Here are 100 books that The Libyan Diversion fans have personally recommended if you like
The Libyan Diversion.
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I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
A gem of a book and another one that I read again and again. It’s not just the wonderful writing and the moody atmosphere; I love the way that le Carré explores the moral ambiguity in spying during this early part of the Cold War.
I read an interview in which le Carré talked about the pleasure of secrecy and enjoying the feeling that you know something that others don’t. I get that "I’ve got a secret" idea and I’ve used that thought in my own work. Le Carré was also a spy.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
Berlin, 1989. Anne Simpson, an American who works as a translator at the Joint Operations Refugee Committee, thinks she is in a normal marriage with a charming East German. But then her husband disappears and the CIA and Western German intelligence arrive at her door. Nothing about her marriage is as it seems. Anne had been targeted by the Matchmaker - a high level East German counterintelligence officer - who runs a network of Stasi agents. These agents are his 'Romeos' who marry vulnerable women in West Berlin to provide them with cover as they report back to the Matchmaker.…
During my career in law enforcement, I worked in narcotics, violent crimes, criminal intelligence, hostage rescue, SWAT, and internal affairs, to name just a few. I am the recipient of many awards and commendations for heroism. The Sinister is the ninth novel in the best-selling Bruno Johnson Crime series, following The Disposables, The Replacements, The Squandered, The Vanquished, The Innocents, The Reckless, The Heartless, and The Ruthless. I live in the Los Angeles area with my wife, Mary.
I struggled to put this book on a crime novel list, but this is one of my favorite books of all time. At its heart, it’s a spy novel. It makes the list because the main character hunts bad agents–the internal affairs of the CIA.
The book opens with a murder crime scene in New York. If you haven’t heard about this book, it’s a true phenomenon. Many times, during book signings, I’ve been asked by readers if I knew of this book and how much they absolutely loved it. More importantly, though, they wanted me to tell them when the sequel was coming out. This book came out in 2014, and the sequel came out this year, ten years later. It garners 95k reviews on Amazon, which alone tells you all you need to know.
The astonishing story of one man's breakneck race against time to save America from oblivion. _______________ A FATHER PUBLICLY BEHEADED. Killed in the blistering heat of a Saudi Arabian public square. A YOUNG WOMAN DISCOVERED. All of her identifying characteristics dissolved by acid.
A SYRIAN BIOTECH EXPERT FOUND EYELESS. Dumped in a Damascus junkyard.
SMOULDERING HUMAN REMAINS. Abandoned on a remote mountainside in Afghanistan.
PILGRIM. The codename for a man who doesn't exist. A man who must return from obscurity. The only man who can uncover a flawless plot to commit an appalling crime against humanity. _____________
I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.
So, yeah, I saved the big gun for last. I read a lot of Le Carré in high school before I was ready to understand the full texture of his stories, but the vibes have stuck with me to this day.
Magnus Pym both embodies and subverts many tropes from the spy fiction genre, and experiencing this book as a teenager helped me start to make sense of the very personal real-world tensions between “who I am” and “who I appear to be” and “who I want to be.”
I still wrestle with those questions, but my reasons for doing or not doing things haven’t changed all that much. As a wise woman once said: “That’s how we’re going to win. Not fighting what we hate. Saving what we love.”
"The best English novel since the war." -- Philip Roth
Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend-and the perfect spy. But in the wake of his estranged father's death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?
I’m a reader and writer of thrillers, especially espionage, but I also love literary fiction, including contemporary writers like Kazuo Ishiguro, Mohsin Hamid, and Amor Towles. And I enjoy reading classic writers including Gogol, Dostoyevsky, and Kafka. So, when it comes to reading thrillers, I gravitate towards those that are very well written, with precise prose and evocative imagery. This is my crossover list of the best five spy thrillers for readers of literary fiction. If you’re a literary reader interested in dabbling in a bit of espionage, these five books would be a great place to start.
Silva’s novels about Gabriel Allon—a reluctant Israeli secret agent posing as an Italian art restorer—are my current favorite read and a serious contender for the best spy thrillers by a contemporary writer.
Each of the novels in the series works as a separate episode; in this case, Allon is lured into action to track down a Palestinian assassin.
