Here are 100 books that The Queen and I fans have personally recommended if you like
The Queen and I.
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I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
On the Greek island of Skios, the philantropic foundation Fred Toppler brings together once a year the scientifical elite. But this summer, nothing works as planned following a suitcase mix-up at the airport. The misunderstandings follow one another, leading the characters to connect with people of other social backgrounds. The pompous and eminent academic Norman Wilfred finds himself trapped in a remote house with Georgie, a nice but limited young woman, when Oliver Fox, a good-looking playboy, deliberately takes Norman’s place at the Toppler foundation, to the delight of the guests. I enjoyed very much the social satire and the brilliant dialogues of Skios. This funny and acidulous book is perfect for reading at the beach.
'Good God, thought Oliver, as he saw the smile. She thinks I'm him! And all at once he knew it was so. He was Dr Norman Wilfred.'
On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be surprisingly young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So, even sooner, is Nikki, the attractive…
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
Desmond, a retired teacher, is embarrassed by increasing deafness which he tries to hide. Hearing loss is a constant source of domestic friction with his busy wife and of social malaise, leading Desmond into mistakes and follies, and to find himself in incongruous situations. Comes Alex, a student whom Desmond has agreed to help after a misunderstanding at a party… Despite sensitive topics (deafness, confrontation with death), Deaf Sentence manages to be deeply entertaining with a lame love story and a disillusioned portrait of contemporary society. I recommend it to everyone, because we all feel overwhelmed from time to time.
The subject of enthusiastic and widespread reviews, David Lodge's fourteenth work of fiction displays the humor and shrewd observations that have made him a much-loved icon. Deaf Sentence tells the story of Desmond Bates, a recently retired linguistics professor in his mid-sixties. Vexed by his encroaching deafness and at loose ends in his personal life, Desmond inadvertently gets involved with a seemingly personable young American female student who seeks his support in matters academic and not so academic, who finally threatens to destabilize his life completely with her unpredictable-and wayward-behavior. What emerges is a funny, moving account of one man's…
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
A. J. Jacobs, a journalist, decides to read the Bible and try to follow it literally for a whole year, to the point of eating locusts, throwing small pebbles at couples he suspects of adultery, slaying idolatry, and speaking the naked truth… Struggling to follow archaic rules, he lives a disconcerting experience under the perplexed eyes of his family and becomes quickly out of step with the present time. The Year of Living Biblically depicts a clash of worlds with a caustic humor and I’ve burst out laughing a couple of times. I recommend it to believers and non-believers, both will be amused by this witty book that gives us food for thought.
From the bestselling author of The Know-It-All comes a fascinating and timely exploration of religion and the Bible.
Raised in a secular family but increasingly interested in the relevance of faith in our modern world, A.J. Jacobs decides to dive in headfirst and attempt to obey the Bible as literally as possible for one full year. He vows to follow the Ten Commandments. To be fruitful and multiply. To love his neighbor. But also to obey the hundreds of less publicized rules: to avoid wearing clothes made of mixed fibers; to play a ten-string harp; to stone adulterers.
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
Henry Wilt is a disillusioned teacher who feels stuck between his collegues who look down on him, and his super positive wife Eva, who wants to enjoy life in every fashionable way possible. When walking his dog, Henry imagines how to kill Eva. Reality catches up with fiction when he is charged by the police for her murder… Ludicrous situations follow one another, and Wilt 1 is hilarious. I enjoyed the book because it is based on a collision between Henry, a man who does not believe in the seriousness of things, and the other characters, who all embody their social roles to the point of caricature. I recommend it to people who sometimes feel trapped in their lives—as most of us do.
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
Before it was adapted into a multi-Oscar-winning film, this was an award-winning play that brilliantly explored the conflict and complex interplay between religious institutions and leaders and their secular counterparts, religion as a source of inspiration and guidance, and the efforts of one courageous man to honor his commitment to the law and his king while also living according to his faith.
Moreover, like the other authors on this list, Thomas More defends his faith position through reasoned argument rather than resorting to dogmatic statements of faith. In a sense, Bolt brings together the multiple strands of thought present in the other four books.
When Henry VIII set up his own Church of England with himself at its head, one of the few men who opposed him was Sir Thomas More. The play contrasts More's virtue of 'selfhood' with the cynical assertion that every man has his price. 14 parts: 11 male, 3 female. Suitable for Age 14+
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
I love this book because it spotlights performance contexts and conditions–what it means to stage history during the Elizabethan period–and, through this focus, provides fresh, nuanced interpretations of the plays it considers, including some by Shakespeare and others performed by Queen Elizabeth’s Men.
It is another formative book for me, especially because it negotiates ideas and representations of ‘truth’ in historical drama. Walsh’s book offers a compelling account of the communal construction of history and the interplay between presence and absence, which has also helped me understand my own methods as a critic and historian.
The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through…
I’m a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. I’m particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
In the wake of Knutson’s work, a number of seminal studies of individual playing companies from Shakespeare’s London have appeared, but I particularly value Manley and MacLean’s for the prominence they give to the role of lost plays in the repertory of Lord Strange’s Men. This book normalised the understanding that if one is to study a company—its patron, its players, its performance venues (including touring), and its style—then one cannot do so without attending to the plays once performed by the company but which have since been lost.
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange's Men established their reputation by concentrating on "modern matter" performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
If you are going to read Orwell you need to know something about what Mckibbin calls the “fundamental mentalities and structures” of English social and political life. This is the best, covering Orwell’s life-span. These were the years when England first began to see itself as ‘democratic’, and yet, “the great mass of the English people was unmoved, or unmoved directly, by the cultures of the country’s intellectual elites”. Enter George Orwell.
Ross McKibbin investigates the ways in which 'class culture' characterized English society, and intruded into every aspect of life, during the period from 1918 to the mid-1950s. He demonstrates the influence of social class within the mini 'cultures' which together constitute society: families and family life, friends and neighbours, the workplace, schools and colleges, religion, sexuality, sport, music, film, and radio. Dr McKibbin considers the ways in which language was used (both spoken and written) to define one's social grouping, and how far changes occurred to language and culture more generally as a result of increasing American influence. He assesses…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
