68 books like The Next Wife

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable… show more.

Okay, you've almost certainly heard of this one. You might even be thinking that The Husband's Secret is a more obvious choice for this list. But I'm including BLL anyway because I couldn't believe how enthralling it was (even though I've been a Liane Moriarty fan since The Hypnotist's Love Story).

Many of the entries on this list have depicted a marriage that looks perfect from the outside but is rotten within. This book inverts this formula, or at least complicates it—Celeste thinks her marriage is perfect (or is telling herself she thinks that), but it's obvious from the reader's outside perspective that her husband is an abuser.

There are many intriguing threads woven through this story (all coming together in a showdown so satisfying that I read it several times), but the scenes with Perry are the most impressive. They left me sick with fear.

This was my first book by Colleen Hover because the blurb immediately appealed to me.

I love stories about female writers. I immediately sympathized with her unsuccessful career and was happy that she received an exciting job offer. And then immediate skepticism that everything couldn't be going smoothly there. The fear came slowly and made me look ever deeper into the abyss.

I read the book before going to sleep, which meant I stayed up late.

This love story is hugely successful but on the off chance you haven’t met the Miles family yet, you’re going to want to go get this book now.

This story will hook you hard in the first chapter with the magic of fate and that feeling we’ve all had, when you meet a stranger and you’re insanely attracted to them, and then Kismet offers you time together. I loved how these two are from different worlds and have to maneuver a workplace, power struggle situation.

As an added bonus the hero’s brothers are introduced in book one, and they each get their own book. 

This was my first steamy romance read, the one that got me hooked on erotic romance and still one of my favorites. From the moment Bennett’s hand landed on Chloe’s thigh in the boardroom my pulse spiked and didn’t stop racing until the last page. Bennett and Chloe’s chemistry is a masterclass, enemies to lovers hot.  

This one had my head spinning right round, baby! Happy marriage, babies, a nice home—what more could a young wife ask for?

How about someone she can trust, for starters, and how ’bout her husband’s ex-lover quits coming around all the time, tattling tales of his murky past? It reminded me of an old friend of mine who fell in love with a guy she’d met through an online dating site. He claimed he was long divorced, but—whoops—was actually still married, and living with his estranged wife in separate parts of their house.

You can probably guess how that ended, but not this book. With every wild plot turn, I was grabbing for the Oh sh*t handle and gasping for breath.

In 1906, a handsome scoundrel named Chester Gillette murdered his girlfriend, Grace Brown, by rowing her out onto a secluded mountain lake, whacking her with a tennis racket and pushing her overboard.

Why? Grace was a lowly factory girl, and her inconvenient pregnancy threatened to rain on Chester’s skirt-chasing parade. I was sucked into this poignant tale, having camped and canoed in upstate New York where the crime took place. I even teared up as I imagined what it felt like for poor Grace, cast to the bottom of a lake by the young man she thought was going to marry her.

This carefully researched non-fiction account is an irresistible combination of detective story and romantic drama.

Picture it: you’re a woman married to a man whose first wife went missing, presumed dead. Then: knock, knock, who’s there? It’s the missing wife.

I loved the freaky premise, the mystery, and the scheming among the members of this shockingly unexpected and awkward ménage à trois. I can relate to Merritt, the caring second wife who feels a moral obligation to help the now-unmissing Lydia. I’d want to help too, and like Merritt, I’d probably feel guilty for enjoying a dreamy new life with another woman’s husband.

I enjoyed pondering the thorny legalities of the situation, but as the parties involved dig deeper into the circumstances of Lydia’s disappearance, it turns out that who’s legally married to whom is the least of their worries.

I loved the Nevernight books because the main character is not necessarily always a hero. Mia is an assassin and cares only about killing. This means it can be uncomfortable to support her decisions and actions when they involve so much death and bloodshed.

She kills for reasons that she thinks are justified, but that isn’t always right, and it is great to see her grow and become something more than just a killing machine. She has a great personality and endures many hardships through the series but I loved reading along and seeing how she overcame everything she faced.

I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis. 

The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.