Here are 100 books that The Penguin Science Fiction Omnibus fans have personally recommended if you like
The Penguin Science Fiction Omnibus.
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I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Some of the stories in this collection, like my own stories, use surreal metaphor, expressing poetic imagery in prose form; others are more about the thrill of absurdity. Though surrealism existed before the term or movement existed (in visual art and literature e.g. Lewis Carroll, Hieronymus Bosch, etc.), Andre Breton and his mates really went for it. Here you can read works by Salvador Dali, Luis Bunuel, Louis Aragon, Leonora Carrington, and more. What I love about all of these artists is their obvious joy in discovering the surreal or poetic image, a joy I know well, and their absolute passion for the importance and potency of expressing such imagery.
Comprised of works by authors from 17 countries, these volumes provide the most extensive assemblage of surrealist writing, much of which is here translated into English for the first time. "The Identity of Things" introduces surrealism's reworking of the fairy tale and the Gothic novel, its essays in the myths, desires and mysteries underlying modern reality.
"I went to fetch my car, but my chauffeur, who has no sense at all, had just buried it', writes Leonora Carrington in this captivating collection of tales from 17 languages." The Observer
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is a wonderful selection of short stories and novel extracts by early authors of strange, weird, surreal fiction; writers whose subject is the so-called supernatural and who rail against the reduction of life to rational materialism. These works would broadly now be referred to as weird fiction. They are only as weird as the world. The book also contains an excellent introduction by the editor, speaking up for the strange, weird, and surreal.
' Lachman presents a generous anthology of literary texts inspired by the weird, the supernatural and the gothic. From Beckford's Vathek to Gustav Meyrink's The Golem, there is a successful balance of the well-known, the esoteric and the curious.' Stuart Kelly in Scotland on Sunday 'The first item, from William Beckford's Vathek, indicates the feverish imaginings gathered in this "occult reader". It encompasses drugs, sacrifice, a genii and an Indian who becomes irresistibly arousing by transforming himself into a ball. ETA Hoffman's The Golden Flower Pot shows how this writer's fertile imagination can animate even everyday objects, as in his…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
If, like me, you like to wonder at the cosmos and its apparent absurdity, this is a great collection. A lot of the humour comes from juxtaposing the mundane with the cosmic and taking a simple premise to extremes, rather like Douglas Adams’ The Hitchhiker’s Guide To The Galaxy.
Italo Calvino's enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures, The Complete Cosmicomics is translated by Martin McLaughlin, Tim Parks and William Weaver in Penguin Modern Classics.
'Naturally, we were all there, - dld Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?'
The Cosmicomics tell the story of the history of the universe, from the big bang, through millennia and across galaxies. It is witnessed…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This is the first book in the Southern Reach Trilogy, but it also stands alone as a mysterious and haunting exploration of the way we attempt to navigate a world that is both familiar and alien at the same time.
Mysteries abound, and answers are elusive, but you can revisit Area X again and again and feel like answers lie just beyond the reach of your fingertips.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I'm very interested in neuroscience, and it turns out that when you are in a state of wonder, you activate parts of the brain that correlate with creativity, gratitude, hope, and connection with oneself and others. In a way, wonder is an antidote to the doom-and-gloom ideologies that surround us. I'm very drawn to art and ideas that help me connect with my sense of wonder and remind me that I'm connected with a vast and mysterious universe!
I love the dreamy art and timeless wisdom in this unique book. It reminds me that I'm in an eternal state of oneness with the universe right here and right now. This book is soothing and beautiful and speaks to the deepest longings of the soul!
Your Illustrated Guide to Becoming One with the Universe will set you free on a visual journey of self-discovery. Set against a surreal backdrop of intricate ink illustrations, you will find nine metaphysical lessons with dreamlike instructions that require you to open your heart to unexplored inner landscapes. From setting fire to your anxieties to sharing a cup of tea with your inner demons, you will learn how to let go and truly connect with the world around…
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
If you’re looking for a darker, more violent set of short stories, look no further. Another running theme in this collection I loved is the cleverness that goes into the plots, many of which deal with revenge and murder in unique ways. I liked how the things doing the killing were varied and utilized in unexpected styles. Whether that was a truck driver seeking revenge on a gang of bikers or carousel horses coming to life to terrorize teens, or a faun doling out justice to a group of hunters, these stories left me unsettled yet creatively satisfied.
In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in thirteen relentless tales of supernatural suspense, including "In The Tall Grass," one of two stories co-written with Stephen King, basis for the terrifying feature film from Netflix.
A little door that opens to a world of fairy tale wonders becomes the blood-drenched stomping ground for a gang of hunters in "Faun." A grief-stricken librarian climbs behind the wheel of an antique Bookmobile to deliver fresh reads to the dead in "Late Returns." In "By the Silver Water of Lake Champlain," two young friends stumble on the…
An intense passion for horror fiction, both adult and teen, began very early in my life, and has never dimmed or faltered through the years. There is a depth of humanity, light and dark, that exists in this form of writing, and horror writers are not afraid to get their hands dirty. When I create my stories, I remember the books that formed this passion, the stepping stones that brought me here. These stories have shown me how beautiful horror can truly be. And, with every tale that I weave, I try to live up to their example.
Technically, this is a short story, but its importance to me is no less crucial. Ray Bradbury is the king of language and subtle surrealism and this story ticks all of those boxes. I remember being assigned this in High School and I wasn’t initially thrilled at being forced to read it. In terms of short stories, this one is near perfect. It says so much in very little words, and it affected me long after finishing it. Its beauty is in its simplicity. After reading this, I fell head over heels in love with the short story form, an obsession that I still have. A good short story can be like a classic song, powerful and eternal.
I have been a professional illustrator for 20 years. In all this time I have gathered a vast collection of picture books, animated movie artbooks, children's books... I use them as a source of inspiration for my work, but I really collect them because they are my treasure. I don't just look for books with beautiful illustrations, but that really give me something, that make me think, or that stay in my memory. They are timeless books, that are not aimed at any age, that anyone can enjoy, but that at the same time have deep meaning if you know how to look at them. Not all picture books are just for kids.
Promenade is a gift for anyone who, like me, loves books. What I like most is the concept itself: a tribute to books, to what they make us feel. They can be the vehicle of a great journey, a refuge, or the door to a new world. The dreamlike and surreal illustrations are so evocative that they do not need accompanying text. Another concept that seems very interesting to me is that, in addition to presenting the book as a magical object, it also makes it an object of great value: it is a large-format book, with a very careful edition and a print that extols the beautiful illustrations. These are details that I love because they make it a perfect book gift.
