Here are 100 books that The Sacred Gaze fans have personally recommended if you like
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As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.
The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
Freud’s highly influential essay—reprinted in pamphlet form by bookseller Hugo Heller—argues that the Austrian author Wilhelm Jenson translated his daydreams into aesthetic form. This focus on the internal life of the author became widely influential to interwar modernism.
I am as interested in Freud’s analysis of Jenson as an author and his central protagonist Norbert Hanold, as he idealizes the memory of a childhood loss of his beloved that he associates to the Gradiva bas-relief as I am with the establishment of Freud the critic, analyst, and writer.
Around the same time Freud first delivered this paper as a lecture at Heller’s bookstore, he provided the bookseller Hugo Heller with his personalized list of the 10 Most Influential Books that Heller used to advertise his authors and sell books.
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
A meditative look at the inner life and social contexts of Norstein’s film Tale of Tales about a little grey wolf who wades through the realities of postwar culture as the eponymous character of a popular national lullaby.
Kitson’s recovery of the material and spiritual biography of a Soviet auteur showed me the way to my own work on the Jewish labor force in Soviet animation.
Tale of Tales fuses Yuri Norstein's memories of his past and hopes and fears for the future. This book examines the passage of these motifs into the film but it also looks into later influences that affected it.
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires.
Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.
Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library-no exception to this trend-was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious.In Mirrors of Memory, lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of…
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
The “many lives” in this series of linked short stories are those of eleven passengers who perish when a Bangkok-bound boat capsizes in a fierce storm.
I relished each story of each life, both as a literary gem and as an insight into something fundamental about Thai society, such as the importance of social class, the role of urban migration in altering provincial life, the potentially stifling aspects of intergenerational family obligations, and the overriding role of karma in Thai conceptions of life and death.
To me, Many Lives is to Thai culture what Thornton Wilder’s classic Our Town is to American culture.
"That night, the rain poured and wind howled, raindrops crashing like solid objects onto the ground and water. A passenger boat from Ban Phaen to Bangkok, packed with people, pressed on through the current amidst the rising clamor of the rain and storm. . . ." The boat capsizes in the torrent, and washed up on the shore the next morning are the sodden bodies of the many passengers who lost their lives.
Thus begins M. R. Kukrit Pramoj's classic novel set in the Thailand of the early 1950s and first published in 1954. The life of each passenger who…
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
I devoured Carol Hollinger’s 1964 memoir of her years teaching English in Thailand as I was preparing to do the same thing.
Though Thailand and the wider world had changed enormously in the six decades separating Hollinger’s adventure from mine, I loved this self-described American “matron’s” story about raising a family, running a household, fulfilling social obligations, and, oh yes, teaching English at one of Thailand’s premier universities.
With a refreshing openness of mind and spirit, and despite using some dated language, her observations about Thai people, culture, and customs still resonate today. And her title, Mai Pen Rai Means Never Mind, really captures an essential and enduring aspect of Thai culture.
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
Tom Crowley is an American writer who has experienced Thailand from many perspectives over many decades: as a soldier during the Vietnam War, as a corporate executive, as a US foreign service officer, and as a volunteer at Mercy Centre, a Catholic charitable organization.
This poignant memoir is a series of vignettes that focus on Crowley’s traumatic wartime experiences and the healing he found years later working with desperate children in one of Bangkok’s poorest slums. I picked this book because it shows a part of Thailand that most farangs never see.
In Mercy's Heroes, a Vietnam veteran battling with PTSD turns from the business world to life as a volunteer, helping to rescue and protect street kids in Bangkok's biggest slum.
Here Tom Crowley details the children's efforts to survive abuse and the struggle for dignity waged by the poorest of families. Interwoven throughout, the author's combat experiences and pain highlight the question of how to find personal reconciliation amid the struggles of abused children in the slums. In his efforts to help others, he gains a spiritual understanding worth much more than his financial loss. At the same time, he…
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.
Here is a bold and entertaining account of the life of a European teak inspector working in the heart of the Thai countryside in the 1920s. Beginning with a description of his voyage, Campbell conveys the adventure and the loneliness, the beauty and the terror, that was the White Man's lot and sprinkles his narrative with pithy anecdotes about his various encounters. Teak-Wallah is an evocative tale of a world that still exists, but in which the European no longer has a role.
As Professor of History and Global Asian Studies and Director of the Engaged Humanities Institute at the University of Illinois at Chicago, I'm interested in intersections at the margins between cultural systems. I first became drawn to Chinese history after visiting the country in 1982 and returned to teach English there before undertaking graduate studies. My work on eighteenth-century China focuses on ethnography and cartography as tools of empire building during its period of growth and expansion. My current project, Bridging Worlds: Reflections on a Journey, chronicles a quest for personal integration when obtaining an education has too often become predicated on the ability to cut oneself off from aspects of one’s own inner knowing and lived experience.
Tracing the emergence of the modern nation of Thailand from the Kingdom of Siam, Thongchai Winichakul demonstrates that the rulers of the emergent nation gradually adopted the same logic of national sovereignty and geopolitics as its colonial neighbors in the region, France and Britain. The implication is that in modernizing and reconfiguring what constitutes sovereignty Asian nations are not necessarily more benign than their western counterparts in extending their rule’ victims of western colonial aggression are not exempt from exercising similar forms of coercion against their own inner others.
This unusual and intriguing study of nationhood explores the 19th-century confrontation of ideas that transformed the kingdom of Siam into the modern conception of a nation. Siam Mapped challenges much that has been written on Thai history because it demonstrates convincingly that the physical and political definition of Thailand on which other works are based is anachronistic.
Since I was a little boy, I’ve been fascinated by all things ‘creatures’–from massive Grizzly bears that roam the mountains to Kraken that swim in the depths of the oceans to massive Anaconda that are worshiped in the Amazon rainforest. Having discovered The Weekly World News tabloids at my grandma’s, I couldn’t get enough of what makes us question what lurks in the trees or swim in the waters around us. I’ve taken that love of all things cryptid and used those moments of awe and fear that I had while discovering these creatures all those years ago and placed them into the novels I write.
When Ana Logan agrees to go on holiday to Thailand with her estranged sister Rachel, she hopes it will be a way for them to reconnect after years of drifting apart.
But now, stranded on a seemingly deserted island paradise with no radio and no food, reconciliation becomes a desperate fight for survival.
For when night falls on The Forgotten Island, the dark secrets of the jungle reveal themselves. Something is watching them from the trees.
Something ancient.
Something evil.
Combining the cosmic horrors of HP Lovecraft with the grimy sensibilities of the Video Nasties, The Forgotten Island is an…