Here are 100 books that The Year We Disappeared fans have personally recommended if you like
The Year We Disappeared.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have always been fascinated with bodies: the meaning we make of them; the suffering, joy, and indignities we receive through them; the outer limits of what we can do to and with them. I’ve worked in careers that have asked a lot of my own body, and I write about the brutalities humans inflict upon our own and other bodies. My work is obsessed with questions of how and why we endure suffering. Also, I’ve done a lot of dumb shit to and with my own body that has given me (in addition to a lifetime of medical problems) a highly specific perspective about intensity, hazard, and pain.
What if you got hit by lightning? What if the lightning came from inside your body? What if you are such an obsessive writer and researcher that you then had to trace the supply chain of the failed medical device that did that to you?
KS does body writing as a research quest, taking her battered heart back and forth across the Atlantic in pursuit of answers to the question of what, exactly, she’d been carrying around in it. The sense of vulnerability—medical, economic, and otherwise—that she creates within the narrative is so felt that I couldn’t shake it when I was done reading.
What if a lifesaving medical device causes loss of life along its supply chain? That's the question Katherine E. Standefer finds herself asking one night after being suddenly shocked by her implanted cardiac defibrillator.
In this gripping, intimate memoir about health, illness, and the invisible reverberating effects of our medical system, Standefer recounts the astonishing true story of the rare diagnosis that upended her rugged life in the mountains of Wyoming and sent her tumbling into a fraught maze of cardiology units, dramatic surgeries, and slow, painful recoveries. As her life increasingly comes to revolve around the internal defibrillator freshly…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a woman, I have experienced my share of sexism but it dims in comparison to what Lester faced in the 1950s and 1960s. When applying for a job at a bookstore, a young Lester is told the store can’t hire girls because they only have one toilet. Her plucky response—she could use the same toilet as the men—is one reason I enjoyed this book so much.
Lester is repeatedly pushed to the sidelines even as she takes up the fight for civil rights, devoting herself to bettering the lives of others while setting aside her own dreams—for a time. Luckily Lester never completely loses her nerve. Her second act is a fun adventure to follow for those who have faced their own setbacks, no matter their gender.
Committed to the struggle for civil rights, in the late 1950s Joan Steinau marched and protested as a white ally and young woman coming to terms with her own racism. She fell in love and married a fellow activist, the Black writer Julius Lester, establishing a partnership that was long and multifaceted but not free of the politics of race and gender. As the women's movement dawned, feminism helped Lester find her voice, her pansexuality, and the courage to be herself.
Braiding intellectual, personal, and political history, Lester tells the story of a writer and activist fighting for love and…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
I have a fascination with countries that don’t fully exist and have visited a few myself. So when I learned that Chude-Sokei was from a country that really no longer exists, I was hooked. The country in question was not one I recognized. Biafra was a short-lived African state that declared independence from Nigeria in 1967.
What kept me reading the book though was the humor Chude-Sokei uses to describe his unique situation as the “first son of the first son” of a leader of a country that was “killed” in 1970, as his mother puts it. Chude-Sokei’s tales of growing up an African in Jamaica followed by his yearning to become a Black American in Inglewood, Los Angeles will resonate with anyone who ever struggled with their identity.
The astonishing journey of a bright, utterly displaced boy, from the short-lived African nation of Biafra, to Jamaica, to the harshest streets of Los Angeles—a searing memoir that adds fascinating depth to the coming-to-America story
The first time Chude-Sokei realizes that he is “first son of the first son” of a renowned leader of the bygone African nation is in Uncle Daddy and Big Auntie’s strict religious household in Jamaica, where he lives with other abandoned children. A visiting African has just fallen to his knees to shake him by the shoulders: “Is this the boy? Is this him?”
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a female journalist who has lived and worked abroad, including in sometimes unsafe situations but excluding war, I was drawn to Miller’s story about covering the Vietnam War. In 1970 young American women were not supposed to go to Vietnam. They were supposed to get married, and Miller did—to a member of the military whose job proves her ticket to Vietnam.
As one of the rare female reporters in Vietnam, Miller captured stories her male colleagues couldn’t or wouldn’t cover such as how young Vietnamese girls were often tricked into the sex trade. An outsider in the “old boys club” of news and war Miller is able to understand better than her male colleagues how the war is impacting the locals who have in some ways been made outsiders in their own country.
The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war.
There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
This book demonstrates a point that I always try to make to students: the antislavery movement was much more than mass meetings and heroic escapes along the Underground Railroad.
It was far more complex–and, at times, far more violent. Many Black activists in the years before the Civil War turned to the tactics of violence to try and shake a complacent nation into action. They did so in desperation, and only with much anguish–and much controversy.
