100 books like Boundaries Undermined

I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.

I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.

I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.

I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.

I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills. 

I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life. 

I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.

I felt compelled to write this story, not just because the eventful lives of myself and members of my family, but mostly because of its historical content. Until this day the West knows very little of what actually happened in the early 1940s and after 1945 to countries and people who, after the war, finished up behind the Iron Curtain. From Fascism to Communism, they had fallen “Out of the frying pan into the fire.” People in those European countries, who had lived through and experienced those events, are now very thin on the ground.

I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.

I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.