Here are 79 books that Strange as This Weather Has Been fans have personally recommended if you like
Strange as This Weather Has Been.
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I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I loved reading this novel first and foremost for its exquisite craftswomanship; van Eerden just writes beautiful sentences. Her descriptions are palpable, delivering the reader to a hollow and its people—all characters who remain intricately bound to their homeplaces no matter how far away they travel. Like my own novel, this story revolves around women and also includes an LGBTQ character. And themes of grieving and motherhood, love and loss, and compromise, are naturally woven into the fabric of the story.
Set in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three women-niece, aunt, and stowaway-and an improbable road trip.
Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nan-with a hound in tow-set out in an Oldsmobile Royale for Abiquiu and the desert of Georgia O'Keeffe, seeking an escape from everything they've known.
Frankie records the journey in letters to her aunt Mave's…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinkingwas secure in its position at the top of my “best memoirs” list.
This collection of fourteen essays by Charles Dodd White-praised by Silas House as "one of the best prose stylists of Appalachian literature"-explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliche, White's transformative language…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I’m including some verse in my list because there’s no better way to capture Appalachia’s mix of beauty and sorrow than with poetry. This collection by Joseph Bathanti, former poet laureate of North Carolina and longtime inhabitant of the Blue Ridge Mountains, lays bare the effects of mountaintop removal mining against a backdrop of the serene landscape it destroys. I don’t often read a book of poetry more than once, but I found myself skipping back through this one a lot, unable to turn away from the forsaken people and places of the poems.
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This book may seem an aberration, but it makes my list because it touches on my own research life, my own literary journey, and my heart: it connects Appalachia and Ireland. This is a book of poetry—simple, lovely pieces written in both places—accompanied by gorgeous photographs of nature and landmarks. As one who travels to Ireland whenever I can, and pines for it when I can’t, this book transports me from my mountain home to those shores across the Atlantic. I am a visual writer, in that I see my stories play out, and especially the stories I imagine for my Irish immigrant ancestors. So a picture book of poems that connects my two homelands strikes the right note with me, lets my mind relax and create.
Journey from Appalachia to Ireland with Laura Treacy Bentley in Looking For Ireland: An Irish-Appalachian Pilgrimage (Mountain State Press). Both chapbook and a work of art, her book creates a seamless alchemy of elegant poems and stunning photographs. Laura is a poet, novelist, point-and-shoot photographer, and West Virginia native whose work has been widely published in the United States and Ireland. She is the author of a poetry collection, Lake Effect (2006), a novel, The Silver Tattoo (2013), and a short story prequel, Night Terrors.
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
This is a picture book, but not for very young children. The quiet, almost understated text and art add to the power of the story: a small boy’s experience of coal mining in Nova Scotia in the 1950s. (Though it wasn’t written till 2017). Reading it as an adult, and despite having lived in Nova Scotia as a teenager, I was completely rocked and almost disorientated as I began to grasp the reality of it. I’m not sure which aspect I found more disturbing – imagining the men in the long dark tunnels under the sea, or the boy’s complete acceptance that he would follow this way of life in his turn.
While a young boy enjoys a summer's day, his thoughts constantly return to his father, who is digging for coal deep under the sea.
"An atmospheric, haunting story" - The Bookseller
Stunning illustrations by Sydney Smith, the award-winning illustrator of Footpath Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. This beautifully understated and haunting story brings a piece of mining history to life. The ever-present ocean and inevitable pattern of life in a mining town will enthral children and move adult readers, as a young boy wakes up to the…
I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.
Powerful class identities were formed over the course of the nineteenth and twentieth centuries in a range of industrial countries. In the motherland of the industrial revolution, in Britain, those constructions of class were particularly strong among particular occupations. Miners were often seen as the vanguard of class-conscious proletarians the closely-knit mining communities in different parts of the UK seemed to many observers to represent an alternative solidaristic society in the making. This book traces the ruthless destruction of these mining communities in Britain by the neoliberal governments of Margaret Thatcher and is in many respects a tribute to these communities and their values.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday - and what happened to mining communities after the last pits closed.
Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher's shutdowns. Defeat foretold the death of their industry. Tens of thousands were cast onto the labour market with a minimum amount of advice and support.
