Here are 100 books that The Last Warner Woman fans have personally recommended if you like
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Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
As a sucker for beautiful writing, this book had me from the first page, and I couldn’t put it down. So many issues that had been part of my childhood culture resonated with me while it also showed me many others from a part of India that I had never even visited.
Though sweeping in its scope, it drills down into a very human story with all its pain and love. It weaves myth, story, real life, love, loss, and the meaning of family. It was one of the first novels by an Indian woman that transcended cultures, gender, and any preconceived notions.
'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.'
This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun,…
I grew up in a small village in India. The nearest library was in the next town, two bus rides and a long walk away and comprised of one bookshelf, half full, the books with several pages missing. I read and reread those books, making up my own narratives for the missing pages. I suppose this was the crucial first step in my journey to author. I write stories featuring diverse protagonists. In my books, I explore themes of displacement and belonging, how people brought up in different cultures and during different times respond to challenges, how their interactions and reactions are informed by their different upbringings and values.
This book deals with knife crime and its devastating aftereffects and is told from the point of view of the victim’s mother as she comes to terms with her son’s death. A mother myself, this was a heartbreaking read, very topical and ultimately uplifting. Beautifully written, this is a very powerful book. I think it should be part of the curriculum for teenagers in secondary schools. A truly wonderful book.
Chosen by Bernadine Evaristo as one of her Top 20 Books by Black British Womxn Writers, Yvvette Edwards' second novel, The Mother, tells Marcia's story.
Today, Marcia is heading to the Old Bailey. She's going there to do something no mother should ever have to do: to attend the trial of the boy accused of her son's murder.
She's not meant to be that woman; Ryan, her son, wasn't that kind of boy. But Tyson Manley is that kind of a boy and, as his trial unfolds, it becomes clear that it's his girlfriend Sweetie who has the answers Marcia…
I grew up in a small village in India. The nearest library was in the next town, two bus rides and a long walk away and comprised of one bookshelf, half full, the books with several pages missing. I read and reread those books, making up my own narratives for the missing pages. I suppose this was the crucial first step in my journey to author. I write stories featuring diverse protagonists. In my books, I explore themes of displacement and belonging, how people brought up in different cultures and during different times respond to challenges, how their interactions and reactions are informed by their different upbringings and values.
I loved this masterfully written short story anthology. This book was published in 2009 and I read it soon after but I still remember the stories – they are haunting and thought-provoking. I think this was the first book I read which really brought home to me the challenges faced by the people of Zimbabwe in a changing and uncertain political climate, living their day-to-day lives in a country on the verge of collapse.
A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what…
I grew up in a small village in India. The nearest library was in the next town, two bus rides and a long walk away and comprised of one bookshelf, half full, the books with several pages missing. I read and reread those books, making up my own narratives for the missing pages. I suppose this was the crucial first step in my journey to author. I write stories featuring diverse protagonists. In my books, I explore themes of displacement and belonging, how people brought up in different cultures and during different times respond to challenges, how their interactions and reactions are informed by their different upbringings and values.
I read this sublime short story collection just after I moved to England from India. Saying that these stories of displacement, yearning, loss, love spoke to me is an understatement. I was new to England, missing India which I still thought of as home and while some of the stories brought India back vividly to me, others I could absolutely identify with as they detailed the immigrant experience so beautifully. A book that will always be very close to my heart as I read it and laughed and cried and yearned alongside the characters.
'One of the finest short story writers I've ever read' Amy Tan
WINNER OF THE PULITZER PRIZE
WINNER OF THE PEN/HEMINGWAY AWARD
WINNER OF THE NEW YORKER PRIZE FOR BEST FIRST BOOK
Jhumpa Lahiri's prize-winning debut collection explores the lives of Indians in exile - of people navigating between the strict traditions they've inherited and the baffling New World they must encounter every day.
Whether set in Boston or Bengal, these sublimely understated stories, imbued with umour and subtle detail, speak with eloquence to anyone who has ever felt the yearnings of exile or the emotional confusion of an outsider.…
In addition to my lived experience as someone who has struggled with mental health and addiction since adolescence, I'm passionate about social justice issues related to mental illness and substance use. In June 2021, I completed a post-graduate program in Mental Health & Addictions. Throughout my studies I was able to gain a deeper understanding of how my own struggles developed and what they have come to mean to me from both a personal and clinical perspective. Now, I endeavor to pursue future writing projects in various genres that illuminate mental health issues as a relevant and timely topic of interest. I also hope to work with disenfranchised populations while pursuing my creative writing.
