I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
Unlike some of the others on my list, the apocalypse(s) at the center of The Crooked God Machineare in no way quiet. The narrator, Charles, has been born into a world in a constant state of collapse. Taking the form of a bildungsroman, the novel recounts the medical advancement of slip implants, “hot wire spiders” that live in one’s brain and turn its user into a brainless zombie. There are also buses that take you to hell, oracles with laser eyes in the back of their heads, and a family-killing murderess who’s considered a hero by the denizens of this demented world. Every page brings fresh horrors, and without giving away the ending I can say that the conclusion doesn’t provide any hope of improvement.
The Black Planet is an oppressive world terrorized by a masked god. Charles is a young idealist struggling to keep his family from falling apart amidst daily violence and chaos. When Charles falls in love with the enigmatic Leda, she gives him hope for an existence outside of the masked god's regime. After Leda disappears one night, Charles leaves his small town to search for her. Along the way he uncovers the origin of the Black Planet, and confronts the god that would destroy all life in pursuit of a perfect and unchanging paradise.
I’ve been writing about the end of the world for years, so I know my way around the apocalypse! It’s not as dark as it sounds – it’s not the end of the world itself that I find fascinating, it’s imagining the reactions of the people who inhabit these nightmare scenarios. I’m a people watcher at heart, and these days it seems we’re increasingly restricted by the polarization of society, almost forced to pick a side. Come the apocalypse, all the preconceptions and regulations will be stripped away, and folks will behave as they genuinely want to, not how they think they should. Now that would really be something to behold!
In the zombie sub-genre, it’s hard to move for the countless books and films about battle-hardened troops trying to maintain law and order as the world tears itself apart. All too often, these stories are little more than battle scene after battle scene, when the gauge of ammo being fired at the zombies is given more importance than a cohesive plot, character development, or any other such trivialities! Not so with Tooth and Nail. A fantastic writer of military fiction, DiLouie cut his teeth here with a startlingly realistic story of a pack of exhausted soldiers trying to deal with the impossible as society crumbles around them.
This is the way the world ends. Not with a bang, not with a whimper, but a slaughter.
As a new plague related to the rabies virus infects millions, America recalls its military forces from around the world to safeguard hospitals and other vital buildings. Many of the victims become rabid and violent but are easily controlled-that is, until so many are infected that they begin to run amok, spreading slaughter and disease. Lieutenant Todd Bowman got his unit through the horrors of combat in Iraq. Now he must lead his men across New York through a storm of violence…
I was a political journalist in London for the BBC and HuffPost for many years, so thinking about our current politics, and where we are headed kind of fixates me! From the day I read 1984 as a twelve-year-old, I’ve been obsessed with how novels set in the near future or an alternate past can be intensely political, and instructive. I enjoy sci-fi, but it’s the extrapolation of our world into a similar yet different one that can tell us so much about our own society.
Post-apocalyptic novels based on eco-disaster aren’t new, but Claire North goes a step further and imagines what kind of society might emerge from the ashes of our current one, should things go really wrong. Her world-building is frenetic and detailed, but never loses the reader in its creation. What I love about North’s writing is her often lyrical style and vivid descriptions, there’s plenty of that in this novel. Above all this is an oddly spiritual novel, asking what role religion might play in a world where the old gods appear to have deserted humankind.
The new federal guidelines to help employers understand how the Americans with Disabilities Act applies to employees with an emotional disorder make it imperative that occupational psychologists and front line managers identify those workers who have an emotional disorder and distinguish them from those workers who are lazy or have a bad attitude. Kantor provides vital clinical information that assists professional consultants and supervisors alike in complying with the new guidelines while distinguishing true disability from behavioral problems which call for administrative action. Avoiding stress-heavy theory and one-size-fits-all approaches to treating occupational disorders, Kantor provides a comprehensive view of factors…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
One of the best SF novels I’ve read in the last 25 years.
The story takes you on a journey through multiple, shifting realities as different time travelers compete to change history to their advantage without wiping out everything and everyone they know and love.
Unlike so many books these days, this one never drags or bores with unnecessary background details but keeps moving from one catastrophic change to another. Highly recommended.
When Nigel Walden is fourteen, the UNHAPPENINGS begin. His first girlfriend disappears the day after their first kiss with no indication she ever existed. This retroactive change is the first of many only he seems to notice.
Several years later, when Nigel is visited by two people from his future, he hopes they can explain why the past keeps rewriting itself around him. But the enigmatic young guide shares very little, and the haggard, incoherent, elderly version of himself is even less reliable. His search for answers takes him fifty-two years forward in time, where he finds himself stranded and…
A wonderful, surprising plot — the book starts off as one thing and becomes quite another by the end — married to memorable characters, honest emotions, and harnessed to
compelling prose that rocketed along like a bullet train.
When I finished it, I was
tempted to go back to page one and start all over again. It was a deeply satisfying reading experience and a
book that’s lingered in my mind and imagination.
