Here are 76 books that Town Is by the Sea fans have personally recommended if you like
Town Is by the Sea.
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
I still smile when I think of all the Little House on the Prairie books, though this was my favorite. The dramas may be small, but they feel real, and the wealth of small, skillfully woven details brings the characters and their world to life so that we can still relate to them, no matter how different our present-day world may be.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
After all their travelling, from the Big Woods and the Prairie, the Ingalls family have found a place to settle Plum Creek. Now Mary and Laura can go to school as there's a town close by. But how will they settle in such a busy place after the wild lands in which they've grown up?
The timeless stories that inspired a TV series can now be read by a new generation of children. Readers who loved Anne of Green Gables, Little Women, and Heidi…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
I fell in love with the irrepressible Pagan as soon as I read this book. It’s difficult to imagine that life with the Knights Templar at the time of the Crusades was highly amusing – but despite the wealth of knowledge and detail that informs this book, it is wry and sometimes laugh-out-loud funny. Who wouldn’t love Pagan’s favorite curse: "Christ in a cream cheese sauce’?"
Wham! So here I am, standing in a sea of dirt, with a big mad Templar lobbing rocks at my head. Wham! Like some kind of martyr. Wham! He throws like a catapult.'All right, Pagan, that's enough.' (I should damn well think so.) 'Do you see what your problem is?'Wait - don't tell me. You are.It's twelfth-century Jerusalem, the time of the Crusades. Shrewd and scrappy Pagan has been plucked from the streets to work for Lord Roland, a Templar knight. Set against a background of mounting tension as Saladin's infidels close in on the Holy City, Pagan's Crusade is…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Another book that features sons. Lawrence’s father was a Nottinghamshire coal miner and there are many little details in the book that attest to the author’s knowledge of nineteenth-century mining family life. I’ve chosen Sons and Lovers because, to me, it asks an unanswerable question and so the tale has stayed in my mind. Did Lawrence despise his own father as much as fictional Paul, influenced by Paul’s mother, despises Walter Morel? I’d love to know. I sympathised with Gertrude, the wife and mother, but I felt so sorry for Walter. He worked hard in a terrible job. He became old and tired before his time. Yes, he was uncouth and illiterate, but I felt he deserved some praise, not contempt.
Sons and Lovers is the critically-acclaimed story of Paul Morel, a second son who must discover his own identity in the shadow of his mother’s overwhelming presence and influence. A budding artist, Paul must choose between his responsibility to his mother and his desire to explore the world and fall in love. Faced with the chance for a future with two different women, Paul must decide what he truly wants and whose opinion—his own or his mother’s—matters most.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Billy Elliott is a miner’s son who wants to be a ballet dancer. This is an adaptation of Lee Hall’s original screenplay and, to me, lacks the feel of a novel, but I’ve chosen it for three reasons. It’s set in County Durham. It challenges traditional, macho values. It’s as good a description as anything I’ve read that describes aspects of the UK miners’ strikes of the 1980s. When Jackie, Billy’s dad, says, "There’s coal behind everything in this country. It’s still down there. We’re not,” you can sense the anger, hurt, and bitterness—and, forty years later, just like the coal, those feelings remain.
Billy Elliot's not like his Dad. He doesn't want to learn boxing. He's not cut out to be a miner. But when he stumbles across a ballet class and discovers he's a natural, he realises what he does want to do. This is Billy's gritty and determined struggle, at first in secret, but then with the wholehearted backing of his family, to dance his way to a different future.
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
I was very young when I first read this book. Many years later I took it back from the shelf and went through its pages with older eyes.
The reality portrayed by Émile Zola in the 19th Century is quite brutal. The coal miners back then – with their struggle for life, excess work, permanent fatigue, lack of knowledge and understanding, contrasted by the careful calculations and comfort of their masters – mirror miners and other workers today.
Greed on one side, poverty on the other regarded as normal. The very few with enough wit to overthrow the injustice were silenced, as it happens today at the productive facilities of the capital.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
After the UK Miners’ Strike was defeated in 1984, the coal mining industry across the country gradually shut down. At the Tower Colliery in South Wales, however, Miners led by Union official Tyrone O’Sullivan used their redundancy cheques to buy the mine and run it as a co-operative until the coal ran out.
It’s an incredible tale of the spirit and ingenuity that exist but are too rarely nurtured in post-industrial communities and of how badly so many mining towns in Britain were let down by so-called free market economics.
Tyronne O'Sullivan is the chairman of Tower Colliery, Hirwaun, South Wales. He led the team of miners that fought to buy the pit from British Coal in 1995. He and 238 miners each paid 8,000 from their own redundancy settlement to become shareholders and borrowed a further GBP2 million. This was, and still is, a unique achievement - no other mine, in the history of British Coal, has been bought by the workforce. For over 20 years Tyronne was the National Union of mineworkers branch secretary, leading a radical group of men in what had to be a militant colliery.…
I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.
Powerful class identities were formed over the course of the nineteenth and twentieth centuries in a range of industrial countries. In the motherland of the industrial revolution, in Britain, those constructions of class were particularly strong among particular occupations. Miners were often seen as the vanguard of class-conscious proletarians the closely-knit mining communities in different parts of the UK seemed to many observers to represent an alternative solidaristic society in the making. This book traces the ruthless destruction of these mining communities in Britain by the neoliberal governments of Margaret Thatcher and is in many respects a tribute to these communities and their values.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday - and what happened to mining communities after the last pits closed.
Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher's shutdowns. Defeat foretold the death of their industry. Tens of thousands were cast onto the labour market with a minimum amount of advice and support.
Yet British politics all of a sudden revolves…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Delwar Hussein, an anthropologist, conducted his research along the north-eastern borderline of Bangladesh. He has been fascinating in depicting the transformation of the borderland from a site of evolving nation-states to the catchment area of cross-border neoliberal capitalism.
Hussein crafted the minute details of how the cement factory had changed the communities, lives, and livelihoods at that margin. The marginality of the Borderlanders is central in this work; however, as often, Borderland studies surprise us, this book also talks about opportunities and hopes. It would enable its readers to look into the postcolonial nation-states with an unorthodox approach.
When anthropologist Delwar Hussain arrived in a remote coal mining village on the Bangladesh/India border to research the security fence India is building around its neighbour, he discovered more about the globalised world than he had expected. The present narrative of the Bangladesh/ India border is one of increasing violence. Not so long ago, it was the site of a monumental modernist master-plan, symbolic of a larger optimism which was to revolutionise post-colonial nations around the world. Today this vision and what it gave rise to lies in spectacular ruin; the innards of the decomposing industrial past are scattered across…