The prose style in the memoir, Girl, Interrupted, is clean, concise, and unembellished. The spare writing leaves no room for self-pity, yet still tells a vivid story of mental unraveling and convalescence concurrently. Kaysen meets a cast of vulnerable characters during her nearly year-long commitment in a psychiatric hospital. They form unlikely friendships, and we get to know all of their various neuroses in a stifling environment that is at once a cage and a path to self-discovery and health.
I was reminded of my own two commitments to psychiatric hospitals, how strange and austere the world became in those weeks, how time became irrelevant with the breakfast, lunch and dinner announcements, medication time, nightly bed checks, and the ironic “fresh air breaks,” on the back steps of the ward where I and my own unlikely cast of characters smoked cigarettes and commiserated about our unique predicaments.
Futaro Uesugi is a second-year in high school, scraping to get by and pay off his family's debt. The only thing he can do is study, so when Futaro receives a part-time job offer to tutor the five daughters of a wealthy businessman, he can't pass it up. Little does he know, these five beautiful sisters are quintuplets, but the only thing they have in common is that they're all terrible at studying! At this rate, the sisters can't graduate, and Futaro must think of a plan that suits each of them - which feels hopeless when five-out-of-five of these…
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
Faces in the Water was first published in 1961, though it received far less attention and acclaim. The “story,” such as it is, is narrated by Istina Mavet, a shy, introverted young woman (again, based closely on the author) who, like the author, spends ten years in a New Zealand psychiatric hospital. Faces in the Water recounts long, dull years of cruelty and suffering. But don’t let this put you off—Frame’s style is marvelously poetic. The narrative is abstract in places and was at first difficult for me to get into, but once I began to see things from Istina’s perspective, the story came to life, and I found it brutally beautiful.
I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.'
When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel.
Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion,…
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features the classic “book within a book” trope as a key plot mechanic, but I think Moxon is going for the gold medal in the category of “books within books within books,” with multiple competing characters claiming to be authors and demonstrating unnatural control over their domains, while bemused but frequently baffled readers attempt to decipher what nested reality is foregrounded and what the hell it all means regardless.
It starts off as a spiritual quest for inner-city redemption, starring the inmates of a forgotten asylum and the local parish that tries to tend to them; then an inmate reveals a deeper story of solipsistic villainy that blows away their current problems, and then at least one if not multiple authors involved throws all the cards up in the air and reshuffles them into a multiverse-spanning road movie.
"A modern-day classic."—Ron Charles, Washington Post
“A spectacular invention.”—The New York Times
"Compulsively readable."—NPR
Things do not bode well for Father Julius. . . A street preacher decked out in denim robes and running shoes, Julius is a source of inspiration for a community that knows nothing of his scandalous origins.
But when a nearby mental hospital releases its patients to run amok in his neighborhood, his trusted if bedraggled flock turns expectantly to Julius to find out what’s going on. Amid the descending chaos,
Julius encounters a hospital escapee who babbles prophecies of doom, and the growing palpable sense…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
It’s no surprise to hear I’m drawn to stories featuring outsiders, people who don’t / won’t conform and are fed up trying to force themselves into the narrow roles society offers. Folk who slide under the radar, and never make it into history books (which is all of us, right?). This springs from being an outsider myself, the weird kid who didn’t fit. I’ve chosen novels where the LGBTQ+ characters strive and struggle but do not die tragically. Put simply, they are real people, complete with flaws and strengths. These books are your very own Time Machines: wonderful stories to transport you into the past.
Set in 19th century England, this novel is aimed at Young Adult readers and is a reminder that a good read is simply good, whatever age bracket it’s aimed at. It resonated with my own teenage struggles to break free of restrictive expectations – even though mine were trifling compared to what the heroine Louisa has to go through! She resists the restrictions of Victorian society and the limited choices available to women, and is locked up in an asylum. It prompted me to read more about the era and discovered the shocking truth of how this really happened to women who stepped out of line…
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove. Surely this is a mistake. Surely her family will rescue…
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
This is a recent reissue of a book first published in 1974 and long out of print. Bette Howland gives us a vivid and honest account of her time in Ward 3 of a Chicago psychiatric hospital after a serious suicide attempt in her late twenties. I was moved by the moments of communion, camaraderie and even comedy the narrator shares with her fellow patients. Having said that, Ward 3 is a terrible place. The “treatments” are also punishments. The narrator confronts the ward’s alienation with clear, unsentimental detachment. I was absorbed by her struggle to retain an element of dignity in the face of the hospital’s fatally indifferent bureaucracy.
An extraordinary portrait of a brilliant mind on the brink: A new edition of the 1974 memoir by the author of the acclaimed collection Calm Sea and Prosperous Voyage. With an introduction by Yiyun Li.
“For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way. Something to be got through first, some unfinished business; time still to be served, a debt to be paid. Then life could begin. At last it had dawned on me that these obstacles were my life.”
