Here are 63 books that The Lunatic, the Lover, and the Poet fans have personally recommended if you like
The Lunatic, the Lover, and the Poet.
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When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page.
As a long-time teacher of Shakespeare’s plays who’s performed in and directed amateur productions and written spin-off plays myself, I love all aspects of William Shakespeare. Before writing my own books set in his era I did intensive research into its theatre and politics, but the more imaginative approach of novelists offers different delights. I like shedding our reverence for The Bard and looking at the man, his relationships, and what contributed to his plays beyond his sources. Rather than real or fictional biographies of Shakespeare, my list features creative stories for both pleasure and learning.
Readers will either be drawn to this book by a novelist who studied Shakespeare in depth or put off by Burgess’ language. His wordplay is quite mad at times, especially when ‘WS’—Will Shakespeare—is drunk. No contemporary novelist would likely create such a mixture of Elizabethan and modern English. Despite Burgess’ knowledge of Shakespeare’s life and works, much of the plot is fanciful. However, his daring is encouraging, his imagination freeing. I never considered writing a book where Shakespeare speaks, but Nothing Like the Sun suggests, why not? Many biographies seem fictional in their guesswork; Burgess’ vitality and imagination outshine the strictly biographical. I found his ground-breaking work inspiring, and it’s a bawdy lark for readers who persevere!
A magnificent, bawdy telling of Shakespeare's love life, following young Will's maturation into sex and writing. A playful romp, it is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with the extraordinariness of genius.
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
As a long-time teacher of Shakespeare’s plays who’s performed in and directed amateur productions and written spin-off plays myself, I love all aspects of William Shakespeare. Before writing my own books set in his era I did intensive research into its theatre and politics, but the more imaginative approach of novelists offers different delights. I like shedding our reverence for The Bard and looking at the man, his relationships, and what contributed to his plays beyond his sources. Rather than real or fictional biographies of Shakespeare, my list features creative stories for both pleasure and learning.
The chronology of my Shakespeare-era novels hasn’t reached The Tempest, but I love how this novel features a production of the play—in a prison. The relation of the inmates to their roles and the protagonist’s personal crisis give Prospero and his island new life in a setting also set apart from society. I enjoyed how the characters come to realizations about Shakespeare’s play as they rehearse, the goal of my own novels from a different angle. Many spinoffs from Shakespeare use his plot devices, but Atwood relies on The Tempest for her plot. Each ‘best’ novel here reveals new visions to the reader and gains plot and suspense from the links to Shakespeare. Though my goals aren’t identical to these authors', their works offer inspiration.
** Longlisted for the Bailey's Women's Prize for Fiction **
Selected as a Book of the Year -- Observer, Sunday Times, Times, Guardian, i magazine
`It's got a thunderstorm in it. And revenge. Definitely revenge.'
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds.
Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by…
The inner world of people has always fascinated me, which is why I created the initiative “student for students” where people could just come and talk about what they are going through. In countless sensitive conversations, I got to know many people struggling with the question “to be or not to be”. Then, my sister took her life. I accepted her decision. However, many struggled to do the same. “How can she do this to us?”, “It was selfish of her”, “But she was intelligent.” etc. Countless statements showed that people could understand, but not comprehend what happened. Therefore, I want to create awareness for mental health topics.
Best known for its famous quote “To be or not to be.” Shakespeare’s masterpiece Hamlet revolves around the struggles of life.
I find this piece inspiring —not because of the question of suicidal ideation but—because of how it is written. Shakespeare manages to put an entire existential crisis into such a concise statement. I wish I could write quotes like that. Also, Shakespeare’s 5 act structure, although from theatre, builds the backbone of my books.
The language is witty, stating so much in between the lines. What I find most inspiring about it as an author, though, is that Shakespeare managed to appeal to a broad mass by providing entertainment to the simpler folks while addressing sensitive political topics and philosophical questions for the intellectuals.
In recent years, ways of dealing with Shakespeare’s texts and with the interpretation of his plays have been undergoing significant change. The New Folger editions, while retaining many of the features that have always made the Folger Shakespeare so attractive to the general reader, at the same time reflects these current ways of thinking about Shakespeare.