But Allon is brought to life by recurring themes across the series, including the fact that his traumatized wife is permanently assigned to a psychiatric hospital by the car bomb that killed their son.
Silva’s meticulous writing and ingenious mixing of historical fact and fiction will appeal to literary readers.
Wily old Israeli intelligence chief recalls former agents in order to eliminate top Palestinian terrorist. One agent is now an art restorer, the other a fashion model. Ten years before on a mission to destroy the Arab Black September group they were briefly lovers. Now their pasts and their enemies come back to haunt them, as the terrorist murders ambassadors in Paris and Holland. Will the Israeli-Palestinian peace talks be his next target? And what motivates the terrorist? Is it politics, or is it possibly personal? Set mainly in London, but with forays into Paris, Amsterdam, the Middle East and…
The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
The title isn’t kidding. This story—of a psychic thronged by the ghosts of the loathsome men who abused her in childhood—is one of the darkest books I’ve ever read.
I also found it incredibly funny, though the humor is black as ink. I love how, in its perverse way, is also becomes a story about recovering hope after profound trauma: one of the major themes in my own books.
I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
I loved the intrigue and the sleight-of-hand narrative quality of this character-driven mystery.
The magic interests of the main character drew me into a suspenseful reading experience. Kardos creates a kind of magic with twists and turns in plot and style. This character is a magician who needs all the savvy and brilliance of a wizard to untangle this puzzle.
A fast-paced, page-turning thriller for fans of Michael Connelly and Linwood Barclay.
With nothing left to lose you might as well risk it all.
Natalie Webb has taken the gamble of her life. To survive the night, she will have to use every trick she can - each stack of the deck could be her last.
Lured by a $1.5 million payoff, former card-trick prodigy Natalie has accepted a dangerous proposal from a beguiling card shark: to cheat the table at a high rollers' private poker game.
But blindsided by her own dazzling sleight of hand, Natalie hasn't realised the…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
A young woman begins to steal; she has no other way to support her starving and ill mother. When she’s caught, she’s given the fairytale choice of either jail time or service to a mastermind criminal. I’m a big fan of complex morality in a story, and I loved this twisted scenario—who is justified to commit a crime? How can a woman survive in a life of lies? And how can she eventually break free in a very unexpected way?
Because of the unexpected ways she responds to these three dilemmas, she became heroic in my eyes, and I cheered her on at the surprise ending. The author expertly layered the different timelines in this character’s life, never losing me in the transitions, which was an additional delight.
REESE’S BOOK CLUB PICK | INSTANT NEW YORK TIMES BESTSELLER
“This fast-paced read has everything you could want in a thriller: secret identities, a mysterious boss and a cat & mouse game that kept me guessing the whole way through.”—Reese Witherspoon
“One of the best thrillers I’ve ever read... Amazing.”—Jesse Watters
Evie Porter has everything a nice, Southern girl could want: a perfect, doting boyfriend, a house with a white picket fence and a garden, a fancy group of friends. The only catch: Evie Porter doesn’t exist.
The identity comes first: Evie Porter. Once she’s given a name and location…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
This book came at a time when publishing was receiving a lot of flack for its treatment of editors. This book touches on themes such as the toxic work environment for editors, again, how editors from marginalised backgrounds can barely survive in the recent publishing ecosphere.
But also, it's got a very Get Out—esque twist that readers will never see coming!
I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
This is another book that kept me guessing all the way through–not only about the whodunnit but also about what kind of book it even is.
I loved Vesta Gul, an older widow who just moved into a rural community, as the unlikely sleuth. You’d think she had enough problems living in the middle of nowhere with no support network other than her dog, but after she finds a mysterious note in the woods, she’s determined to solve the murder mystery on her own, even before she finds a body.
I enjoyed watching her find a destructive new sense of purpose as she stopped at nothing to complete the case.
'This is a story about what might happen when a woman takes charge... A glorious visceral mystery' The Times
While on her daily walk with her dog in the woods near her home, Vesta comes across a chilling handwritten note. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body.
Shaky even on her best days, Vesta is also alone, and new to the area, having moved here after the death of her husband. Her brooding about the note grows quickly into a full-blown obsession: who was Magda and how did…