NEW YORK TIMES BESTSELLER • “Next to impossible to put down . . . exciting, mysterious, and totally satisfying.”—STEPHEN KING
From the New York Times bestselling author of The Passage comes a riveting standalone novel about a group of survivors on a hidden island utopia—where the truth isn't what it seems.
Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological…
I’ve clocked so many hours on Fallout 3 and New Vegas(and, less so, on Fallout 4)that it’s disgusting, but my real love of wastelands began with T.S. Eliot. His poem (The Waste Land), with its evocative imagery, fascinated me in university. While not about a literal wasteland, it inspired me to seek out stories of that vein. I even have a tattoo with a line from it! What Branches Growwas the focus of my grad certificate in creative writing and has won two awards. I am a book reviewer, writer at PostApocalypticMedia.com, and the author of the Burnt Shipspace opera trilogy.
I love this novel. I read it well after my own came out, but the strong, badass, stoic female main character reminded me a lot of Delia from What Branches Grow (despite Brittle being a robot). The often dark and gritty scenes interspersed with moments of emotion and laugh-out-loud absurd humour turned a story that could have been depressing into one that was a helluva lot of fun. The raiders in this novel also fit the trope in the same homage to Mad Max/Fallout that mine do in What Branches Grow, albeit in a way I didn’t expect. The novel is also a quest through the wasteland with a ragtag group that culminates in a final battle, which is a similar trajectory to my novel (and a plotfline in this genre I very much enjoy).
Shortlisted for the Arthur C. Clarke Award 2018 One of Financial Times' Best Books of 2017
'SEA OF RUST is a 40-megaton cruise missile of a novel - it'll blow you away and lay waste to your heart . . . visceral, relentless, breathtaking' Joe Hill, Sunday Times bestselling author
************
An action-packed post-apocalyptic thriller from the screenwriter of Marvel's DOCTOR STRANGE
HUMANKIND IS EXTINCT.
Wiped out in a global uprising by the very machines made to serve them. Now the world is controlled by OWIs - vast mainframes that have assimilated the minds of millions of robots.
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
This is a great dystopian young adult novel with red herrings and revelations that kept me reading to the end.
Kwaymullina draws on her Aboriginal heritage to create a world in which people have lost touch with nature and digital technology is forbidden because it led to disconnection of society.
Citizens with special abilities are called Illegals and are assessed and locked up because government officials view them as a threat, with the treatment of Illegals symbolising the mistreatment of Indigenous people by the Australian government.
It reads like a prophecy about our possible future with themes of environmental destruction due to climate change even as it stands as a testament to the scars left by Colonisation. This is a perfect dystopian novel with all the tropes that readers love: the young female inspirational leader, a heartfelt romance, and found family.
In a post-apocalyptic world, Ashala Wolf must lead her Tribe in their fight for freedom and justice. But first she must survive an interrogation at the hands of the authorities who are determined to destroy her and everything she stands for.
The world has ended, and the society which emerged from the ruins of environmental catastrophe is obsessed with maintaining "the Balance": preserving harmony between humans and nature. But there is one problem. Anyone born with an ability is deemed an Illegal, a threat to the Balance. They are feared, controlled and detained. Ashala Wolf has run away to escape…
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
The premise is straightforward: A dome settles over the small town of Chester’s Mill. The reason why is a bit of a McGuffin, but what is compelling is King’s brilliant exploration of the breakdown of society. Plenty of characters are willing to work together to get through the crisis, but then there are those who want to exploit the situation for their own gain. As with many King novels, it’s the worst aspects of human nature that are the true monster. Plus, King keeps his foot on the gas for the entire length of this massive tome; it never lets up.
Don’t miss the “harrowing” (The Washington Post) #1 New York Times bestselling thriller from master storyteller Stephen King that inspired the hit television series, following the apocalyptic scenario of a town cut off from the rest of the world.
On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town…
I’ve loved zombie movies since I was a kid and first saw Return of the Living Dead during a slumber party. Since then I’ve watched as many as I could, along with shows like The Walking Dead and Z Nation. The changes in the publishing industry over the past few years have given me something even better – hundreds of amazing books about romance and survival in the zombie apocalypse to read. The five books on my list are the very best of those that eventually inspired me to write my own books. I hope you like them!
This is a slow-burn romance in the zombie apocalypse. It’s a story that’s really about learning to forgive the people you love when they hurt you, and forgiving yourself for your mistakes. There’s sizzling chemistry between Lola and Cole, a plot that blends romance with action to keep you turning the next page, and characters that you want to hug and strangle at the same time.
She’s rebuilding her life. Duty flows through his veins. When the undead rise, can they survive long enough to take a risk on each other?
Phoenix, Arizona. Lola Jenkins chooses loneliness over being burned again. And after she alienated her secret crush years ago by betraying his sister, her self-loathing follows her everywhere… even into a chance encounter with the handsome man. But as his bitter words chase her out of a sandwich shop, her day gets a whole lot worse when she runs straight into a world gone mad.
Cole Beckett values courage and honor. So, although he’s still…
