Fans pick 84 books like Things We Say in the Dark

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.

For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.

Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills. 

The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.

Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.

This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.

I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.

It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.

A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never… show more.

This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.

Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.

More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr. 

What I love about the ghost story genre is how it can lend itself to comedy as well as spookiness. Here the plight of poor James, moving to a new house only to find himself seized on as Apprentice to ghostly 17th century apothecary Thomas Kempe, is irresistibly funny. No one will believe it’s not him scrawling advertisements for ‘Sorcerie, Astrologie, Geomancie, Alchemie, Recoverie of Goodes Loste and Physicke’ on notice boards outside his house and all over the village. Lively’s accurate use of 17th century English heightens both the humour and historical realism in this beautifully written book. 

This is the very first book I ever purchased when I became interested in all things paranormal in Michigan. This 1992 classic was one of the first popular books published that focused on Michigan’s ghosts, legends, and hauntings. The author, Marian Kuclo was a well-known storyteller around southwest Michigan and her collection of chilling tales introduced me to Michigan's paranormal world and inspired me to look deeper into some of the stories she wrote about. 

Nancy Roberts, also known as the “First Lady of American Folklore,” inspired many children—including me—to read. North Carolina Ghosts & Legends recounts stories of “true” ghostly encounters and has sent many readers on ghost hunts of their own. I became fascinated with Roberts’ story of the Little Red Man—a ghost who is said to haunt a historic site in Winston-Salem—and while visiting the site (on a second-grade field trip), I interrupted a tour guide to inquire about his whereabouts. My classmates erupted in giggles and I was reprimanded for the disruption. Nevertheless, many years later, I had the pleasure of working at that historic site; but, I never had the pleasure of meeting the infamous ghost.