Here are 100 books that Tintin in Tibet fans have personally recommended if you like
Tintin in Tibet.
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When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
Everything Lynda Barry touches is earthy human gold.
One! Hundred! Demons! is one part memoir of a difficult childhood, one part comics how-to, and six parts warmth and humor and unruly red hair. It isn’t quite as dark as some of her other work, though it certainly gestures in that direction at times.
It also exemplifies Barry’s knack for finding beauty and delight inside the most difficult, unfair garbage life can throw at you. Such a great book.
Inspired by a 16th-century Zen monk s painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full colour vignettes. In Barry s hand, demons are the life moments that haunt you, form you and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighbourhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is the most profoundly absorbing experimental art-comic the world has ever produced.
It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.
I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason.
From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
"In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as transtemporal windows into the larger frame that stands for the provisional now. Here is the comic-book equivalent of a scientific breakthrough. It is also a lovely evocation…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This book is, to me, one of the true weird masterpieces of human imagination.
It is one of the things that made me want to make comics in the first place, that expanded my idea of what comics and storytelling could do. It’s deeply weird, extremely unsettling, dark, funny, and, at times, a little offensive. And it is unlike anything you will ever read anywhere else for the rest of your life.
One of its delights is how clear it is at the beginning that the author didn’t know what he was getting into when he started. He just followed his imagination, trusting completely, and ended up with something grand and unique. And none of his work after this is anything like it. Which is probably for the best.
A LONG-OUT-OF-PRINT CLASIC BY A MASTER OF UNDERGROUND COMICS
In the late 1980s, the idiosyncratic Chester Brown (author of the muchlauded Paying for It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Brown to become a world-renowned cartoonist.
Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is a book about deep listening. It follows two childhood friends – a journalist and a former American soldier – on a kind of road trip through Turkey, Syria and Iraq in the close aftermath of the U.S. war there.
We watch them wrestle over the meaning of the conflict and their places in it. It’s reportage – the author is a third friend, following along, chronicling their conversation and laying out their arguments, blind spots and occasionally questionable reasoning as they try and deal with something almost too big and complicated to get a handle on.
The characters are not generals, or presidents, or militia leaders, they are just two old friends, trying to reckon with a war on a very human scale. Also the watercolored art is gorgeous.
Cartoonist Sarah Glidden follows up her acclaimed debut, How to Understand Israel in 60 Days or Less, with Rolling Black- outs, which details her two-month long journey through Turkey, Iraq, and Syria. Glidden accompanies her two friends reporters and founders of the journalistic non-profit the Seattle Globalist as they research stories on the Iraq War s effect on the Middle East and, specifically, the war s refugees. Joining them is a former Marine and childhood friend of one of the journalists whose deployment to Iraq in 2007 adds an unexpected and sometimes unwelcome viewpoint, both to the people they come…
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
Betty Stark was the aunt of a friend of mine, and she was part of the first all women Himalayan expedition in 1955. It is an antidote to the very all-male outlook and structures of many climbs of that time. It had no leader, no ‘lead climbers’. Instead, they were a small team of friends, all experienced and capable, who wished only to explore, encounter, and climb as high and hard as they could. It is anti-heroic, recording the pains, sufferings, and losses and highs, quietly downplaying and yet the efforts and dangers come through. They were outliers and trailblazers. They made their point. They were the point.
I am a writer and an internationally recognized communications expert who grew up poor, homeless, and oppressed by fear and violence. I am a woman who crashed through the glass ceiling and had an exciting career with the US Nuclear Regulatory Commission and the International Atomic Energy Agency where I became a leader on the international stage. During my troubled times growing up, I fantasized about being an elite operative who got the bad guys and traveled the world. That’s why I wrote about one. I know how hard it is to be a strong woman. That’s why I celebrate them.
Catherine Ling, the main character, is a CIA operative. Her strength and smarts enabled her to survive the streets of Hong Kong as a child until she was brought into the CIA at age fourteen. On top of having a woman as the main character who is tough and skilled—which I love—Iris Johansen weaves an exciting story of how Catherine must rescue an imprisoned woman journalist in Tibet. Two strong and brave women, exotic locations, and suspense that won’t quit…do I need to say more?
From the #1 New York Times bestselling author Irs Johansen comes Live to See Tomorrow, a thriller featuring CIA agent Catherine Ling
Catherine Ling is one of the CIA's most prized operatives. Raised on the unforgiving streets of Hong Kong, she was pulled into the agency at the age of fourteen, already having accumulated more insight and secrets than the most seasoned professionals in her world. If life has taught her anything, it is not to get attached, but there are two exceptions to that rule: her son Luke and her mentor Hu Chang.
