90 books like Touch Her and Die

The distinctive selling-point of this work is summed up by its sub-title: a focus on law, politics and religion as causal factors, not just for humdrum witchcraft accusations but for major, sustained witch-hunts. Brian Levack has made a huge contribution to our understanding of witch-hunting, and here brings his specialist expertise to bear on Scotland, which experienced the most intense, and devastating panics anywhere in the British Isles (and worse even than most places in continental Europe).

Historians have long learned not to see witch-hunts as hysterical spasms of pre-Enlightenment ‘superstition’. Demonology was a serious subject in the sixteenth and seventeeen centuries, and was logically coherent within the mentalities of the time. Witchcraft, then, wasn’t some insane sideshow to the dominant legal, political and religious issues of the day, but central to those issues.

Embedding witchcraft in these mainstream contexts is essential to understanding what it once meant, not just… show more.

Ah, were you ever going to shout the famous question, “Why’d you do it!?”, at a character, it would have to be at Morvern.

Another book that grabbed the filmic imagination, this time of Lynne Ramsay, Morvern has the quietest moment of madness on this list. She finds her boyfriend, whom she never names but gives him a Godlike uppercase H whenever He is mentioned, dead by his own hand on the floor of their flat and coolly accepts the fact.

Then, as a sort of civic duty and not to cause a fuss, she chops him up and buries the pieces of him in a suitably empty Scottish landscape. As you do. The draft novel she steals from him seems obviously hers, as all her actions seem obviously Morvern.

That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.     

Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real. 

I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.

Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.

I love finding new authors! Which is why I’m recommending another debut novel—this time from Marion Todd. It won the Bloody Scotland Scottish Crime Debut Novel of the Year 2020. Since then she has published (at the time of writing) a further 4 novels in her series about detective inspector Clare Mackay. I wish I could write that fast! Her serial killer haunts St Andrews, Scotland by luring victims to a stretch of road and then running them over—simple but effective. It can be difficult to write a pacey thriller and develop interesting characters at the same time but Todd manages this admirably. As soon as I finished this novel, I went straight on to the second in the series which is equally as good and I look forward to reading the rest.

One of the most important works on Scottish intellectual history and not as well known by the reading public as it should be. It was seminal in my own appreciation of Scottish culture and of the necessity to fight to continue the traditions described in the book—the broad-based education, the social egalitarianism, and recogniton of the importance of the vernacular Scots contribution to the unique culture we have. This democratic intellectualism went on to influence universities in America such as Princeton and colleges across Africa where Scots Presbyterian missionaries held sway.

I’ll go ahead and admit that taking issue with David Johnson is one of my favorite pastimes. However, his work is the only work focused on eighteenth-century Scottish music, and as such is a major contribution. Johnson gives a very readable, very enjoyable (one needn’t know music…) overview of what was then known (1972) about Scottish musical culture. Arts and Enlightenment went hand in hand in Scotland, so read Broadie for the ideas and then Johnson for what these same philosophers were doing for entertainment.

This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.

The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.

I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

Charles MacLean MBE is without any doubt the number one expert on Scotch whisky in the world. His writings are always a joy to read. Charlie, as he is known by friends and family, has a penchant for history and pouring it in highly entertaining sentences, avoiding facts like figures cluttering up the story line. He has been researching and writing whisky books & articles since 1981, and shares his enthusiasm and knowledge by giving talks and tastings around the world, by leading ‘whisky expeditions’ in Scotland and by presenting training programmes and Masterclasses for whisky companies, clubs and individuals. Without wanting to pay short on his many other books, Scotch Whisky: A liquid history, is a seminal work.