70 books like The Librarian and the Orc

I’m always enamored of a truly dark, gritty setting. I want to see the dirt under the hero’s nails. Smell his sweat and hear his harsh breaths as he fights or...does other things. Aimes’s world in the Ruthless Warlord series is visceral. It grabs you by the throat, shakes you, throws you down, and smothers you. It’s brutal and in some ways unbearably harsh. But Aimes’s books are always tempered with humor, warmth, and ultimately, triumph of the human spirit. I may shiver and shudder my way through Nikolai and Dahlia’s story, but I feel hopeful by the end, and that’s why I return to Aimes’s books again and again—to be, ultimately, uplifted.

This book made me completely shift my frame of reference. Why? It’s set in the modern world. It should be familiar to me as a reader. But it’s not. It’s wholly “other.” It’s a world in which moth fae and succubae use a dating app to set up their monstrous rendezvous. It’s a world in which they work side by side with humans, one of them “out” and public in every way, the other closeted and fearful, and it’s not the ones you might expect. It’s a world of deep needs almost too ugly to be expressed which drive behavior in a way I immediately recognized, and sympathized with, but only when seen through the lens of these very alien characters in a very familiar world. It’s a world that requires you to completely open your mind, and you will come away much richer for it.

“What if?” That’s the question sci-fi and fantasy authors have been asking for over a hundred years. What if humanity was dying and aliens offered salvation, but only at a terrible price? That’s the question this book poses, and it does it so compellingly. The story’s set on a poisoned world, and in a dying race’s spaceship. There is no escape here except death. There are no familiar, comfortable spaces. Nowhere left to hide. There is only the smallest spark of hope: that the humans can somehow connect with the aliens who are “not squid” but absolutely not like us. To do so, they have to overcome the basest squeamishness of human nature, and that they do makes for not just brave characters, but an extremely brave book.

All of R. Lee Smith’s novels are dark, explicit, and fascinating, but my favorite (and it was a Sophie’s Choice, for sure!) is The Last Hour of Gann. The heroine, Amber, and her spaceship full of fellow pioneers crash land on a dystopian alien world inhabited by lizard people. The humans are woefully unprepared to survive in the wild and all too willing to turn on one another. When a passing lizard/warrior/judge, Meoraq, stumbles upon their camp, Amber jumps at the opportunity to beg for his aid, a near-impossible task without knowing his language. Together, they learn to communicate, and as Meoraq embarks on the futile task of keeping “his humans” safe, so begins the delicious, inexplicable, slow-burn romance between woman and lizard that I never knew I needed.

Did someone say a brotherhood of half-orcs? Sign me the hell up.

I’ve always loved non-human characters, whether monsters, aliens, ghouls, or whatever. I’ve always strongly identified with the “other.” When monsters do show up, they’re often depicted as just that: monsters. This is especially true of orcs.

But in The Grey Bastards, we get to see these mutts as so much more than drooling, mindless beasts. Their loyalty and brotherhood is what keeps them alive. When they’re riding out into battle, it’s not their tactics or strategy that gives them the edge, it’s knowing that whether they live or they die, their brothers will be fighting fiercely by their side. And that’s the sort of thing that makes me feel all warm and fuzzy inside.

For me, this book really brought a deep lore and background to the Orc race. With intrigue and plot aplenty, this story follows an Orc attempting to bring about a strong Orc kingdom with cities and trade, allies, and stability. Not every Orc is ready or wants this change and there is certainly a challenge to bringing about the kingdom. This gives a great depth to the Orc race and is one of my favorites from a great author.

 This was the first book I ever read that had me rooting for the Orc. With their lack of discipline, drug, and alcohol use, and loyalty to their comrades it’s easy to imagine them standing at the bar having a pint. Along with the action, there are some deeper issues delved into, including religious fanaticism and racism. For me personally, this really spoke of how exciting it can be to throw character roles in reverse. 

Why have one world when you can have multiple? The Unspoken Name took me by surprise when our main character was taken from her death cult and whisked through a gateway that would lead her to many worlds all connected by a misty maze. Dead worlds and gods, flying ships, undead cities, and a revenge plot that twists into something far bigger, The Unspoken Name feels like three stories in one, but in the best way. The various worlds and their cultures are intricate and vibrant, brought to life by the lovely cast of characters the story is told through. From an orc mercenary outrunning a god, to a wizard with godlike ambitions, the cast is phenomenal and diverse in both race and sexuality, something I love reading in fantasy. 

I’m a sucker for unique worldbuilding, and this book's combination of military traditions and the age of sail with magic space travel scratches that itch nicely. Dianne Morrison tells a heartfelt and deeply emotional tale that is at once both a coming-of-age story following a young elf’s pursuit of dreams as a star-pilot and a gritty cautionary tale on the horrors of war.

I felt for Shaundar and friends as they struggled through their own challenges to pursue their dreams, their patriotism as they snuck away to join the new war effort, and their horror as those dreams fell apart and survival became paramount. Check the content warnings on this one, as the narrative leans heavily beyond heroes and into the dark sides of war.

This book really introduced me to the darker side of fantasy, and in fact, this is more grimdark. While most fantasy books have a good versus evil theme, a lot tend to water down the actions of the evil characters to make them more palatable or more accessible to a wider range of readers. This really describes the evil actions in detail so be warned it is not Harry Potter! I realized when reading this that you can bring horror aspects into fantasy, which makes sense as it’s a genre that’s full of evil, monsters, and people armed with all kinds of brutal weaponry.