Here are 68 books that Tower of Strength fans have personally recommended if you like
Tower of Strength.
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I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.
I first read this book exactly 50 years ago, back in 1974, when I was 26. Ever since then, I have reread Jaroslav Hašek's masterpiece every single year, always in February. It is the gloomiest month of the year in Europe when our tonus is at its lowest, and we desperately need something to cheer us up.
The hilarious story of the good soldier is precisely that “injection” of optimism, serenity, élan vital that helps me make it through the last winter months till the arrival of the Spring. Although I already know by heart many passages from Svejk, I still laugh aloud while reading them—reading about the instinctive wisdom of an ordinary, small Czech man trying to comically outsmart the demonic forces of History…
The inspiration for such works as Joseph Heller's Catch-22, Jaroslav Hasek's black satire The Good Soldier Svejk is translated with an introduction by Cecil Parrott in Penguin Classics.
Good-natured and garrulous, Svejk becomes the Austro-Hungarian army's most loyal Czech soldier when he is called up on the outbreak of the First World War - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards, getting drunk and becoming a general nuisance, the resourceful Svejk uses all his natural cunning and genial subterfuge to deal with the doctors, police, clergy and officers…
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
This is an obvious choice, but it’s obvious for a reason–it sets out clearly and rigorously the extent to which the super-rich across multiple different countries suck up an ever-increasing share of aggregate income and wealth.
There’s doubtless some satisfaction from being one of the small proportion of purchasers to get through all 700+ pages, but it’s actually quite readable and peppered with literary references to writers like Jane Austen and Honore Balzac.
A New York Times #1 Bestseller An Amazon #1 Bestseller A Wall Street Journal #1 Bestseller A USA Today Bestseller A Sunday Times Bestseller A Guardian Best Book of the 21st Century Winner of the Financial Times and McKinsey Business Book of the Year Award Winner of the British Academy Medal Finalist, National Book Critics Circle Award
What are the grand dynamics that drive the accumulation and distribution of capital? Questions about the long-term evolution of inequality, the concentration of wealth, and the prospects for economic growth lie at the heart of political economy. But satisfactory answers have been hard…
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
Journalist Polly Toynbee relates her experiences working in a succession of very low-paid jobs that millions of workers across the UK depend on to heat their homes, feed their families, and put a roof over their heads.
It’s a powerful and empathetic reminder of how incredibly hard some people work, doing jobs that society depends upon, and that when we look at how they’re rewarded compared to those in high-earning roles, we really haven’t got the balance quite right.
'A passionately reasoned and compelling account of the avoidable cruelties still embedded in the underside of British life - by a writer who has literally worn the clothes, lived in the flats and done the jobs of the poor. Every member of the cabinet should be required to read it, apologise and then act'. - Will Hutton. A frank and breathtaking book, this is journalist and broadcaster Polly Toynbee's account of her courageous intention to live and work on the minimum wage. The 'decent living' wage set by the Council of Europe is set at GBP7.39. The minimum wage in…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
This thought-provoking academic text outlines how corporate power and the super-rich have almost become governing institutes in their own right through funding of political parties, control of the media, and the platforms they enjoy as outsized economic actors.
It perhaps lends itself to undue pessimism about the possibility of change but is certainly powerful evidence of the need for a rebalancing of the distribution of wealth and power.
In Post-Democracy (Polity, 2004) Colin Crouch argued that behind the facade of strong institutions, democracy in many advanced societies was being hollowed out, its big events becoming empty rituals as power passed increasingly to circles of wealthy business elites and an ever-more isolated political class.
Crouch's provocative argument has in many ways been vindicated by recent events, but these have also highlighted some weaknesses of the original thesis and shown that the situation today is even worse. The global financial deregulation that was the jewel in the crown of wealthy elite lobbying brought us the financial crisis and helped stimulate…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
I first read this book while I was conducting anthropological fieldwork in the mines of Guanajuato, Mexico. Even though the conditions in the mines I visited were somewhat better, and even though I was in silver and gold mines and not coal mines, I was amazed by the continuity in mining practices and the kinds of conflicts that emerge, such as the danger caused when miners are paid by the amount produced since they don’t want to take the time needed to support the tunnels with wooden timbering.
I also love that it includes descriptions of women and girls as mineworkers, which very few books about mining do.
Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'. The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations,…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
This is a picture book, but not for very young children. The quiet, almost understated text and art add to the power of the story: a small boy’s experience of coal mining in Nova Scotia in the 1950s. (Though it wasn’t written till 2017). Reading it as an adult, and despite having lived in Nova Scotia as a teenager, I was completely rocked and almost disorientated as I began to grasp the reality of it. I’m not sure which aspect I found more disturbing – imagining the men in the long dark tunnels under the sea, or the boy’s complete acceptance that he would follow this way of life in his turn.
