Why am I passionate about this?

I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.


I wrote

History and Identity: How Historical Theory Shapes Historical Practice

By Stefan Berger,

Book cover of History and Identity: How Historical Theory Shapes Historical Practice

What is my book about?

History-writing is often related to the formation of collective identities. Historians write the history of nations which answers questions about…

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The books I picked & why

Book cover of National History and New Nationalism in the Twenty-First Century: A Global Comparison

Stefan Berger Why did I love this book?

We are living in a world in which right-wing populisms thrive from North America to India and from Latin America to Europe. Everywhere they promote nationalism, xenophobia, homophobia, and religious fundamentalism. This is a book that analyzes the new nationalism in different parts of the world and dissects to what extent essentialist national identities are constructed with often devastating results in terms of violent conflict in a range of societies.

By Niels F. May (editor), Thomas Maissen (editor),

Why should I read it?

1 author picked National History and New Nationalism in the Twenty-First Century as one of their favorite books, and they share why you should read it.

What is this book about?

National history has once again become a battlefield. In internal political conflicts, which are fought on the terrain of popular culture, museums, schoolbooks, and memorial politics, it has taken on a newly important and contested role. Irrespective of national specifics, the narratives of new nationalism are quite similar everywhere. National history is said to stretch back many centuries, expressesing the historical continuity of a homogeneous people and its timeless character. This people struggles for independence, guided by towering leaders and inspired by the sacrifice of martyrs. Unlike earlier forms of nationalism, the main enemies are no longer neighbouring states, but…


Book cover of World History and National Identity in China

Stefan Berger Why did I love this book?

Over the last twenty years, China has become one of the most powerful nation-states in the world, both economically and politically. Since 1949 it has been ruled by a Communist Party which is still claiming today that is pursuing socialism with a Chinese face. It unites a turbo-capitalism with a strong nationalism that seeks to bring the Chinese people behind the Communist Party. This book shows how alien nationalism is to many of China’s most distinguished intellectual traditions over the course of the twentieth century. Especially those historians working on non-Chinese topics have for a long time attempted to use their cross-cultural competencies to counter nationalist historical narratives.

By Xin Fan,

Why should I read it?

1 author picked World History and National Identity in China as one of their favorite books, and they share why you should read it.

What is this book about?

Nationalism is pervasive in China today. Yet nationalism is not entrenched in China's intellectual tradition. Over the course of the twentieth century, the combined forces of cultural, social, and political transformations nourished its development, but resistance to it has persisted. Xin Fan examines the ways in which historians working on the world beyond China from within China have attempted to construct narratives that challenge nationalist readings of the Chinese past and the influence that these historians have had on the formation of Chinese identity. He traces the ways in which generations of historians, from the late Qing through the Republican…


Book cover of The Shadow of the Mine: Coal and the End of Industrial Britain

Stefan Berger Why did I love this book?

Powerful class identities were formed over the course of the nineteenth and twentieth centuries in a range of industrial countries. In the motherland of the industrial revolution, in Britain, those constructions of class were particularly strong among particular occupations. Miners were often seen as the vanguard of class-conscious proletarians the closely-knit mining communities in different parts of the UK seemed to many observers to represent an alternative solidaristic society in the making. This book traces the ruthless destruction of these mining communities in Britain by the neoliberal governments of Margaret Thatcher and is in many respects a tribute to these communities and their values.

By Huw Beynon, Ray Hudson,

Why should I read it?

1 author picked The Shadow of the Mine as one of their favorite books, and they share why you should read it.

What is this book about?

No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday - and what happened to mining communities after the last pits closed. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher's shutdowns. Defeat foretold the death of their industry. Tens of thousands were cast onto the labour market with a minimum amount of advice and support. Yet British politics all of a sudden revolves…


Book cover of Red Banners, Books and Beer Mugs: The Mental World of German Social Democrats, 1863-1914

Stefan Berger Why did I love this book?