Although I’m fascinated by the history of exploration, I’m most attracted to the stories that have been lost, neglected, or forgotten. Why, for instance, is Sir Vivian Fuchs – arguably the most successful British Antarctic explorer of the twentieth century – not as well-known as Scott or Shackleton? Why do we know so little of Operation Tabarin – the only wartime Antarctic expedition to be launched by a combatant nation? These are the kind of questions that I want to answer, and these are the expeditions that I have wanted to examine. I’ve been fortunate to meet and interview some truly extraordinary men – and telling their stories has been a joy and a privilege.
This book doesn’t tell the story of one expedition, it recounts many, launched by men of nine different nationalities, all intent on breaking into the closed world of Tibet. I am not alone in considering Hopkirk to be one of the great masters of what might be described as ‘historical travel’ books, and this is surely one of his best. Populated by a wonderful cast of characters, all determined to be the first westerner to reach the sacred, and forbidden, city of Lhasa. I can’t recommend it highly enough – and, enjoy one of Hopkirk’s books, and you’ll enjoy them all.
For nineteenth-century adventures, Tibet was the prize destination, and Lhasa, its capital situated nearly three miles above sea level, was the grandest trophy of all. The lure of this mysterious land, and its strategic importance, made it inevitable that despite the Tibetans' reluctance to end their isolation, determined travelers from Victorian Britain, Czarist Russia, America, and a half dozen other countries world try to breach the country's high walls.
In this riveting narrative, Peter Hopkirk turns his storytelling skills on the fortune hunters, mystics, mountaineers, and missionaries who tried storming the roof of the world. He also examines how China…
I love travel and I'm also passionate about making the world more sustainable. When I was 13, on vacation in Mexico, I saw raw sewage running down the beach. My father said to me, "you can choose to be part of the solution or part of the problem." I think that set me on a track that we need to help animals, the environment, and those who do not have a strong voice. Even if I can only do one thing better – that's still better than not doing anything at all! I'm passionate about traveling more responsibly with my family because we ultimately make life better for our children and also for ourselves.
I laughed out loud when I read this book. The author has a way of describing cultural differences and how we approach our work and day-to-day life in such an amusing way. It made me think a lot about how we interpret others' culture and, ultimately, our need for sensitivity and the need to look at life through a different lens rather than just work.
On a par with the best of Bill Bryson and Pico Iyer, Alec Le Sueur's bestselling insider account of life at the world famous Holiday Inn, Lhasa, Tibet (altitude 14,000 feet) pits Communist owners against capitalist manager to create a chain hotel in Shangri-La. Against all odds, heroic Tibetan workers fight with Chinese bosses who turn off the heat in reezing weather when occupancy falls below 20 percent. They struggle against Maoist bureaucrats trying to break up the first Miss Tibet beauty pageant. And they delicately remove the American Express card from the wallet of an apparently deceased guest to…
I'm a clinical psychologist who also writes about and teaches Buddhist philosophy, psychology, and meditation. I've had the great good fortune to be closely mentored by a number of elder Tibetan teachers who were educated in old Tibet. Over the decades, when seeking wisdom and compassion in the midst of life's challenges, I've repeatedly found inspiration, education, solace, and guidance along my own path in the enlightened and enlightening life stories of a number of the great scholar/yogis of the Himalayan Buddhist traditions.
For me personally, this book changed my life more than any other, opening me up to the inspiring possibility that a deeply imperfect person could become enlightened through sincere and mighty efforts. This work is one of the world's great stories. The name Milarepa has inspired people for a millenium throughout Central Asia, being almost synonymous with being a yogi and with redemption through heartfelt efforts. It includes Milarepa's life story and some of the many poems which he spontaneously composed to educate and enlighten others as he wandered through the Himalayas.
The Life of Milarepa is the most beloved story of the Tibetan people amd one of the greatest source books for the contemplative life in all world literature. This biography, a true folk tale from a culture now in crisis, can be read on several levels: a personal and moving introduction to Tibetan Buddhism, it is also a profoundly detailed guidebook in the search for consciousness. It presents the quest for spiritual perfection, tracing the path of a great sinner who became a great saint. But it is also a powerful and graphic folk tale, full of magic, disaster, feuds,…
I have spent the last 50 years exploring the intersection of Eastern and Western thought and spirituality. Along the way, I experientially learned the details of three of my former lifetimes: as a rabbi in 3rd-century Alexandria, as a tantric yogini and follower of Achi Chokyi Nyima in China, and as the legendary courtesan Lady Mori, who became the disciple and lover of the Zen master Ikkyu in 15th-century Japan. Studying the ways my previous incarnations are interconnected has taught me much about how the principles of karma and reincarnation function in real-time in the actual world, and I treasure the opportunity to share these insights with you.
When it was published in 1992, Rinpoche’s superior translation replaced the first English translation of The Tibetan Book of the Dead from 1927. This has been a go-to for anyone preparing for their own death or that of a loved one, when the Western way of dying falls short. This book is an indispensable guide to the process of life and death.
Explains the Tibetan understanding of what happens when a person dies, and how this can help in a person's daily life, in caring for the terminally ill and the bereaved, and to deepen one's understanding of life.
