the ‘new’ epidemic of homelessness that appeared in the 1980s in cities like New York.
Hopper’s book traces the historical roots and consequences of the epidemic and is prescient in foretelling points of contention, such as the African-American racism underlying housing precarity. Far from the stilted reporting style of academic reporting, this book reads like a conversation and an invitation to learn more.
"It must be some kind of experiment or something, to see how long people can live without food, without shelter, without security."-homeless woman, Grand Central Station, winter
"Homelessness is a routine fact of life on the margins. Materially, it emerges out of a tangled but unmysterious mix of factors: scarce housing, poorly planned and badly implemented policies of relocation and support, dismal prospects of work, exhausted or alienated kin.... Any outreach worker could tell you that list would be incomplete without one more: how misery can come to prefer its own company."-from the book
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
Creatively formulating, cultivating, and producing high-quality fiction “masterpieces” is what I was destined to do. The art of writing is a “gift & passion” that runs rapidly through my veins. Propelled through an obitual love of reading adventurous tales and storytelling as a young child my writing voyage has expanded to writing poetry, monologues, and screen writing. Combining all imaginative inspired gifts and talents refined by a burning passion to communicate prolific narrations like no other author can. Inspirational, impactful authors that paved the way for me to be here are Maya Angelou, Roald Dahl, Theodor Seuss Geisel, Levar Burton, and Nikki Giovanni.
A timeless, classic treasure and a personal favorite of mine.
Sounder is a fiction novel, that takes you on an unpredictable emotional roller coaster of unpredictable life events, adversity, and one young boy's unmerited love for his dog.
A saga of an African American sharecropping family conquering and overcoming its economic, financial, racial, and societal challenges of the 1960s after they are set out to fend for themselves after a “young boy's” father is imprisoned for theft.
This expressive fable engulfs you in thought and emotion surrounding limitless perseverance, in spite of. I can’t even tell you how many times I read this book over and over as a young adult. No dull c liché plots this book never gets old and is an overall great read.
The Newbery Medal–winning classic novel about the courage and faith—and the love of a dog—that give a family strength in the face of inhumanity.
The boy knows that times are tough for his family. Every night, his father goes out hunting with their great coon dog, Sounder, to try to put food on the table. But even with the little they bring back, there is still never enough for the family to eat.
When the boy awakens one morning to a sweet-smelling ham on the table, it seems like a blessing. But soon, the sheriff and his deputies come to…
I’m a Black man born in Jim Crow America to domestic servants so challenged by their circumstances that they had to place me in a kind of orphanage because they weren’t given permission to raise me in their employer’s home. I’ve known poverty, violence, racism, and law enforcement changing the rules to single me out. But I have also known the rarified success of Wall Street, my own thriving law practice, entertainment industry deals, and, of course, the privilege of a lifetime working side-by-side with Dr. Martin Luther King Jr. Therefore, I understand both the promise of the American Dream and the cruelty with which it’s mostly (and purposely) withheld from her citizens of color.
Of all Dr. King’s books (many of which I helped assemble, edit, and/or find publishing for), his last seems to strike at the heart of what really got him killed: his non-violent fight against poverty (The Poor People’s Campaign).
Such a radical preacher was always considered dangerous to the status quo, but once he fully moved out of the minority interest of Black Americans and started speaking to poor Americans of every color (a vast majority), a line was crossed and his fate was sealed. Still, his vision of a future of fairness and opportunity lingers on in Where Do We Go from Here.
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
When I moved to London, I started noticing the ‘underground economy’ that happens on the big city’s sidewalks. When I read Venkatesh’s account of exactly this economy of sellers, hustlers, buskers, and people who beg in New York, I was hooked.
Right there, where we walk and shop ourselves, there are people living a parallel life. Sometimes, our lives overlap, but mostly we stay unconnected. This separation, our ‘looking away,’ is where the problems start.
In this revelatory book, Sudhir Venkatesh takes us into Maquis Park, a poor black neighbourhood on Chicago's Southside, to explore the desperate, dangerous and remarkable ways in which a community survives. We find there an entire world of unregulated, unreported, and untaxed work, a system of living off the books that is daily life in the ghetto. From women who clean houses and prepare lunches for the local hospital to small-scale entrepreneurs like the mechanic who works in an alley; from the preacher who provides mediation services to the salon owner who rents her store out for gambling parties; and…
As a kid growing up in a small Kentucky town, my buddy and I would ride our bikes everywhere, looking for adventure and sometimes trouble, until my mother directed me to the public library that was just a few blocks from our house. I would spend long summer afternoons there immersed in the complex lives of heroes and villains (and, in some cases, trying to decide which was which) and losing myself in the twisting and turning plots of mystery and intrigue. For me, there is nothing better than a book that takes its time to reveal itself, providing little breadcrumbs of excitement along the way toward the eventual payoff.
I’m a sucker for a Southern gothic page-turner, particularly one that features such a complicated character like Joe Ransom who, when you first meet him, you don’t know if you should approach or just run away. Then bring teenage Gary into the mix with his troubled family backstory and this sheds a new light on Joe, and Gary as well, as the two traverse the muddy path to redemption.
Brown’s descriptive prose paints a harsh picture of the world, warts and all, yet it also has an underlying tragic beauty.
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” ―The Washington Post Book World
Now a major motion picture starring Nicolas Cage, directed by David Gordon Green.
Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a…
