Fans pick 100 books like The Last Samurai

Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.

I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.

Although I can enjoy almost any kind of book that sparks my humor or imagination, the ones that do the best job are those that put familiar characters into unfamiliar situations, whether harrowing or hilarious and challenge my understanding of what I might do if put in a similar situation. When average people are called into extraordinary situations, if not also absurd or ridiculous, I want to see how they handle it, how they overcome obstacles when they have no tool in the toolbox that would simplify it, or when their adversaries try taking the tools they do have away from them. I think these five books provide that spark. 

In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear? 

I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.

Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.

I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.

When I think of great novels, I don’t recall plot twists, beautiful language, or exotic settings. I remember the characters. How they met or didn’t meet, the challenges put before them. Great, unforgettable characters create great stories. They take risks, become friends with people society tells them not to, and don’t hide their motivations or fears. They show their humanity. A great character can make walking down a supermarket aisle an exciting adventure. Boring, one-dimensional ones can make a rocket launch seem like you’re reading about paint drying. All the books I discuss hit the character checklist tenfold. 

When I was a child, there was a wooded lot across from my house. All the neighborhood kids gathered there daily after school, running amongst the tall conifers, making forts, and climbing the smaller trees. I begged to be able to play there, but was never allowed. So sometimes, I’d sneak across the street and stand at the edge of the trees and desperately wonder what was within the gloriously dark shadows. There’s just something magical about kids spending time in secret places, away from the cares of the adult world. I'm a Pacific Northwest author, graphic designer, and coffee addict who lives for mysteries of any kind. I'm the author of two YA mystery fiction trilogies, two children's books, and one nonfiction history.

Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.