85 books like Things We Say in the Dark

In my head, there’s a high I’m chasing, and it’s the high I got when I finally finished David Mitchell’s Cloud Atlas, the high of one synapse in my head connecting with one another in a bright feverish spark as I volley from one page to the next, one character to the next, one era to the next.

If I had to summarise what the book even is, I’d say it’s reincarnation and samsara in the hands of Mitchell’s trademark ventriloquism, arranged into this wonderfully nested set of Russian doll narratives. It sounds very smart and full of grand ideas about the nature of human suffering, and it is! But it is also deeply romantic and about the peculiar destiny that can tie one human soul to another all throughout eternity.

I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.

For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.

Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills. 

The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.

Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.

This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.

I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.

It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.

A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never… show more.

This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.

Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.

This anthology holds a special place in my heart! Like most anthologies, my enjoyment varies with each story, but I love the variety of works published from the 1800s to the 1980s. In addition, it introduced me to John Polidori, a.k.a the father of vampire fiction, who I incorporated into my series as a family member to one of my characters. 

Of particular interest is the story "Bite-Me-Not" or "Fleur de Feu" by Tanith Lee, which is one of those stories that linger like a wistful, haunting dream that begs your return to its waiting arms. I am in awe of the lyrical prose, the dark yet beautiful characters, and the overall presentation. Though many of the other stories aren’t as engaging as this, I still love losing myself in all the vampire stories across the centuries and how the written word has changed with each take on my fave… show more.

What I love about the ghost story genre is how it can lend itself to comedy as well as spookiness. Here the plight of poor James, moving to a new house only to find himself seized on as Apprentice to ghostly 17th century apothecary Thomas Kempe, is irresistibly funny. No one will believe it’s not him scrawling advertisements for ‘Sorcerie, Astrologie, Geomancie, Alchemie, Recoverie of Goodes Loste and Physicke’ on notice boards outside his house and all over the village. Lively’s accurate use of 17th century English heightens both the humour and historical realism in this beautifully written book. 

More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr. 

Nancy Roberts, also known as the “First Lady of American Folklore,” inspired many children—including me—to read. North Carolina Ghosts & Legends recounts stories of “true” ghostly encounters and has sent many readers on ghost hunts of their own. I became fascinated with Roberts’ story of the Little Red Man—a ghost who is said to haunt a historic site in Winston-Salem—and while visiting the site (on a second-grade field trip), I interrupted a tour guide to inquire about his whereabouts. My classmates erupted in giggles and I was reprimanded for the disruption. Nevertheless, many years later, I had the pleasure of working at that historic site; but, I never had the pleasure of meeting the infamous ghost.