Fans pick 91 books like Touch Her and Die

The distinctive selling-point of this work is summed up by its sub-title: a focus on law, politics and religion as causal factors, not just for humdrum witchcraft accusations but for major, sustained witch-hunts. Brian Levack has made a huge contribution to our understanding of witch-hunting, and here brings his specialist expertise to bear on Scotland, which experienced the most intense, and devastating panics anywhere in the British Isles (and worse even than most places in continental Europe).

Historians have long learned not to see witch-hunts as hysterical spasms of pre-Enlightenment ‘superstition’. Demonology was a serious subject in the sixteenth and seventeeen centuries, and was logically coherent within the mentalities of the time. Witchcraft, then, wasn’t some insane sideshow to the dominant legal, political and religious issues of the day, but central to those issues.

Embedding witchcraft in these mainstream contexts is essential to understanding what it once meant, not just… show more.

Ah, were you ever going to shout the famous question, “Why’d you do it!?”, at a character, it would have to be at Morvern.

Another book that grabbed the filmic imagination, this time of Lynne Ramsay, Morvern has the quietest moment of madness on this list. She finds her boyfriend, whom she never names but gives him a Godlike uppercase H whenever He is mentioned, dead by his own hand on the floor of their flat and coolly accepts the fact.

Then, as a sort of civic duty and not to cause a fuss, she chops him up and buries the pieces of him in a suitably empty Scottish landscape. As you do. The draft novel she steals from him seems obviously hers, as all her actions seem obviously Morvern.

That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.     

Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real. 

I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.

Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.

Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.

It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.

It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same… show more.

This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule. 

Keith is another talented and hard-working artist with a fascination for nature. He paints from life, travelling miles over the rugged country of Scotland recording, birds, animals, landscape, and life. Often accompanied by at least one of his dogs, sometimes by bike as well as the essential 4 wheel drive. 

Kieth’s ability to find wildlife in spectacular surroundings is extraordinary, his valuable work shows us the beauty of a stunning landscape and the charm of the life within.

Meeting Keith is a pleasure, a man who imparts knowledge lightly and gives constant encouragement to enjoy the environment he knows.

This is one of those books with a setting so strong it becomes a character—in this case, a run-down old castle in Scotland.

There’s so much more to love here, though, like lost and found friendships, an old diary that adds a historical thread, and, of course, birds. I felt a connection to the main character, Callie, who just wants to stay home and read books!

If I were forced to choose an extracurricular activity, I’d also skip the sports and pick something animal-related, like the birding club. My admiration for Callie grew when she spoke up, even when she was intimidated.

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

I love finding new authors! Which is why I’m recommending another debut novel—this time from Marion Todd. It won the Bloody Scotland Scottish Crime Debut Novel of the Year 2020. Since then she has published (at the time of writing) a further 4 novels in her series about detective inspector Clare Mackay. I wish I could write that fast! Her serial killer haunts St Andrews, Scotland by luring victims to a stretch of road and then running them over—simple but effective. It can be difficult to write a pacey thriller and develop interesting characters at the same time but Todd manages this admirably. As soon as I finished this novel, I went straight on to the second in the series which is equally as good and I look forward to reading the rest.