100 books like The Tragedy of Hamlet, Prince of Denmark

Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.

I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do! 

The inner world of people has always fascinated me, which is why I created the initiative “student for students” where people could just come and talk about what they are going through. In countless sensitive conversations, I got to know many people struggling with the question “to be or not to be”. Then, my sister took her life. I accepted her decision. However, many struggled to do the same. “How can she do this to us?”, “It was selfish of her”, “But she was intelligent.” etc. Countless statements showed that people could understand, but not comprehend what happened. Therefore, I want to create awareness for mental health topics.

The inner world of people has always fascinated me, which is why I created the initiative “student for students” where people could just come and talk about what they are going through. In countless sensitive conversations, I got to know many people struggling with the question “to be or not to be”. Then, my sister took her life. I accepted her decision. However, many struggled to do the same. “How can she do this to us?”, “It was selfish of her”, “But she was intelligent.” etc. Countless statements showed that people could understand, but not comprehend what happened. Therefore, I want to create awareness for mental health topics.

Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe. 

Sometimes I don’t feel very heroic. Octogenarian old women have been known to pass me going upstairs because I have only one working lung (I was born without a right pulmonary artery). I’m also skinny and a touch under-tall. I work in a profession (geophysicist) few understand, and there just don’t seem to be a lot of tv shows about—unlike all the doctors, lawyers, and police dramas. I think it resonates with a great many people when an unlikely person makes a difference. Each and every one of us can make the world a little bit better. Sometimes, we need to believe in ourselves…and try. Besides, who doesn’t like an underdog? Or stories about them.

I’ve always been a fan of swords and sorcery, but Urban Fantasy brings those elements into a more relatable field, turning real-world locations into sandboxes filled with magic and monsters. I might love Aragorn as a character, but I can’t fully relate to him. Now, give me an “average” guy with real-world problems, running around a modern metropolis, slinging spells, and fighting monsters in dark alleys, and I’m right there with him. Urban Fantasy opens up the imagination to anything you want. Dragons in New York? Sure. Giants using the Eiffel Tower as a baseball bat? Why the hell not? Nothing is off-limits. It’s just pure, unadulterated fun.

I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!

It has always been a tough question to answer because I'm many things and have a diverse range of loves. I live in Adelaide, South Australia and believe that we are all capable of great things. My grandchildren are important to me. I'm passionate about unleashing my imagination and translating the many stories in my mind into narratives. I paint, read, sing, garden, and cook and I hope, much more. My passion for fantasy began in the womb. I'm certain of this. I began reading this genre at 5 and for over 55 years; it has been a passion. Epic, dark fantasy enthralls me and I'm in a constant search for the next best read.

I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.