Here are 100 books that Girls Don't fans have personally recommended if you like
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I have always been fascinated with bodies: the meaning we make of them; the suffering, joy, and indignities we receive through them; the outer limits of what we can do to and with them. Iāve worked in careers that have asked a lot of my own body, and I write about the brutalities humans inflict upon our own and other bodies. My work is obsessed with questions of how and why we endure suffering. Also, Iāve done a lot of dumb shit to and with my own body that has given me (in addition to a lifetime of medical problems) a highly specific perspective about intensity, hazard, and pain.
What if you got hit by lightning? What if the lightning came from inside your body? What if you are such an obsessive writer and researcher that you then had to trace the supply chain of the failed medical device that did that to you?
KS does body writing as a research quest, taking her battered heart back and forth across the Atlantic in pursuit of answers to the question of what, exactly, sheād been carrying around in it. The sense of vulnerabilityāmedical, economic, and otherwiseāthat she creates within the narrative is so felt that I couldnāt shake it when I was done reading.
What if a lifesaving medical device causes loss of life along its supply chain? That's the question Katherine E. Standefer finds herself asking one night after being suddenly shocked by her implanted cardiac defibrillator.
In this gripping, intimate memoir about health, illness, and the invisible reverberating effects of our medical system, Standefer recounts the astonishing true story of the rare diagnosis that upended her rugged life in the mountains of Wyoming and sent her tumbling into a fraught maze of cardiology units, dramatic surgeries, and slow, painful recoveries. As her life increasingly comes to revolve around the internal defibrillator freshlyā¦
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. Iām recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you havenāt covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a woman, I have experienced my share of sexism but it dims in comparison to what Lester faced in the 1950s and 1960s. When applying for a job at a bookstore, a young Lester is told the store canāt hire girls because they only have one toilet. Her plucky responseāshe could use the same toilet as the menāis one reason I enjoyed this book so much.
Lester is repeatedly pushed to the sidelines even as she takes up the fight for civil rights, devoting herself to bettering the lives of others while setting aside her own dreamsāfor a time. Luckily Lester never completely loses her nerve. Her second act is a fun adventure to follow for those who have faced their own setbacks, no matter their gender.
Committed to the struggle for civil rights, in the late 1950s Joan Steinau marched and protested as a white ally and young woman coming to terms with her own racism. She fell in love and married a fellow activist, the Black writer Julius Lester, establishing a partnership that was long and multifaceted but not free of the politics of race and gender. As the women's movement dawned, feminism helped Lester find her voice, her pansexuality, and the courage to be herself.
Braiding intellectual, personal, and political history, Lester tells the story of a writer and activist fighting for love andā¦
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. Iām recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you havenāt covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
I have a fascination with countries that donāt fully exist and have visited a few myself. So when I learned that Chude-Sokei was from a country that really no longer exists, I was hooked. The country in question was not one I recognized. Biafra was a short-lived African state that declared independence from Nigeria in 1967.
What kept me reading the book though was the humor Chude-Sokei uses to describe his unique situation as the āfirst son of the first sonā of a leader of a country that was ākilledā in 1970, as his mother puts it. Chude-Sokeiās tales of growing up an African in Jamaica followed by his yearning to become a Black American in Inglewood, Los Angeles will resonate with anyone who ever struggled with their identity.
The astonishing journey of a bright, utterly displaced boy, from the short-lived African nation of Biafra, to Jamaica, to the harshest streets of Los Angelesāa searing memoir that adds fascinating depth to the coming-to-America story
The first time Chude-Sokei realizes that he is āfirst son of the first sonā of a renowned leader of the bygone African nation is in Uncle Daddy and Big Auntieās strict religious household in Jamaica, where he lives with other abandoned children. A visiting African has just fallen to his knees to shake him by the shoulders: āIs this the boy? Is this him?ā
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorāand only womanāon a remote Everest climb in Tibet.
