Here are 89 books that Dream Country fans have personally recommended if you like
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When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page.
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I am secretly, or not so secretly now, in love with Jeanette Winterson. So I was very happy to discover that Winterson wrote a novel based on the 1612 Lancashire Witch Trials featuring an appearance by Mr. William Shakespeare. Not that this is a happy novel. It is brutal and made more horrific by the facts behind it, but that just makes it all the more enthralling to contemplate what humans are capable of doing to each other.
'Utterly compulsive' Daily Telegraph 'A gripping gothic read' Sarah Hall, Guardian 'So seductive ... I was hooked' Independent
The Forest of Pendle used to be a hunting ground, but some say that the hill is the hunter - alive in its black-and-green coat cropped like an animal pelt.
Good Friday, 1612. Two notorious witches await trial and certain death in Lancaster Castle, whilst a small group gathers in secret protest. Into this group the self-made Alice Nutter stakes her claim and swears to fight against the rule of fear. But what is Alice's connection to these witches? What is magic…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine, unleashing strange and frightening happenings around her home, which, in turn, reveals a disturbing family history.
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine, unleashing strange and frightening happenings around her home, which, in turn, reveals a disturbing family history.
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
A Dead Man in Deptfordwas the last published novel of Anthony Burgess’s lifetime and can be seen as a companion piece to his earlier fictional biography of William Shakespeare, Nothing Like the Sun. A Dead Man in Deptford follows Christopher Marlowe’s life, and Will of Warwickshire lurks very very much in the background of this novel. This somehow adds to the poignancy, as even within his own story, the reader is always aware that Marlowe’s era will be dominated by the name of William Shakespeare.
'One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn' Irish Times
A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.
I’ve always loved horror stories, right from when I was a kid, and I first watched Friday the 13th, the ultimate scary movie. The jump scare moment was everything. I spent time studying great suspense writers like Alfred Hitchcock, Stephen King, and R L Stine. I was in awe at how they had me turning the pages, unable to look away! I think more and more children are discovering the fun and thrill of scary stories, and I love nothing more than making sure I try and implement some of these rules, adding in my own originality, too!
R. L Stein is a Master of Children’s horror fiction. He gets it. He knows where to draw the line and let kids know that the "scary stuff" isn’t real. This isn’t easy. But I guess after so many books, he has a strong format. He does it brilliantly.
This book features a terrifying Halloween mask–perfect for a dark night, especially around Halloween time. I love the way he throws in scary moments at the most unexpected moments. I love how eerie this book is and how frightening he makes the mask, especially when the mask won’t come off!
How ugly is Carly Beth's Halloween mask? It's so ugly that it almost scared her little brother to death. So terrifying that even her friends are totally freaked out by it. It's the best Halloween mask ever. With yellow-green skin and long animal fangs, the mask terrifies the entire neighborhood. Before long, it has a surprising effect on Carly Beth, too. She tries to take it off . . . but it won't budge!Halloween is almost over, but fright night is just beginning.Now with all-new bonus materials!
As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
One thing I will never get tired of are books about girl power!
What I love so much about this book is its focus on a young girl chasing her dreams of being a Luchadora, which traditionally has been a male-dominated sport. I have a soft spot in my heart for books that encourage young women to go after their dreams despite whatever preconceived gender notions they may have. End then you set it in the world of Lucha Libre–forget about it!
Lucía the Luchadora named one of the Best Books of 2017 by NPR, Kirkus Reviews, Chicago Public Library and more! Lucía zips through the playground in her cape just like the boys, but when they tell her "girls can't be superheroes," suddenly she doesn't feel so mighty. That's when her beloved abuela reveals a dazzling secret: Lucía comes from a family of luchadoras, the bold and valiant women of the Mexican lucha libre tradition. Cloaked in a flashy new disguise, Lucía returns as a recess sensation! But when she's confronted with a case of injustice, Lucía must decide if she…
Like so many boys, I grew up playing soldiers with my friends. Now I’m a trained historian and running around waving a stick as a pretend rifle yelling rat-a-tat, or sword fighting with fallen branches, just isn’t a good look for me. But I can still appreciate the heroism of soldiers that drew me to play those games in the first place. These books scratch that itch, as well as meeting the standard of truthfulness that the historian in me needs. Believable settings with heroes you can root for and stakes that feel real. That’s what I like to read and that’s what I write.