While a young boy enjoys a summer's day, his thoughts constantly return to his father, who is digging for coal deep under the sea.
"An atmospheric, haunting story" - The Bookseller
Stunning illustrations by Sydney Smith, the award-winning illustrator of Footpath Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. This beautifully understated and haunting story brings a piece of mining history to life. The ever-present ocean and inevitable pattern of life in a mining town will enthral children and move adult readers, as a young boy wakes up to the…
I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.
Powerful class identities were formed over the course of the nineteenth and twentieth centuries in a range of industrial countries. In the motherland of the industrial revolution, in Britain, those constructions of class were particularly strong among particular occupations. Miners were often seen as the vanguard of class-conscious proletarians the closely-knit mining communities in different parts of the UK seemed to many observers to represent an alternative solidaristic society in the making. This book traces the ruthless destruction of these mining communities in Britain by the neoliberal governments of Margaret Thatcher and is in many respects a tribute to these communities and their values.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday - and what happened to mining communities after the last pits closed.
Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher's shutdowns. Defeat foretold the death of their industry. Tens of thousands were cast onto the labour market with a minimum amount of advice and support.
Yet British politics all of a sudden revolves…
I felt compelled to write this story, not just because the eventful lives of myself and members of my family, but mostly because of its historical content. Until this day the West knows very little of what actually happened in the early 1940s and after 1945 to countries and people who, after the war, finished up behind the Iron Curtain. From Fascism to Communism, they had fallen “Out of the frying pan into the fire.” People in those European countries, who had lived through and experienced those events, are now very thin on the ground.
The book describes various injustices in a coal mining community and gives an excellent description of working-class life of the time in the North of England.
The story portrays the different careers or paths of individuals against the odds: a miner's son who tries to defend his people from political pressure, a miner who turns into a businessman, and the mine owner's son in a clash with his overbearing father. Having had similar experiences in my own life, the story had jogged my memory.
The Stars Look Down was A.J. Cronin's fourth novel, published in 1935, and this tale of a North country mining family was a great favourite with his readers.
Robert Fenwick is a miner, and so are his three sons. His wife is proud that all her four men go down the mines. But David, the youngest, is determined that somehow he will educate himself and work to ameliorate the lives of his comrades who ruin their health to dig the nation's coal. It is, perhaps, a typical tale of the era in which it was written - there were many…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Delwar Hussein, an anthropologist, conducted his research along the north-eastern borderline of Bangladesh. He has been fascinating in depicting the transformation of the borderland from a site of evolving nation-states to the catchment area of cross-border neoliberal capitalism.
Hussein crafted the minute details of how the cement factory had changed the communities, lives, and livelihoods at that margin. The marginality of the Borderlanders is central in this work; however, as often, Borderland studies surprise us, this book also talks about opportunities and hopes. It would enable its readers to look into the postcolonial nation-states with an unorthodox approach.
When anthropologist Delwar Hussain arrived in a remote coal mining village on the Bangladesh/India border to research the security fence India is building around its neighbour, he discovered more about the globalised world than he had expected. The present narrative of the Bangladesh/ India border is one of increasing violence. Not so long ago, it was the site of a monumental modernist master-plan, symbolic of a larger optimism which was to revolutionise post-colonial nations around the world. Today this vision and what it gave rise to lies in spectacular ruin; the innards of the decomposing industrial past are scattered across…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This is the novel I can only wish I had written. Pancake’s expansive story of a family in a desperate struggle to save their homes and hollows from the ravages of mountaintop removal mining gives voice to modern-day Appalachians in the same wayTheGrapes of Wrath spoke for the displaced farmers of the Dustbowl era. (As one who loves Steinbeck’s epic, I don’t make this connection lightly!) Another heartrending masterwork that I couldn’t stop thinking about as I read this book is Barbara Kingsolver’sThe Poisonwood Bible because of its centering on motherhood, its similar structure, and its ability to pull the reader into the lives of the characters. This is storytelling at its best. I couldn’t put it down.
A West Virginia family struggles amid the booms and busts of the Appalachian coal industry in this “powerful, sure-footed, and haunting” environmental novel from an author with echoes of John Steinbeck (The New York Times Book Review)
Set in present day West Virginia, this debut novel tells the story of a coal mining family—a couple and their four children—living through the latest mining boom and dealing with the mountaintop removal and strip mining that is ruining what is left of their hometown. As the mine turns the mountains “to slag and wastewater,” workers struggle with layoffs and children find adventure…