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. Iām recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you havenāt covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
When I was 10 I disappeared from my life for a while. I left school, home, and my family to live in a hospital for several months. This break in my own childhood narrative is what got me into the Busby story. Cylin Busby was nine years old when her dad, John, a police officer, was shot. Her father survives, but the family is forced to disappear for their own protection.
While the book is written by a father and daughter, it is Cylinās young nine-year-old voice that pulled me in, reminding me what it is like to be a child and powerless as the world around you falls apart. That sounds dark, but children have a way of finding hope. This story has a happy(ish) ending.
When Cylin Busby was nine years old, she was obsessed with Izod clothing, the Muppets, and a box turtle she kept in a shoebox. Then everything changed overnight. Her police officer father, John, was driving to his shift when someone leveled a shotgun at his window. The blasts that followed left John's jaw on the passenger seat of his car-literally. While clinging to life, he managed to write down the name of the only person he thought could have pulled the trigger. The suspect? A local ex-con with rumored mob connections. The motive? Officer Busby was scheduled to testify againstā¦
As a historian and someone who grew up in Cold War Berlin, I am constantly inspired by efforts to curb the devastating effects of industrialised warfare. I love learning about people who had the courage to speak up, and how their historical understanding of the military abuse of power enables us to think differently about present-day warfare. So much of my research has been inspired by social movements and their difficult efforts to improve the world. While I am no expert on Vietnamese history, I have been fortunate to have learned a lot about how ingenious the Vietnamese revolutionaries were in actively pedalling the global emergence of Vietnam War protest.
This 1967 collection of essays and speeches by the British philosopher Bertrand Russell fascinates me because it seeks to reveal inconvenient truths while not shying away from a highly partisan intervention.
Russell discusses why he was making a global appeal to protest the US war effort in Vietnam. His book and the subsequent Russell-Sartre War Crimes Tribunal have often been dismissed as biased and uncritical of communist propaganda, but rereading this primary source illuminates an important chapter in the emergence of a global intellectual critique of US imperialism that āmillions of Europeans, Asians, Latin Americansā came to share as it was debunking the official position of the Johnson administration and its allies in Vietnam.
In this harsh and unsparing book, Bertrand Russell presents the unvarnished truth about the war in Vietnam. He argues that "To understand the war, we must understand America"-and, in doing so, we must understand that racism in the United States created a climate in which it was difficult for Americans to understand what they were doing in Vietnam. According to Russell, it was this same racism that provoked "a barbarous, chauvinist outcry when American pilots who have bombed hospitals, schools, dykes, and civilian centres are accused of committing war crimes." Even today, more than forty years later, this chauvinist moralā¦
My passions lean toward American history, Americana, and skepticism. My creed is that "Conventional wisdom is neither." I am a member of the Skeptics Society, and I often litigate and lecture on copyright and celebrity rights issues. I have been a trial lawyer for 45 years and try cases in front of flesh and blood judges and juries. My clientele runs from supermodels to celebrities, photographers, performers, directors, model agencies, photographers, and artists.
Real, unbiased, definitive history of America's greatest debacle. This book teaches how the inflexible best and brightest set and maintained a course for disaster rather than pivot and admit to catastrophic mistakes.
The tragedy of losing 58,000 Americans and the destruction of LBJ. Elitists err, survive, move on, and the common man dies in rice paddies. Power intoxicates the otherwise reasonable person to be anything but.