I’ve always loved magic and pirates. As I kid, I made up games incorporating the two. As a teenager, I wanted to read about them. But at the time, I couldn’t find anything that had both pirates and magic, so I decided to write one myself. As the years blurred past and the young adult book scene exploded, more and more books with pirates and magic have been published and of course, I try to read them all! I read them not only to study books similar to my own, but because I love them and I can’t get enough.
Imagine The Little Mermaid but the mermaid is actually a killer siren and the prince is actually a siren hunter/pirate, and you’ve got To Kill A Kingdom.
If you’re not sold by that alone (because I certainly was) well, this standalone fantasy also has seafaring action, a variety of vibrant kingdoms, strong character arcs, morally grey characters, dashing pirates, siren magic, and of course, a slow burn enemies to lovers romance (you may have noticed I’m a sucker for those.)
I only wish this was a series and not a standalone.
An unforgettable dark romantic YA fantasy about the siren with a taste for royal blood and the prince who has sworn to destroy her.
"Stellar world building and nonstop action will keep readers hooked on this twisted reimagining of 'The Little Mermaid'." Booklist Online
Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing…
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
Oh, Dragons. They have invaded my life. They’re in every room in my house – it gets crowded in the bathroom but there are a couple in there. They feature in my meditations and once I started reading fantasy, they feature in many of my books. I’m always happy to look at a book with dragons in it. If I could turn into a dragon – I would.
She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end.
Fifteen-year-old Alys is not a witch. But that doesn't matter—the villagers think she is and have staked her out on a hillside as a sacrifice to the local dragon. It's late, it's cold, and it's raining, and Alys can think of only one thing—revenge. But first she's got to escape, and even if she does, how can one girl possibly take on an entire town alone? Then the dragon arrives—a dragon that could quite possibly be the perfect ally. . . .
Hi there, I’m Taylor a British writer who instead of seeking help for my severe anxiety, decided to get lost in magical fictional worlds through books, and later on my own writing. To be fair, it’s worked out pretty well for me considering I now get to share the strange and wonderful stories that pop in my head. I’m sure you guessed that my favourite genre is both Urban Fantasy/PNR, mainly because they are very similar to one another but also because they both blur the lines between reality and imagination. Also because of werewolves. And sometimes vampires.
Dannika Dark’s Crossbreed is just one of her many spin-off series but has quickly become my favourite. The relationship between Raven and Christian is slow-burn, with the books mainly focusing on Keystone, an organisation they are both apart of. In the first book Keystone, there is very little romance other than hints and teases, but when they do get together further in the series it’s intense and full of passion while still remaining true to the storyline. I find with many series that once a couple gets together their individuality disappears, but with the Crossbreed series you find Raven is still the main protagonist, and Christian only adds to her character arc. Heat level: 3/5
With millions sold, USA Today Bestseller Dannika Dark introduces her next addictive series... BOOK 1
Raven Black hunts evildoers for fun, but her vigilante justice isn't the only reason she's hiding from the law. Half Vampire, half Mage,she's spent years living as a rogue to stay alive. When a Russian Shifter offers her a job in his covert organization hunting outlaws,dignity and a respectable career are finally within her grasp. The catch? Her new partner is Christian Poe - a smug, handsome Vampire whom she'd rather stake than go on a stakeout with.
I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.
I loved the Nevernight books because the main character is not necessarily always a hero. Mia is an assassin and cares only about killing. This means it can be uncomfortable to support her decisions and actions when they involve so much death and bloodshed.
She kills for reasons that she thinks are justified, but that isn’t always right, and it is great to see her grow and become something more than just a killing machine. She has a great personality and endures many hardships through the series but I loved reading along and seeing how she overcame everything she faced.
In a world where the suns almost never set, a woman gains entry to a school of infamous assassins, seeking vengeance against the powers that destroyed her family. Daughter of an executed traitor, Mia Corvere is barely able to escape her father's failed rebellion with her life. Alone and friendless, she wanders a city built from the bones of a dead god, hunted by the Senate and its thugs. But her gift for speaking with the shadows leads her to the hearth of a retired killer, and a future she never imagined. Now, Mia is apprenticed to the deadliest flock…