Yet British politics all of a sudden revolves…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Delwar Hussein, an anthropologist, conducted his research along the north-eastern borderline of Bangladesh. He has been fascinating in depicting the transformation of the borderland from a site of evolving nation-states to the catchment area of cross-border neoliberal capitalism.
Hussein crafted the minute details of how the cement factory had changed the communities, lives, and livelihoods at that margin. The marginality of the Borderlanders is central in this work; however, as often, Borderland studies surprise us, this book also talks about opportunities and hopes. It would enable its readers to look into the postcolonial nation-states with an unorthodox approach.
When anthropologist Delwar Hussain arrived in a remote coal mining village on the Bangladesh/India border to research the security fence India is building around its neighbour, he discovered more about the globalised world than he had expected. The present narrative of the Bangladesh/ India border is one of increasing violence. Not so long ago, it was the site of a monumental modernist master-plan, symbolic of a larger optimism which was to revolutionise post-colonial nations around the world. Today this vision and what it gave rise to lies in spectacular ruin; the innards of the decomposing industrial past are scattered across…
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
After the UK Miners’ Strike was defeated in 1984, the coal mining industry across the country gradually shut down. At the Tower Colliery in South Wales, however, Miners led by Union official Tyrone O’Sullivan used their redundancy cheques to buy the mine and run it as a co-operative until the coal ran out.
It’s an incredible tale of the spirit and ingenuity that exist but are too rarely nurtured in post-industrial communities and of how badly so many mining towns in Britain were let down by so-called free market economics.
Tyronne O'Sullivan is the chairman of Tower Colliery, Hirwaun, South Wales. He led the team of miners that fought to buy the pit from British Coal in 1995. He and 238 miners each paid 8,000 from their own redundancy settlement to become shareholders and borrowed a further GBP2 million. This was, and still is, a unique achievement - no other mine, in the history of British Coal, has been bought by the workforce. For over 20 years Tyronne was the National Union of mineworkers branch secretary, leading a radical group of men in what had to be a militant colliery.…
I felt compelled to write this story, not just because the eventful lives of myself and members of my family, but mostly because of its historical content. Until this day the West knows very little of what actually happened in the early 1940s and after 1945 to countries and people who, after the war, finished up behind the Iron Curtain. From Fascism to Communism, they had fallen “Out of the frying pan into the fire.” People in those European countries, who had lived through and experienced those events, are now very thin on the ground.
The book describes various injustices in a coal mining community and gives an excellent description of working-class life of the time in the North of England.
The story portrays the different careers or paths of individuals against the odds: a miner's son who tries to defend his people from political pressure, a miner who turns into a businessman, and the mine owner's son in a clash with his overbearing father. Having had similar experiences in my own life, the story had jogged my memory.
The Stars Look Down was A.J. Cronin's fourth novel, published in 1935, and this tale of a North country mining family was a great favourite with his readers.
Robert Fenwick is a miner, and so are his three sons. His wife is proud that all her four men go down the mines. But David, the youngest, is determined that somehow he will educate himself and work to ameliorate the lives of his comrades who ruin their health to dig the nation's coal. It is, perhaps, a typical tale of the era in which it was written - there were many…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Another book that features sons. Lawrence’s father was a Nottinghamshire coal miner and there are many little details in the book that attest to the author’s knowledge of nineteenth-century mining family life. I’ve chosen Sons and Lovers because, to me, it asks an unanswerable question and so the tale has stayed in my mind. Did Lawrence despise his own father as much as fictional Paul, influenced by Paul’s mother, despises Walter Morel? I’d love to know. I sympathised with Gertrude, the wife and mother, but I felt so sorry for Walter. He worked hard in a terrible job. He became old and tired before his time. Yes, he was uncouth and illiterate, but I felt he deserved some praise, not contempt.
Sons and Lovers is the critically-acclaimed story of Paul Morel, a second son who must discover his own identity in the shadow of his mother’s overwhelming presence and influence. A budding artist, Paul must choose between his responsibility to his mother and his desire to explore the world and fall in love. Faced with the chance for a future with two different women, Paul must decide what he truly wants and whose opinion—his own or his mother’s—matters most.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading…