"A landmark work...The most complete account to date of the Vietnam tragedy." -The Washington Post Book World
This monumental narrative clarifies, analyzes, and demystifies the tragic ordeal of the Vietnam war. Free of ideological bias, profound in its undertsanding, and compassionate in its human portrayls , it is filled with fresh revelations drawn from secret documents and from exclusive interviews with participants-French, American, Vietnamese, Chinese: diplomats, military commanders, high government officials, journalists, nurses, workers, and soldiers. Originally published a companion to the Emmy-winning PBS series, Karnow's defining book is a precursor to Ken Burns's ten-part forthcoming documentary series, The Vietnamā¦
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United Statesā¦
Until todayās multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, āin war, there are no unwounded soldiers.ā I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
āI think of language as our first music,ā notes the celebrated poet Yusef Komunyakaa. His collection of Vietnam poems, Dien Cai Dau (Vietnamese for crazy) fuses images, sounds, and sights from Vietnam into a fearful, lyrical symmetry. Born James Brown in rural Bogalusa, Louisiana, he served in Vietnam as a correspondent and editor of The Southern Cross, the newspaper of the Armyās 23rd Infantry Division (Americal). āThe Vietnamese knew what was happening in the American psyche when it came to race,ā claims Komunyakaa, āand sometimes they expertly played on it.ā The poem āHanoi Hannahā in Dien Cai Dau is a perfect example of this: āRay Charles!ā His voice/ calls from waist-high grass/& we duck behind gray sandbags./ āHello, Soul Brothers. Yeah,/Georgiaās also on my mindā¦Hereās Hannah againā¦"
āThat gets your attention when youāre out in the middle of nowhere,ā astutely observes Komunyakaa.
I served in Vietnam in 1969 carrying a radio on my back with the 12th Marines on the DMZ. In 1970, I was a door gunner with HMM-364 (Purple Fox Squadron) out of Marble Mountain. Beginning in 1996, I have led 68 tours for veterans, their family members, historians, active-duty military personnel, and others to the jungles, mountains, and battlefields of Vietnam. I currently serve as president and bush guide for the non-profit tour company, Vietnam Battlefield Tours. As an avid reader of non-fiction books on the Vietnam experience, this knowledge base has helped tremendously in my non-profit volunteer service.
This short book depicts the actions of Vietnamese Marine Corps Advisor, John Ripley, and his heroic actions to stop the onslaught of the NVA tank invasion during the 1972 Easter Offensive. It provides a shining example of how one person can affect the outcome of a battle and to never, ever give up.
This is the true story of the legendary Vietnam War hero John Ripley, who braved intense enemy fire to destroy a strategic bridge and stall a major North Vietnamese invasion into the South in April 1972. Told by a fellow Marine, the account lays bare Ripley's innermost thoughts as he rigged 500 pounds of explosives by hand-walking the beams beneath the bridge, crimped detonators with his teeth, and raced the burning fuses back to shore, thus saving his comrades from certain death.
First published in 1989, the book has broad appeal as a riveting tale of adventure. But John Millerā¦
If you like graphic memoirs and want one on the Vietnam War, Marcelino Truongās Such a Lovely Little War is for you.
Itās an autobiographical tale of Truongās life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.
The dialogue and the graphics are superb. The juxtaposition between his family and this ālovely little warā turning around it makes this memoir of the Vietnam War a highly original one.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict betweenā¦
I served in Vietnam in 1969 carrying a radio on my back with the 12th Marines on the DMZ. In 1970, I was a door gunner with HMM-364 (Purple Fox Squadron) out of Marble Mountain. Beginning in 1996, I have led 68 tours for veterans, their family members, historians, active-duty military personnel, and others to the jungles, mountains, and battlefields of Vietnam. I currently serve as president and bush guide for the non-profit tour company, Vietnam Battlefield Tours. As an avid reader of non-fiction books on the Vietnam experience, this knowledge base has helped tremendously in my non-profit volunteer service.
It is rare when an actual participant of a battle can produce such a chilling and accurate narrative that keeps a readerās attention page after page. This was the Tet Offensive urban battle for the Citadel, a walled city containing a labyrinth of buildings and houses jammed around numerous narrow streets. This was city fighting at its worst. In the end, many thousands of the enemy lay dead.
The bloody, month-long battle for the Citadel in Hue during 1968 pitted U.S. Marines against an entrenched, numerically superior North Vietnamese Army force. By official U.S. accounts it was a tactical and moral victory for the Marines and the United States. But a survivor's compulsion to square official accounts with his contrasting experience has produced an entirely different perspective of the battle, the most controversial to emerge from the Vietnam War in decades.
In some of the most frank, vivid prose to come out of the war, author Nicholas Warr describes with urgency and outrage the Marines' savage house-to-house fighting,ā¦