In the nineteenth century, no class culture was more prominent than the one by German Social Democracy. The German Social Democratic Party topped one million individual members before the outbreak of the First World War and about one-third of the electorate in Imperial Germany vote for its programme of revolution and democratization. This book is about the mental world of the party’s rank and file, their fears, wishes and desires, their dreams, and their beliefs. It talks powerfully about leadership cults, the tensions between nationalism and internationalism, working-class reading habits, and the ideals of republicanism. It is a powerful recreation of a constructed class identity with huge repercussions on politics in Germany.

By Andrea G. Bonnell,

Why should I read it?

1 author picked Red Banners, Books and Beer Mugs as one of their favorite books, and they share why you should read it.

What is this book about?

The German Social Democratic Party was the world's first million-strong political party and was the main force pushing for the democratisation of Imperial Germany before the First World War. This book examines the themes around which the party organized its mainly working-class membership, and analyses the experiences and outlook of rank-and-file party members as well as the party's press and publications. Key topics of inquiry include: the Lassalle cult and leadership, nationalism and internationalism, attitudes to work, the politics of subsistence, the effects of military service, reading and the diffusion of Marx's ideas, cultural organisations, and socialism and republicanism under…


Book cover of Right-Wing Populism and Gender: European Perspectives and Beyond

Stefan Berger Why did I love this book?

Women’s emancipation has made substantial strides in many parts of the global west since the 1970s. Yet, despite the fact that women still remain disadvantaged and discriminated against in many spheres of life, there has been, more recently, a powerful backlash against feminist ideas and practices. Nowhere is this more visible than in the populist right-wing movements that have merged anti-feminist, racist, and national discourses to provide a powerful ideological mix of masculinist identity politics that attacks gender and sexual diversity and seeks to influence sex education in schools. This book analyzes these discourses but it also provides intriguing insights into why somethings women are attracted to anti-feminist new right populisms.

By Gabriele Dietze (editor), Julia Roth (editor),

Why should I read it?

1 author picked Right-Wing Populism and Gender as one of their favorite books, and they share why you should read it.

What is this book about?

While research in right-wing populism has recently been blossoming, a systematic study of the intersection of right-wing populism and gender is still missing, even though gender issues are ubiquitous in discourses of the radical right ranging from "ethnosexism" against immigrants, to "anti-genderism." This volume shows that the intersectionality of gender, race and class is constitutional for radical right discourse. From different European perspectives, the contributions investigate the ways in which gender is used as a meta-language, strategic tool and "affective bridge" for ordering and hierarchizing political objectives in the discourse of the diverse actors of the "right-wing complex."


Explore my book 😀

History and Identity: How Historical Theory Shapes Historical Practice

By Stefan Berger,

Book cover of History and Identity: How Historical Theory Shapes Historical Practice

What is my book about?

History-writing is often related to the formation of collective identities. Historians write the history of nations which answers questions about how those who think of themselves as belonging to a nation, developed over time. History has been, for many centuries, meaningful in the construction of collective identities.

This volume reflects on the ways in which professional historians have, since the 1980s become more self-reflective about their role in providing identities and identifications, and it analyzes the different ways in which they have attempted to stay clear of essentialisms. How did they manage to introduce more self-reflectivity and critical potential into their handling of identitarian questions in historical writing? The volume looks at a range of different histories, political, social, economic, cultural, the history of concepts, visual histories, material culture histories, historical anthropology, environmental history, big history, and global history to demonstrate, how across a range of different sub-disciplines we can speak of a self-reflective turn of historical studies in relation to collective identities.

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The Bloomsbury Photographs

By Maggie Humm,

Book cover of The Bloomsbury Photographs

Maggie Humm Author Of Radical Woman: Gwen John & Rodin

New book alert!

Why am I passionate about this?

Author Woolfian Gym devotee World-traveller

Maggie's 3 favorite reads in 2023

What is my book about?

An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.

Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, and holidays.

The Bloomsbury…

The Bloomsbury Photographs

By Maggie Humm,

What is this book about?

An enthralling portrait of the Bloomsbury Group's key figures told through a rich collection of intimate photographs

Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.

Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, holidays. Several photographs are…


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