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I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
Josef Roth is now recognized as one of the greatest German writers of the twentieth century. As a historian myself, I was entranced by reading it by the way in which the book catches the vast temporal arc of the transformation and then fall of a society that had for centuries been a major force in European history, the Austro-Hungarian Empire. Now forgotten, this was the world of Vienna’s great resplendence, then fall.
The story is told through the generational story of one family, the von Trottas. Impending loss is conveyed alongside great affection as a whole world is lost in the disasters of the First World War. The book was first published in English in 1933. In the words of another of Josef Roth’s books, “I was there,” which he was.
THE RADETSKY MARCH is subtle and touching study of family life at the end of the Austro-Hungarian Empire. Writing in the traditional form of the family saga, Roth nevertheless manages to bring to his story a completely individual manner which gives at the same time the detailed and intimate portrait of a life and the wider panorama of a failing dynasty. Not yet well known in English-speaking countries, Joseph Roth is one of the most distinguished Austrian writers of our century, worthy to be bracketed with Musil and Kraus.
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
This is French peasant life in its last days, a life rendered from the outside by one who became an insider.
Berger went to live and work among the peasants of the French south in 1962. This world, like that of Spain at much the same time, saw the death of the old peasantry. It is not a work of observation like Norman Lewis’s book but a series of fictional stories. It treats peasants as human beings, on an equal standing with all others in society. They have depth and gravity. Just like us all.
How awful most writing about peasants is. This stands out proudly from that awfulness.
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who…
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
I treasure this book as I treasure the memory of my long-dead father, for this transcendently sad and beautiful book takes me into a world close in spirit to that of his own life. His own experience was the experience of the immigrant worker, the Irish rural one.
With the astonishing new economic prosperity of Ireland, the London of the book is no longer there. The prose of O’Grady and the photos of Pike constantly play one across the other to shattering effect. The book was made into a fine film.
Readers will note a certain interplay across my choices of books: John Berger wrote a beautiful foreword to the first edition. The beautifully produced 2023 edition is much better than the 1997 one. The epigraph of the book is from Seferis: “I whispered: memory hurts wherever you touch it.”
'Think about a tune ... the unsayable, the invisible, the longing in music. Here is a book of tunes without musical notes ... It wrings the heart' John Berger
'The voice that O'Grady has crafted succeeds so well...running in parallel, Pyke's stark arresting images are laced between the paragraphs and chapters. The interplay between the two mediums is delicately powerful' Hilary White
'A masterpiece' Robert Macfarlane
'O'Grady does not just respond to Pyke's stark, beautiful photographs: he gives voice to thousands' Louise Kennedy
'The experience of Irish emigration uniquely and powerfully illuminated' Mark Knopfler
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
Here, the lost world that is encountered is within the lives and beings of the characters of the three novellas that make up this book, lives and beings that are on one level from Modiano’s own biography but which, in his spare and beautiful prose become of universal moment.
The world in the book is that of the dark years of the Nazi occupation of Paris. That which is fleeting, easily lost, mysterious, and obscure haunts the pages of the book, reminding us of how evanescent and uncertain memory is but also how much our lives are bound by it.
"Elegant. Unpretentious. Approachable. . . . He is, all in all, quite an endearing Nobelist."-Michael Dirda, Washington Post
"Modiano is a pure original."-Adam Thirlwell, The Guardian
"A fine introduction to Modiano's later work."-The Economist
"These novellas have a mood. They cast a spell."-Dwight Garner, New York Times
In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin-represents a sterling example of the…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
The Spanish Civil War is customarily written off as a military action involving insurgent army units allied with the Falange and other reactionary forces, waging war against a legitimately-elected Socialist-led government, albeit one infested with Communist conspirators. James Matthews takes the reader into another realm, often overlooked in the literally thousands of works published on this conflict.
The book brings together the writings of thirteen outstanding historians and specialists, who examine broad-ranging and hitherto little-explored issues such as the Francoist doctrine of ‘martial masculinity’ and ‘turning boys into men’, the role of social work during the war, political economies and monetary policies, desertion and shirking military duties and Republican spies in the Nationalist rearguard.
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War.
In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
Jason Webster journeys across Spain to explore the lasting effects of the Spanish Civil War. The result of his travels is this book of fascinating and vividly retold true stories from the war. The more the author unveils of the passions that set one countryman against another, the more he is led to wonder: could the dark, primitive currents that ripped the country apart in the 1930s still be stirring under the sophisticated, worldly surface of today's Spain? With this moving and succinct account, Webster definitively establishes his credential as one of the most gifted and knowledgeable Anglophone writers who have interpreted Spain to the world.