This is a masterpiece of the New Wave fantasy novels of the 1960s and 1970s. The hero, Dorian Hawkmoon, is a nobleman in the far future where science has become so advanced it is indistinguishable from magic. Hawkmoon is forced to work for his enemies by a magical jewel they embed in his forehead. Hawkmoon’s world is Europe, but hardly recognisable, and a vast empire with impossible super-technology is conquering the whole continent. It’s a story of heroism vs magic in a war where the technological wonders feel alien and familiar all at once. The evil empire of Granbretan, where everyone is continuously masked, is one of the most original of the trope that has ever been written.
“Those who dare swear by the Runestaff must then benefit or suffer from the consequences of the fixed pattern of destiny that they set in motion. Several such oaths have been sworn in the history of the Runestaff’s existence...”—The High History of the Runestaff Dorian Hawkmoon, late the Duke of Koln, fell under the power of the Runestaff, a mysterious artifact more ancient than time itself. His destiny, shaped by a vengeful oath sworn by the maddened Baron Meliadus of the Dark Empire, pitted Hawkmoon in battle against his own allies and forced him, by the Black Jewel embedded in…
I'm
Mitch Cullin, or so I've been told. Besides being the ethical nemesis of the
late Jon Lellenberg and his corrupt licensing/copyright trolls at the Conan
Doyle Estate Ltd., I'm also a documentary photographer, very occasional author
of books, and full-time wrangler of feral cats.
The
black-and-white images of Ralph Eugene Meatyard have long fascinated me and
informed my visual work and writing. Meatyard was, by profession, an optician
in Lexington, Kentucky, yet his personal passion was making photographs. His
subjects were his wife, children, and family friends, who he often posed in
murky settings as they wore masks and held dolls. These images are both
disquieting and euphonious, tapping into something primal that hints at the
secretive world of childhood.
Family man, optician, avid reader and photographer Ralph Eugene Meatyard created and explored a fantasy world of dolls and masks, in which his family and friends played the central roles on an ever-changing stage. His monograph, The Family Album of Lucybelle Crater, published posthumously in 1974, recorded his wife and family posed in various disquieting settings, wearing masks and holding dolls and evoking a penetrating emotional and psychological landscape. The book won his work critical acclaim and has been hugely influential in the intervening decades. Dolls and Masks opens the doors on the decade of rich experimentation that immediately preceded…
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
Published in 1979, but it reads like 1960s psychedelia. The hero, Blake, descends—literally—on the sleepy riverside town of Shepperton (where Ballard himself lived), and conjures it and its inhabitants into a sensual Amazonian Eden. I imagine Ballard walking the streets each day and seeing visions: flamingos perched atop the filling station, orchids overrunning the hardware store, his neighbours throwing off their business suits and coupling naked in their front gardens. Seeing, like his hero’s namesake, "a world in a grain of sand, or heaven in a wildflower." The rich prose, evocative but never repetitive, works the same magic on the reader.
With a new introduction by John Gray and striking new cover from the artist Stanley Donwood, the author of 'Cocaine Nights' brings you the story of suburban London transformed into an exotic dreamworld.
When a light aircraft crashes into the Thames at Shepperton, the young pilot who struggles to the surface minutes later seems to have come back from the dead. Within hours everything in the dormitory suburb is surreally transformed. Vultures invade the rooftops, luxuriant tropical vegetation overruns the quiet avenues, and the local inhabitants are propelled by the young man's urgent visions through ecstatic sexual celebrations towards an…
I am a hybrid author (both traditionally and independently published), mother of one kid and three cats, and an avid gamer. I’ve been doing the publishing thing since 2012 though I’ve been writing for much longer than that. I have an advanced degree in Medieval Literature and still read things in Middle English for fun.
Season of Mists is my favorite of Gaiman’s graphic novels from his stellar Sandman run. Death, Dream’s older sister, appears at the end of the first arc and proved to be a fan favorite from that first on-page appearance. She’s a lovely, sweet, and utterly kind incarnation of the boundary that severs this life from whatever comes after. Gaiman creating a comforting presence out of an idea that terrifies most people. She’s charming in this installment, forcing her brother to face his misdeeds with compassion and honesty. It’s no wonder she is one of the only people in his family that Dream listens to!
Ten thousand years ago, Morpheus condemned a woman who loved him to Hell. Now the other members of his immortal family, The Endless, have convinced the Dream King that this was an injustice. To make it right, Morpheus must return to Hell to rescue his banished love and Hell s ruler, the fallen angel Lucifer, has already sworn to destroy him. Collects THE SANDMAN #21-28.