Jackson's book gets deep into the weeds of how the struggle for antislavery progress actually worked.
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war.
In Force…
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
This is the classic study of the changes in violence and war in Chinese society from the Spring and Autumn Period to the Warring States Period. Lewis demonstrates that war, hunting, and the sacrifices of the Spring and Autumn chariot-riding aristocracy were key to demonstrating membership in that class. Political power moved from the feudal rulers to their ministers, who were lower-ranking members of the aristocratic class, and the struggle for power among those men transformed warfare and society. Violence was transformed from a class-defining activity into a state-building tool that had to be controlled by the feudal ruler.
This book provides new insight into the creation of the Chinese empire by examining the changing forms of permitted violence--warfare, hunting, sacrifice, punishments, and vengeance. It analyzes the interlinked evolution of these violent practices to reveal changes in the nature of political authority, in the basic units of social organization, and in the fundamental commitments of the ruling elite. The work offers a new interpretation of the changes that underlay the transformation of the Chinese polity from a league of city states dominated by aristocratic lineages to a unified, territorial state controlled by a supreme autocrat and his agents. In…
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
The Ground Breaking takes a look at the work Tulsa is doing to repair damage from the 1921 Tulsa Race Massacre—to make reparation. Specifically, the book examines Tulsa's commitment to investigating longstanding accounts of mass graves containing Black bodies hastily buried in the wake of the massacre. Collective trauma from historical events must be addressed. Answering the answerable questions that linger from the past is part of the healing process.
One of The New York Times' “11 New Books We Recommend This Week” | One of Oprah Daily's “20 of the Best Books to Pick Up This May” | One of The Oklahoman's“15 Books to Help You Learn About the Tulsa Race Massacre as the 100-Year Anniversary Approaches” |A The Week book of the week
As seen in documentaries on the History Channel, CNN, and Lebron James’s SpringHill Productions
And then they were gone.
More than one thousand homes and businesses. Restaurants and movie theaters, churches and doctors’ offices, a…
I’ve been studying dehumanization, and its relationship to racism, genocide, slavery, and other atrocities, for more than a decade. I am the author of three books on dehumanization, one of which was awarded the 2012 Anisfield-Wolf award for non-fiction, an award that is reserved for books that make an outstanding contribution to understanding racism and human diversity. My work on dehumanization is widely covered in the national and international media, and I often give presentations at academic and non-academic venues, including one at the 2012 G20 economic summit where I spoke on dehumanization and mass violence.
Most people’s idea of lynching is the sanitized version that they have picked up from movies and TV. However, the practice of lynching, as it was carried out in the United States from the late 19th to well into the 20th century, was far more hideous than a few people hanging a man from a tree. This classic contribution concentrates on spectacle lynchings. These were public lynchings attended by hundreds or even thousands of spectators. They involved hours of torture and bodily mutilation, often culminating in the victim being burned alive. Lynching and Spectacleis a vital read for anyone wishing to understand the full horror of American Racism.
This title presents public reinforcement of white supremacy. Lynch mobs in late nineteenth- and early twentieth-century America often exacted horrifying public torture and mutilation on their victims. In ""Lynching and Spectacle"", Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and what they derived from them. Lynching, Wood argues, overlapped with a wide range of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema. The connections between lynching and these practices encouraged the horrific violence committed and gave it social acceptability.Wood expounds on the critical role…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
This one is left field as it doesn’t fall neatly into the list. I included this book to avoid the impression that only Indigenous writers can write about Indigenous experiences. It’s important that we do, of course, but this book puts a slightly different slant on the “self-representation” question from an intersectional perspective.
Black feminist writer, Patricia Hill Collins, introduces the concept of intersecting lives and experiences, highlighting common struggles among Indigenous, Black, Minority, and Queer communities and how we are affected by violence in different and shared ways, invisible and public.
I encountered this work during a period of similar oppressions, finding it to be a transformative gift. Patricia’s ideas expand my world to new possibilities beyond institutional thinking. I love how the writing is so accessible, and the pages just fly along. Love this woman!
School shootings, police misconduct, and sexual assault where people are injured and die dominate the news. What are the connections between such incidents of violence and extreme harm?
In this new book, world-renowned sociologist Patricia Hill Collins explores how violence differentially affects people according to their class, sexuality, nationality, and ethnicity. These invisible workings of overlapping power relations give rise to what she terms "lethal intersections," where multiple forms of oppression converge to catalyze a set of violent practices that fall more heavily on particular groups. Drawing on a rich tapestry of cases, Collins challenges readers to reflect on what…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans…