After twelve years in Spain, Jason Webster had developed a deep love for his adopted homeland; his life there seemed complete. But when he and his Spanish wife moved into an idyllic old farmhouse in the mountains north of Valencia, by chance he found an unmarked mass grave from the Spanish Civil War on his doorstep.Spurred to investigate the history of the Civil War, a topic many of his Spanish friends still seemed to treat as taboo, he began to uncover a darker side to the country. Witness to a brutal fist-fight sponsored by remnants of Franco's Falangists, arrested and…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
I loved Virginia Cowles from the moment I read about her arrival in Madrid to cover the Spanish Civil War. In her high-heeled shoes and elegant wool dress Cowles looked as though she were dressed for a Manhattan tea party rather than the trenches of Spain. Yet she was a doggedly ambitious reporter whose glamour often bought her unique access to her subjects, not least the besotted Soviet General who kept her captive for three days, feeding her champagne while trying to convert her to Marxism. From Spain, Cowles went on to cover much of WW2, including the fall of Paris where she arrived just two days before the Nazis. Looking for Troubleis a rollicking thriller of a memoir, packed with political gossip and wildly entertaining anecdotes.
This sensational 1941 memoir of life on wartime Europe's frontline by a trailblazing female reporter is an 'unforgettable' (The Times) rediscovered classic, introduced by Christina Lamb (who calls her 'the Forrest Gump of journalism').
Paris as it fell to the Nazis London on the first day of the Blitz Berlin the day Germany invaded Poland Madrid in the Spanish Civil War Prague during the Munich crisis Lapland as the Russians attacked Moscow betrayed by the Germans Virginia Cowles has seen it all.
As a pioneering female correspondent, she reported from the frontline of 1930s Europe into the Second World War,…
I have been studying and writing about, anarchism, gender, and the Spanish Civil War for almost 4 decades. I first explored what it would mean to organize a society without formal institutions of authority; and, as part of that research, I looked at how anarcho-syndicalist organizations related to governmental institutions and the struggle against fascism in Spain. I then engaged in a multi-year investigation of the social revolution that occurred in the midst of the ensuing Civil War and, in particular, the activities of the anarchist women’s organization, Mujeres Libres. Through the research for my book, Free Women of Spain: Anarchism and the Struggle for the Emancipation of Women, I was captivated by the extraordinary strength and enthusiasm of those women, and committed myself to telling their stories in ways that would be relevant to contemporary readers.
This book was originally published almost immediately after the Civil War and provides an extraordinarily rich—and yet very readable---account of the many conflicting forces that led up to the war. It is an indispensable introduction to that history.
Gerald Brenan's The Spanish Labyrinth has become the classic account of the background to the Spanish Civil War. Written during and immediately after the Civil War, this book has all the vividness of the author's experience. It represents a struggle to see the issues in Spanish politics objectively, whilst bearing witness to the deep involvement which is the only possible source of much of this richly detailed account. As a literary figure on the fringe of the Bloomsbury group, Gerald Brenan lends to this narrative an engaging personal style that has become familiar to many thousands of readers over the…
My only expertise is my enthusiasm for African travel. I’ve visited twenty countries, Morocco to Madagascar, the Great Lakes to the Skeleton Coast, for (I hope) my next book. You can read about a few of my African adventures, like crossing Lake Malawi, hurrying through Namibia, sailing to St. Helena Island, and witnessing the mass wildebeest migration, in my other books. Experiencing African culture, nature and wildlife is the most fun I’ve ever had, anytime, anywhere. By all means, if you can, go!
Malawi is gorgeous, inexpensive, and way under-visited. Laurens van der Post, a Bloomsbury socialite as a young man, World War Two POW, and then apartheid critic, travels ‘by aeroplane‘ across Nyasaland (present-day Malawi) in the early 1950s. Perhaps a few who have heard of Malawi know of its sprawling lake, but how many know of its majestic peaks? Van der Post’s evocation of those highlands compares with Hemingway’s Spain in For Whom the Bell Tolls. Likewise, Venture to the Interior doesn’t have a happy ending.
Summoned to Whitehall in 1949, Laurens van der Post was told that in old British Central Africa there were two large tracts of country that London didn't really know anything about, and could he go in there on foot and take a look, please? Venture to the Interior is the account of that journey, a journey filled with adventure and discovery, flying from London across Europe and Africa, and after days in small aircraft, on foot across the mountains to the two lost worlds of central Africa.
I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
Before I started writing my first spy novel, I came across a hardback second-hand copy of The Human Factor in an antique store. On the inside flap, Greene wrote about wanting to write about spies with pensions. The phrase stuck with me.
Greene’s spy lives in a suburban house and commutes to work like any of his neighbours but he is a traitor with his own dark secrets. What an intriguing idea. Greene himself was a spy during WW2 and a friend of one of the greatest traitors in British history – Kim Philby.
'Graham Greene's beautiful and disturbing novel is filled with tenderness, humour, excitement and doubt' The Times
A leak is traced to a small sub-section of the secret service, sparking off the inevitable security checks, tensions and suspicions. The sort of atmosphere, perhaps, where mistakes could be made? For Maurice Castle, it is the end of the line anyway, and time for him to retire to live peacefully with his wife and child. But no-one escapes so easily from the lonely, isolated, neurotic world of the SIS.
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